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Similar to her "Back Porch" films, JoAnn Elam's "Front Porch" documents the scenes of life in her neighborhood in Chicago. The film pays especial attention to the light flowing through different branches and leaves of plant growth and the rhythm of a gentle breeze swaying the blinds on the window. These patterns and abstractions repeat themes found throughout Elam's films.

An overworked housewife finds solace in her retired neighbor whose onset of dementia reveals neglect in both of their lives.

Commissioned for The Radical Art of the Sandin Image Processor, vevves from the Front Porch channels Jon Satrom’s decades-long entanglement with the Image Processor. Working with SAIC’s machine, Satrom merges legacy circuitry with contemporary computation to produce a flowing fusion of analog pulses and AI hallucinations. The result is both a meditation on the strangeness of the present and an homage to a time when video moved like thought and signals wandered like water.

A young married couple comes home from a date night to discover that they are imprisoned in their own house with a killer inside.

Two childhood best friends reconnect as teenagers, finding themselves at a crossroads in their lives.