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When a kind of rabies that transforms people into aggressive creatures spreads across the planet, Manel isolates himself at home with his cat, relying on his wits to survive; but soon they must go out in search of food, by land and by sea, dodging many dangers.

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

The film centres on Moncho and his coming-of-age experience in Galicia in 1936. Moncho develops a close relationship with his teacher Don Gregorio who introduces the boy to different things in the world. While the story centres on Moncho's ordinary coming-of-age experiences, tensions related to the looming Spanish Civil War periodically interrupt Moncho's personal growth and daily life.

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Ramón Sampedro is a ship mechanic and part-time poet left a quadriplegic following a diving accident. Ramón fought for 30 years for the legal right to end his own life. He develops close relationships with his long-term lawyer Julia and his friend Rosa, who tries to convince him that his life is worth living. Despite his situation, Ramón manages to inspire those around him to live life to the fullest.

Galicia, northern Spain, January 2, 1921. The steamship Santa Isabel, sailing towards Argentina with more than two hundred emigrants on board, sinks off the coast of Sálvora Island. Three island women, María, Josefa and Cipriana, who have bravely set sail aboard a fragile skiff to save the shipwrecked, are treated as heroes by the cynical authorities; but León, an inquisitive and tenacious Argentinean journalist, starts asking uncomfortable questions.

Damián subsists on his meagre income, existing more than living. When he receives news that his father has died, he returns to Ferrol, his hometown, which he has stayed away from for over two decades. No sooner has he arrived than he finds himself the subject of mistaken identity and his fate is now entwined with another whose destiny is predetermined.

Living among the percebeiros of the Coast of Death (Galicia), this documentary shows a unique relationship between man and his surroundings, man and the sea. At the end of Europe, years after the Prestige oil spill disaster, these fishermen face an uncertain future.

Mario, an exemplary man, lives in a village on the Galician coast. In the old people’s home, where he works as a nurse, everyone appreciates him. When the best known narco in the area, Antonio Padín, recently released from prison, enters the residence, Mario tries to make Antonio feel at home. Now, Padín's two sons, Kike and Toño, are in charge of the family business. The failure of an operation will put Kike in jail and cause them to owe a large debt to a Colombian supplier. Toño will turn to the nurse to try to convince his father to assume the debt. But Mario has his own plans.

The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.

Province of Lugo, Galicia, Spain. A year in the life of A Fonsagrada, a rural region whose inhabitants live both near and far from urban civilization; a praise of the distance that crosses the four seasons of the year, whose inevitable passage transforms both the natural environment and the existence of people, a simple, dignified and peaceful existence.

Commissioned for the 1993 Xacobeo, a love story between a werewolf and a mermaid is an excuse to show different aspects of Galician culture.

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During the Second World War, the Allies threaten to attack Spain, an allegedly neutral country, if the Francoist regime keeps allowing Nazi Germany to extract Galician tungsten, a strategic mineral, paramount to the war effort.

An animation tribute for graphic artist Xosé Vizoso, responsible for developing Galician visual culture through his work and during his path at the Sargadelos factory, where he became heir to the language built by Isaac Díaz Pardo and Luis Seoane.

‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.

In a near future affected by global warming, biologist Amelia arrives to a remote archipelago on a recon task. All alone, her only companion is the voice of Mission Control in her ear. All seems well, but as time passes, tensions rise and they start to argue.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories.

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After threatening his ex-partner for years, Marcos M. murders his 11-year-old son with a shovel. A year later a popular jury condemns him for murder, to kill making full use of his faculties, and determines that the crime against the child did not seek anything other than to punish the mother. In the fact on which we base ourselves, violence, harassment, the murder of a child to harm the mother and the death threat that still hangs over the woman concur.