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In a small town, three men meet after 15 years for a wedding and, instead of attending the ceremony, they go to a bar and start remembering the past, along with their sexual adventures.

Billie, a seven year-old girl, carries a wounded man inside her home in the middle of the night. In the morning, the man can't move and she is sure that there's something stuck inside him that needs to come out.

A woman writes a book about sex and marriage and it becomes a best seller.

En una ciudad desconocida, en un edificio a través de las ventanas se puede ver el momento exacto en el que las cosas cambian. El antes comienza a ser el después y viceversa. Y nada vuelve a ser como antes. En este universo idéntico y diferente a la vez, se ve como los personajes cambian para siempre. In an unknown city, in a building through the windows you can see the exact moment when things change. The before begins to be the after and vice versa. And nothing goes back to the way it was before. In this identical and different universe at the same time, it is seen how the characters change forever.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

Three construction workers live together in a tiny apartment while building a new factory. When their foreman, Kolecki, is fired for neglecting his professional duties, the trio bands together to keep the production on course.

A film by Robert Cahen.

A luckless army intelligence lieutenant finds himself stationed on a remote island army outpost during World War II, where all the action is between the sheets.

In 2022, the original negative of the film Javier Aguirre created in 1973 was found. It had never been shown, due to the threat of censorship, which had already targeted his short film Che Che Che. Aguirre himself had written in the label Manifiesto Horizontal. It is the Communist Manifest written horizontally with transparent glue on 35mm film. Aguirre stated that this piece “is born out precision, geometrical thinking (…) and when something happens by chance, that chance has been thoroughly studied.”

Structuralist film using multiple photographs of a number of people projected at varied speeds against multi-colored backgrounds.

A film by Peter Liechti.

With its stationary camera shots, tight focus, and almost uniformly black and white images, Seoungho Cho's Horizontal Silence is an experiment in minimalist limitation. A window-like aperture, created by severe digital cropping, fragments all that the lens observes, bodies and architecture alike, lending the images of streetlife and cityscapes the air of surveillance footage. The elegance of the work's understatement is only heightened by the brief moments when it blossoms into color and noise.

Flashes of Victorian domestic surfaces and geometric shadows transform the physical world into a somber, impressionistic abstraction, while elsewhere a spectre emerging from the depths of German Expressionism reminds us that what goes up always comes down.

Recorded in the chilly, indeterminate locale of airport terminals around the world, Seoungho Cho's surreptitious footage of travelers biding their time captures the ominous quietude unique to that space. The canned announcements and muttering news reports that usually fill this limbo are gradually supplanted by an Alexander Scriabin piano sonata, lending an introspective and melancholic air to the inorganic shades of blue and grey, and the anonymous silhouettes of bored strangers. A floating set of mysterious glowing red orbs seem to stare back, eerily calling to mind the red eye of HAL the super computer from Stanley Kubrick's 2001: A Space Odyssey (1968). Perhaps these "eyes" match the artist's role as an outsider looking coolly upon an unfamiliar world, longing for a communion that wil always be disappointed in such a transient realm.

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

Part of paraconsistent sequence series. “A paraconsistent logic allows inconsistency without absurdity.” The works in this subcollection contain contradictions of time and place, reorganizations of past, present and future.

Shows the movement of water from a small bottle to a larger one, viewed as if the transfer is occurring in a horizontal direction.

"Abstract video art created in 1976. Video by Dean Winkler and Chris Lambiase. Music by Terry Riley. This was created in real time using an RE-4 Rutt/Etra analog video synthesizer. After spending our January college break building the facility that housed the RE-4 and related equipment, we created this tape (with lots of patch cords) the night before we headed back to school." -Dean Winkler

In a room, François Miron piles boxes against a wall film screen. The images projected on it quickly rush together:automobile accidents, Tuscan landscapes, an injured man, medical experiments intercut with smoking factories, a sleeping face. Miron moves the boxes about constantly, as if feeding a burning fire.

Glass occupies a position between fluidity and stasis – an amorphous element, integral in the production of moving images and architectural vistas, that actively distorts and transforms light. Filmed in a glass blowing factory, the interiors of Le Corbusier’s 1923 Villa Le Lac, and the surrounds of southwest Switzerland, The Horizontal Window intercuts two contrasting aspect ratios that parallel the primary apertures of Villa Le Lac: an 11-meter ribbon window facing Lake Geneva and a smaller, squarer unglazed frame cut into the exterior garden wall.

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