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An investigative journalist is found beaten to death in his home, where the fingerprints of a notorious criminal debt collector are also found. The murdered journalist has been threatened by right wing extremists, but it is the victim’s work with a book about “society’s dark side” that captures the Beck group’s interest. When the case takes an unexpected and terrible turn, there is suddenly much more at stake than finding the journalist’s killer. Martin Beck and his colleagues have never had to protect the balance of their professional and private lives with the same tenacity as they do now.

The body of a young woman is found in a Stockholm hotel room. It appears that she has been strangled after a night partying with two young men, but the room was paid for using the credit card of a mugging victim whose alibi doesn't add up. Martin and Gunvald investigate under the supervision of their new boss Klas Freden.

The bodies of two buried men are found and despite persistent attempts, they cannot be identified. When another man is murdered they discover new evidence that soon leads them to an Islamist terrorist cell.

When a well-known crime boss is murdered by a sniper in front of his family, Beck and his team are challenged to discover which one of his many enemies could be responsible for the crime.

Tommi and his half brother Kiddi travel through Iceland with a money transport. A reunion develops into a nightmare after picking up the hitch-hiker Lísa.

Contemporary art has become an arena for political debate, and nowhere is this more evident than at the art academies. Norwegian artist Sille Storihle has designed a role-playing game to explore the issues. The rules of the game are clear: The students at the Film and Art School in Kabelvåg were given fictitious characters which they themselves developed further and act out in a group critique of each other’s work. But while the rules are clear, the game itself can easily spin out of control! And it does in ‘The Group Crit’, where the students (who are all in character) don’t hold back from criticising each other’s artworks – and each other in general – so we soon forget the performative framework of the heated debate. The collective experiment challenges not only the students’ self-perception, but also Storihle’s own authority as a director. An important, witty and wild work created with the active participation of the students.

Though exploring different themes, the work is similarly politically charged. The 14 minute film documents a group of climate activists gluing their hands to asphalt, the reactions of bystanders and the police response. Its long, insisting gaze challenges the binaries of such an exchange. The film asks the audience to observe how each subject acts out their prescribed role in society.