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Is the city of Zurich suffering from ‘density stress’? What is it like to live in mega cities such as São Paulo, Mexico City and Tiflis? Filmmaker Thomas Haemmerli broaches the topics of city development, architecture, density, housing market, xenophobia and gentrification from an autobiographical perspective. The path of his life has led him from a childhood in the villa district of Zürichberg, through his teenage years as squatter to flat shares, yuppie apartments and finally second homes in various cities. Only recently having become a dad, he plans to further enhance Zurich’s price appreciation by purchasing a huge, extended city apartment… This multifaceted essay not only humorously questions the filmmaker’s decisions, but also those of the right-wing conservatives, who are afraid of losing their space to immigrants, and the political left, who fail to embrace modern-age architecture.

Why are you still living with your parents? It’s a question I constantly think about. Is it really wrong? My parents are still living with their parents too. And I’m with them. Is it my fault? What’s keeping me here?

A short documentary shot in November 2021 in Berkeley. It reflects on the ethos of privatization in American culture and how public spaces are being built to exclude people through cruel architecture. The context used is the gentrification circle around the University of California Berkeley intended to build student housing. An eye-opening journey that explores structures and elements you would never have stopped at.

My Gentrification is a documentary film consisting of two independent sections that explore my experiences and observations about housing, urban living and the rapidly changing landscape of Toronto. These ideas are presented using personal film footage on Super-8 or 16mm and interviews with local residents which I have been collecting since late 1990. For nearly 20 years, I have filmed small segments of daily life, street events and personal moments. This footage began taking on more meaning and structure as time passed and the neighbourhood started changing. I discovered that it is a record exploring a body of ideas and thoughts that can be used to talk about the process and impact of gentrification in Toronto. (MA)

In the late 1990s, Nikki Williams, a single mother living in Portland's only "ghetto," embraced the idea of gentrification. At that time, her neighborhood was dominated by abandoned buildings and the fear of drug dealers. Fifteen years later, Nikki was one of the last black residents on her block, as high-end restaurants and throngs of young newcomers came to dominate the area. While some black residents said good riddance to the old neighborhood, others felt betrayed by city officials who promised revitalization without displacement. As gentrification grew beyond Nikki's neighborhood and plunged the entire city into a housing crisis, Nikki found herself torn between feelings of grief about the loss of her community and the opportunity to sell her home and achieve economic freedom for the first time in her life.

In an historically Black neighborhood of Cincinnati, a family closes shop as new residents roll in on their Segways and craft beer carts.

“El apagón: Aquí vive gente” is a 23-minute film that explores the socio-economic challenges in Puerto Rico, focusing on the effects of power outages and gentrification driven by the real estate and energy sectors. Through visuals and personal stories, the documentary highlights the experiences of Puerto Rican communities facing these issues.

In a violent, near-apocalyptic Detroit, evil corporation Omni Consumer Products wins a contract from the city government to privatize the police force. To test their crime-eradicating cyborgs, the company leads street cop Alex Murphy into an armed confrontation with crime lord Boddicker so they can use his body to support their untested RoboCop prototype. But when RoboCop learns of the company's nefarious plans, he turns on his masters.

The story of Usnavi, a bodega owner who has mixed feelings about closing his store and retiring to the Dominican Republic or staying in Washington Heights.

Facing eviction in a city her family can no longer afford, a woman plunges into a desperate and increasingly dangerous all-night search to raise $25,000.

After nearly 50 years of hiding, Leatherface returns to terrorize a group of idealistic influencers who accidentally disrupt his carefully shielded world in a remote Texas town.

Lucas, a 47-year-old boy, and Antonia, an old woman, live together in an apartment in the center of the city. Their life goes on as usual until an investment fund acquires the building to turn it into tourist apartments. Lucas tries to get the necessary money to avoid the loss of the house, but a wrong decision will change the rest of their lives.

An ex-con returns to his rural Ontario roots and outwits a corrupt and wealthy thoroughbred owner trying to take over a slew of local farms. Ray Dokes, a charming ex-ballplayer, returns from jail to discover the rural landscape of his childhood transformed by urban development. Determined to stay out of trouble, Ray heads to the farm of his old friend Pete Culpepper, a crusty Texas cowboy who trains losing racehorses and whose debts are growing faster than his corn.

Filmed over four years, this documentary focuses on the impacts of gentrification as gay white professionals move into a largely black working-class neighborhood in Columbus, Ohio.

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A young boy who had been abandoned as a child and raised by wild dogs is taken to a university where a team attempts to teach him civilized behavior.

Arriving in the US with a background in abstract art, opera, and film—including work with German director Werner Schroeter—Vogl began making Super8 films in New York that stripped away the stylistic markers of Hollywood, New Wave cinema of the 1960s and ’70s, and classic avant-garde film, leaving only traces of their generic conventions. For the first hour of OK Today Tomorrow, he stages a series of fraught encounters around the city between four gentrified New Yorkers before abandoning his vague narrative of youthful angst altogether in favor of documenting the urban landscape itself. The dusk-to-dawn “city symphony” that ends the film resembles similar Super8 social studies by Vogl’s uptown contemporary John Ahearn; both recorded the daily lives of working-class black and immigrant communities on the streets of a city on the verge of the corporate takeover and sweeping gentrification that followed in the 1980s and ’90s. Preserved by The Museum of Modern Art, New York.

Su Friedrich's personal essay charting the destruction of Williamsburg, Brooklyn. After living in the neighborhood for 20 years, the filmmaker was one of many who were forced out after the city passed a rezoning plan allowing developers to build luxury condos where there were once thriving industries, working-class families, and artists. Filmed over many years, it is a scathing portrait of one neighborhood's demolition and transformation.

A prescient portrait of late-1970s Washington, D.C., that chronicles the city's creeping gentrification, the systematic expulsion of poor Black residents, and the community response in the form of the Seaton Street Project, in which tenants banded together to purchase buildings.

Chronicling the events surrounding the protests generated by the proposed redevelopment of an empty lot at 105 Keefer St., located at the heart of Vancouver's Chinatown.

San Francisco has long enjoyed a reputation as the counterculture capital of America, attracting bohemians, mavericks, progressives and activists. With the onset of the digital gold rush, young members of the tech elite are flocking to the West Coast to make their fortunes, and this new wealth is forcing San Francisco to reinvent itself. But as tech innovations lead America into the golden age of digital supremacy, is it changing the heart and soul of their adopted city?

The continuing adventures of the barbers at Calvin's Barbershop. Gina, a stylist at the beauty shop next door, is now trying to cut in on his business. Calvin is again struggling to keep his father's shop and traditions alive--this time against urban developers looking to replace mom & pop establishments with name-brand chains. The world changes, but some things never go out of style--from current events and politics to relationships and love, you can still say anything you want at the barbershop.

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A small bingo hall is threatened by the opening of the country's largest bingo centre nearby.

On the occasion of his last regulars’ table in his old neighbourhood of Schwabing, the laconic pensioner Schorsch's pals treat him to a cab drive to his new home in Neuperlach in the outskirts of the city. But Schorsch rather wants to take one last look at his old downtown apartment which he had renovated himself after the war, and where he had lived for almost forty years until his landlord bullied him out of there as the latter wanted to use the space for expensive luxury apartments. Because Schorsch’s wife wanted to move to “the countryside”, they thereupon moved to the Neuperlach development site in the outskirts of Munich. But amongst the uniformly looking housing blocks, Schorsch can’t even find his new apartment, and so, the grumpy cabdriver Gustl becomes his companion on a nightly odyssey.