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Billie, a seven year-old girl, carries a wounded man inside her home in the middle of the night. In the morning, the man can't move and she is sure that there's something stuck inside him that needs to come out.

Experimental film by Viking Eggeling. Now lost.

A film by Robert Cahen.

The city moves, but what else does? A metaphor for the process of falling in love, told through the mechanical ramps of Vigo, Galiza.

The film is a superimposition of 6 to 8 takes. In each take, a horizontal piece of white paper was moved around in front of the camera by hand.

Three construction workers live together in a tiny apartment while building a new factory. When their foreman, Kolecki, is fired for neglecting his professional duties, the trio bands together to keep the production on course.

A film by Peter Liechti.

Coastal town of Benidorm, Spain, August 1956. Sylvia, a newly married US poet, goes for a walk.

Daisuke Morishima, Ryua, Shizuku Hoshino, and ZeNrA, who have an absolute following among young people on the Internet video distribution service, take on the challenge of filming terrifying haunted places in this fourth installment of their horror documentary. This is the final part of a two-part series in which the four psychic mavericks challenge Hokkaido with high-tech equipment and acts of blasphemy in order to capture the spirits.

In a small town, three men meet after 15 years for a wedding and, instead of attending the ceremony, they go to a bar and start remembering the past, along with their sexual adventures.

A luckless army intelligence lieutenant finds himself stationed on a remote island army outpost during World War II, where all the action is between the sheets.

No description available for this movie.

An experiment in pure design by film artists Norman McLaren and Evelyn Lambart. Lines, ruled directly on film, move with precision and grace against a background of changing colors, in response to music specially composed for the films.

A woman writes a book about sex and marriage and it becomes a best seller.

En una ciudad desconocida, en un edificio a través de las ventanas se puede ver el momento exacto en el que las cosas cambian. El antes comienza a ser el después y viceversa. Y nada vuelve a ser como antes. En este universo idéntico y diferente a la vez, se ve como los personajes cambian para siempre. In an unknown city, in a building through the windows you can see the exact moment when things change. The before begins to be the after and vice versa. And nothing goes back to the way it was before. In this identical and different universe at the same time, it is seen how the characters change forever.

Recorded in the chilly, indeterminate locale of airport terminals around the world, Seoungho Cho's surreptitious footage of travelers biding their time captures the ominous quietude unique to that space. The canned announcements and muttering news reports that usually fill this limbo are gradually supplanted by an Alexander Scriabin piano sonata, lending an introspective and melancholic air to the inorganic shades of blue and grey, and the anonymous silhouettes of bored strangers. A floating set of mysterious glowing red orbs seem to stare back, eerily calling to mind the red eye of HAL the super computer from Stanley Kubrick's 2001: A Space Odyssey (1968). Perhaps these "eyes" match the artist's role as an outsider looking coolly upon an unfamiliar world, longing for a communion that wil always be disappointed in such a transient realm.

"Abstract video art created in 1976. Video by Dean Winkler and Chris Lambiase. Music by Terry Riley. This was created in real time using an RE-4 Rutt/Etra analog video synthesizer. After spending our January college break building the facility that housed the RE-4 and related equipment, we created this tape (with lots of patch cords) the night before we headed back to school." -Dean Winkler

With its stationary camera shots, tight focus, and almost uniformly black and white images, Seoungho Cho's Horizontal Silence is an experiment in minimalist limitation. A window-like aperture, created by severe digital cropping, fragments all that the lens observes, bodies and architecture alike, lending the images of streetlife and cityscapes the air of surveillance footage. The elegance of the work's understatement is only heightened by the brief moments when it blossoms into color and noise.

180 million years ago, through a chance horizontal gene transfer, ferns acquired a much needed light sensor (neochrome) that allowed them to modify and survive in low light environments. We should all be so lucky.

The title Horizontal Boundaries refers to frame lines- the boundaries between one image and the next on a roll of motion picture film. These lines, usually hidden by the projector gate, are revealed as subject matter and as a means of dividing the screen into as many as four very wide images, stacked one above the other. They represent many places, and a few people. My intent was to find ways to allow the images to interact in ways not usually possible. The track includes some Irish fiddle solos and intense recycled dialog.

No description available for this movie.

Every one of us dreams of finding a magic wand, matches or, at least, an enchanted flower that would make any wish come true. Well, we’re just dreaming, but a boy named Tolya Ryzhkov did find one, though, between us, he didn’t deserve such a good fortune. He was a pretty big liar and rascal, didn’t listen to his mother, hurt those who were weaker, and didn’t obey traffic regulations.On that ill-fated day when his incredible adventures began he behaved badly, as usual. He had even made a policeman mad! While running away from him, Tolya met a magician and forced a box of magic matches from him. To punish the boy, the evil magician (alas, there are such, too) had Tolya transported to his magic island. You will know how it all ended when you watch this humorous, fascinating adventure film.