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First part of the epic Ramayana Duology.

Shiva, a tribal vagabond lives with his mother in hamlet, stays away from the traditional Daivaradhane and Bhoota Kola legacy due to an unforgettable childhood incident. He is happy loafing around with his friends and doing petty jobs for his landlord. When Forest officer Murali enters the scene, it gives a fresh dimension to the man-vs-nature fight. Can Shiva save the forest from Murali? Or is Murali just a dummy bait cast by bigger fish?

Hiranyakashyap, the tyrannical demon, challenges Vishnu, proclaiming himself a god. However, his son Prahlad remains devoted to Vishnu, who appears as Narsimha to defeat the demon.

In Ayodhya, the royal palace of Kosala Kingdom in Ancient India, four princes were born to three queens, each of whom grew to great stature. Banished for 14 years due to court intrigue, Prince Rama retreated to the forest with his beautiful wife Sita. When Rama vanquishes the demons of the forest, he invites the wrath of the demon king Ravana, who kidnaps Sita. Based on the Indian epic the Ramayana.

India, 1918. On the outskirts of Tumbbad, a cursed village where it always rains, Vinayak, along with his mother and his brother, care of a mysterious old woman who keeps the secret of an ancestral treasure that Vinayak gets obsessed with.

After inspector Dev stirs the reign of Veeraiya, a tribal outlaw, the latter responds by kidnapping his wife, Ragini. While she tries to escape from him, Dev fights many resistances to find her.

A shopkeeper takes God to court when his shop is destroyed by an earthquake.

Chhota Bheem and his friends set out to fight Damyaan, a demon blessed with immortality. However, it is not as easy as they thought it would be.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

An eight year old boy contemplates his relationship with Lord Shiva (the incarnation of Lord Vishnu) in the sacred city of Banaras.

After a valiant Thai boy is brutally murdered by a gang of archeological looters, his soul is joined with the Hindu god Hanuman, who teams up with Ultraman and his brethren against familiar Ultra-foes unleashed by a weather control experiment gone awry, in this influential Thai-Japanese co-production.

Mahabali was a beloved king and very kind to his subjects in the state of Kerala. The time under his rule was considered one of great prosperity and happiness. It is in fact this success as a king that led the gods to be wary of him and bring his demise at the hands of Vamana.

Life is bliss until one day Kanti Sharan Mudgal’s son Vivek is blamed for immoral conduct and expelled from school. Overwhelmed, Kanti plans to leave town until a divine intervention leads him to seek justice by taking those responsible to court.

Shankar is a wounded, reluctant and reclusive aghora on a quest to find the cure for his very rare human condition – the one that will be cured, only when he can confront and conquers the haunting ironical questions of his life.

A bandit leader kidnaps the wife of the policeman who killed his sister, but later falls in love with her.

An epic musical drama depicting the preface to Seetha and Rama's wedding.

Nikhil Siddharth and Swathi Reddy are back once again onscreen with Karthikeya. The mystery of the Subramanian Swamy temple which has remained closed for years is the crux of the movie. Local people in the village are curious why the temple has been locked up for years? The lead protagonists take the initiative to solve the mystery.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

The film is a retelling of the story of Lord Rama, from his birth until his battle with Ravan at Sri Lanka.

The story of Sita, a Hindu goddess and the female protagonist of the Hindu epic “Ramayana”.