Search Results for "home movies"

A cult guru urges a shy disciple to make life a movie and be its star.

While cleaning out their dead fathers study, adult siblings Abbi and Matt must confront their strained relationship with their Dad and each other.

A comedy short staring Robert Benchley. He tries to show us how to make our own movies.

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

A 1979 production from BBC2 Playhouse by Denis Cannan

It compiles more than twenty years of passionately recorded “pictures from life” captured on super 8, that Vukica Djilas shot from 1970 to late 1990s.

Children look up at a carp banner blowing in the wind. This footage was shot by an anonymous person and yet it has become my own memory. Grown up, holding an 8mm camera, I look up at a carp banner just like that day.

After purchasing their home, a young couple begins documenting their lives.

Home Movies of Man Ray and Ady Fidelin from 1938. Presents a simple and intimate portrait of the man behind the artist. Compilation of ten Man Ray films: Ady, Dance, Juliet, Rue Campagne-Première, Corrida, Autoportrait ou Ce qui manque à nous tous, Poison, L’atelier du Val de Grâce, Course landaise, La Garoupe

In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in chronological order from 1969. He describes each piece briefly. At times he turns to one side and speaks to an absent person in a conspiratorial whisper: "They couldn't possibly know these pieces the way you do... you know how I took what was happening with us and transferred it into the work." At other times he stands in front of the slide projections to face the viewer and addresses his art-making strategies, including the process of making this tape: "There's too much action here, my interest is language. Language can over-analyze things, break things down, over-complicate things."

The earliest movies were divided between exotic faraway places and cinema's ground zero, the family film in the domestic space. This documentary turns from commerce and industry to consider the intensity, trouble and tenderness of the first and best kind of film: the home movie.

A compilation of Tony Buba's home movies

A film by Jordan Morris

The home movies of the Jarret family are true “orphan films” that were found at a flea market in Pittsburgh, where they were rescued by the Orgone Archive. The collection, much of which was severely water-damaged, spans the years 1958 to 1967 and includes family events and scenes from David Jarret’s career as a firefighter. The family lived on Grove Street in Pittsburgh’s Hill District. The center of Pittsburgh’s jazz scene during its heyday from the 1930s to the 1950s, the Hill has been called the “center for music and night life between New York and Chicago.”

NYC-Colombian comedian, Lorena Russi, discusses and recreates how her parents originally met hitchhiking.

A short film about a boy watching an old home movie at his grandparents house.

A documentary composed by home movies shot between 1959 and 1974 by the avant-garde composer Luigi Nono and his wife Nuria Schönberg

Made from a collection of home movies, news footage and photos gathered from a residency in Belgrade in memory of a country that no longer exists.

While sorting through a mess of books in the staff room, Ohana happens upon one of Denroku's log books from long ago. Within it, it recounts a story of Ohana's mom when she was the same age as her.

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Socially inept 17-year-old cinephile Lawrence Kweller gets a job at a video store, where he forms a complicated friendship with his older female manager.

“After So Long // बरसों बाद” is a visual poetry set in Mumbai (India) and voiced by Simha and their parents to symbolise their connection with each other; a walkabout through time and memories. Directed by Varsha Panikar, the film takes inspiration from vintage-home-movie culture to create a contemplative and nostalgic vignette of an artist’s spiritual journey out of the darkness and into the light.

With depth, intimacy, and humor, FLOAT! captures filmmaker Azza Cohen's magnetic grandma’s life-affirming journey learning to swim at 82, inspiring audiences to defy societal expectations of aging and to boldly look forward at every stage.

José Sirgado is a low-budget filmmaker whose heroin addiction distorts his perspective of the real world. Although he is a depressed and unstable individual, his mood improves when he receives the mysterious films of Pedro, with whom he shares his passion for cinema.

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.

Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.

Comprised of video shot during the Nazi regime, including propaganda, newsreels, broadcasts and even some of Eva Braun's colorized personal home movies, we explore the way in which the Third Reich infiltrated the lives of the German population, from 1933 to 1945.

In the shadow of Dinosaur Cliff lies Fossil Gulch and Ghost Ranch. Will someone on the ranch be an innocent victim?

Germany, 1929. Helmut Machemer and Erna Schwalbe fall madly in love and marry in 1932. Everything indicates that a bright future awaits them; but then, in 1933, Adolf Hitler and the Nazi Party rise to power and their lives are suddenly put in danger because of Erna's Jewish ancestry.

Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.

THE LIMITS OF MY WORLD follows a nonverbal young man’s transition from the school system into adulthood. Brian has autism and faces the daily challenges of adjusting to his new life. Filmed from the intimate perspective of his older sister Heather, this documentary seeks to understand Brian’s personality beneath his disability. THE LIMITS OF MY WORLD is an autistic coming of age story exploring what it means to be a nonverbal disabled person in today’s society.

A charming yet mischievous man who navigates his community by scamming people and borrowing money. Despite his deceitful ways, Mabidi tries to maintain a semblance of normalcy at home, where he faces his no-nonsense wife, Maria.

Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.

Memory is a collaboration with musician Noah Lennox (Panda Bear), exploring the relationship between a musician and filmmaker and their personal reflection on memories. From Super 8 home movies and entirely handmade, this film explores familiar memories, the present moment combined with past experiences and how it all seems to evade from our present memory.

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

In home-movies shot in the ‘90s by her father, the filmmaker discovers in these inherited images powerful fictions of the Argentinian middle class and the country’s recent history.

Adrift in grief, Colby relentlessly pursues the publication of his childhood story as a way to hold onto the brother he lost.

No description available for this movie.