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Fragment is an omnibus film celebrating the strength and diversity of South-East Asian independent cinema. Made up of a collage of ten stories, each story distinctively embraces the other's subjectivities through the collective sentiments of vulnerability and fortitude. This film is commissioned by the Asian Film Archive (AFA) for its tenth anniversary celebrations.

When Lloyd, a photographer slowly dying of a brain tumor, realises the growth killing him is breathing life into the recently dead, he uses his camera lens as the conduit to reanimation. After discovering a disturbing snuff film of a beautiful naked woman being tortured and murdered, he is compelled to bring her back to life. Enchanted by her grace and charm he resurrects her night after night and gradually falls in love. However, each night Lloyd also unwittingly resurrects her killer... SHAPE.

Isolated in the her desert home, a computer programmer struggles to cope with unexplainable occurrences that begin to unravel her reality.

A short film about a woman's unhappiness after a failed love affair.

This film is a short study of the relation between language and visual experience. Reversal and negative takes are edited together, emphasising the quality of black and white film. The entire film was shot in one room. We hear bits of whispered text dispersed within the film, creating a sense of intimacy.

Utilizing the third act motifs of Anton Chekhov’s Three Sisters as a jumping off point, Dmitry Krymov’s Fragment focuses in on Olga, the eldest of the three sisters. Like many of Chekhov’s heroes who attempt to overcome fate, she is doomed to fail, but it is in the attempt itself that she becomes so close and dear to us. Ultimately, we empathize with and love this very recognizable person who can’t adequately protect herself, her love, and her home.

"Fragment" tells the story of an Air Force pilot who survives a crash after his jet breaks up over the desert. A mysterious radio beacon draws the pilot from the crash site. A discovery is waiting. And it is not of this Earth.

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Parentless and struggling to survive, Jun-kang and his sister cross paths with another troubled teen as a hidden connection slowly surfaces in this haunting mystery about youth persevering through trauma and isolation.

Fragment reimagines water ripples as a mesmerizing shadow play.

Images of endlessly increasing cities, growing, constantly transforming, seeking the hidden meanings in momentary, fragmentary details.

In 1979, a revolution in Iran. In 1980, a revolution in Poland. The fall of the Shah, the “King of Kings,” in Iran. Mass strikes and the foundation of Solidarność (Solidarity) in Poland. What was in the minds of the young women and men who fomented revolution in their own country? What did they think when their revolution was quelled, or – as in Iran – an authoritarian regime was instituted under the name of an “Islamic Republic”?

Rodrigo, a piano-tuner and former composer fallen on hard times, begins a love affair with the soon-to-be-married Susana. When a bomb in the city of Medellín nearly kills them, Rodrigo and Susana surrender to their attraction and fall into each other’s arms. Cocooned in her apartment above the vibrant city, Susana opens up to him every night and tells him a story of each of the different men from her past. Her stories inspire him to compose again, but his obsession makes him jealous and paranoid. When Susana finally leaves her fiancée to be with Rodrigo, he becomes obsessed with her fidelity.

This epic documentary subtly introduces the complex worldview of iconic filmmaker and theoretician Peter Kubelka (born 1934, Vienna). While Kubelka’s radical and pioneering body of films is a highly condensed work of about an hour, focusing on the essence of cinema, his legendary lectures often unfold over many hours. These lectures on “what is cinema” and “cooking as an art form” are frequently illuminated by presentation of archaeological artefacts from Kubelka’s eclectic collection. He considers his ongoing collecting to be an expanded film practice which explores the evolution of humanity.
 Martina Kudláček has carefully woven an open-ended portrait which goes beyond the biographical to reveal fresh insights into the phenomenon of film.

Adela and her baby move to Madrid in search of a new start after a tough separation. Antonia is a shop owner with three adult daughters. The film is divided into five chapters revolving around their health, work, relationships and money.

Lulu, the daughter of musician Hermann Simon, is looking for something she feels is missing from her life. She delves into the past and is transported to the lives of her ancestors via dreamlike sequences that show the hopes and realities of her female relations over the course of an entire century. Heimat Fragments is an intoxicating trip into the lives of venerable characters from different periods in Lulu's family history, from long-forgotten scenes of war to every day family life on the farm. This gripping film shows fragments of the lives that shaped her own. Her gaze into the past does not simply signal the end of her youth, it means the beginning of a newly gained freedom.

The film follows three stories that take place in the slums of a city in French Equatorial Africa. At nightfall, people seem to regain a vitality which explodes in the bars to the rhythm of the latest hits from the music charts. The first part tells the story of Petit-Jean, a young graduate, who is unemployed and roams the city in search of work. From humiliations to frustrations, the destiny of this young ordinary African changes dramatically. The second part follows a young girl who transforms herself into an angel of death in order to free herself from a traumatic past. The final section is of an encounter between a woman and a man who seem ordinary at first, but a past which the woman had thought had forever disappeared, resurfaces in this man.

Maria works in a German umbrella factory as the foreman of the production sector. João Lucas has given up on living a normal life and practically lives in bed, in the midst of green plants. His father expressly desired that his son film this eccentric daily life in 8 mm format. Maria’s wages are dilapidated to the last penny by this amateur, monstrous, family movie production.

A psychiatrist who probes the mind of traumatized soldiers attempts to unlock the secret that drove a gentle but deeply-disturbed World War I veteran to the edge of insanity.

In the mist at the edge of a lake, the 17-year-old Sea (Ella-June Henrard) finds a mysterious medallion. It is the start of a journey around the world in which Sea lets herself be led through unexpected twists, turns and mysterious signs to discover that there is an irreversible link between the intriguing acquaintances and magical places she finds on her way. While she journeys through life's adventures and comes face to face with herself, she recognizes people and places that she actually should not know, as if she is travelling back to decisive moments of a past life.

Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.

An extravagant girl reforms when her father goes bust.

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A man searches for a cursed emerald belonging to his ancestor. Lost film, minor fragments survive

Sir Edward Pelham, married to a Romani Russian, fears that his daughter will follow in her mother's footsteps and arranges a marriage with her cousin, whom she does not love. During a trip to Nevada with her father, she meets engineer Bayard Delavel, who saves her life when she is bitten by a snake; when her father finds her with Bayard in his cabin, he forces them to marry. Believing that Nadine does not love him, Delavel leaves her and prepares to sue for divorce. A lost film.

Stagestruck Sally McAllister can’t get an appointment with famed theatrical producer Eric Byron so Sally responds to an ad for a maid only to discover that she will be working for Byron himself! Falling for him but still burning with ambition she arranges for Lila Leroy, Byron's leading lady, to take a train to Oakland, California instead of New Jersey, then hot foots it to Oakland, New Jersey, where Byron's latest play is taking place, and impersonating Lila by wearing a blonde wig but as dress rehearsal approaches will she get away with the subterfuge?

Santussa, an orphan who becomes separated from her nurse en route to America to live with her grandfather, is cared for by gangsters who hide their stolen jewels in her ragdoll. In New York, Big Mike, finding Santussa a nuisance, dumps her and the doll in a trash can, where a newsboy finds her. After several adventures, Santussa finds her grandfather, the jewels are handed over to customs officials, and the gang of crooks is reformed.

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Millionaire Kent Whitney is warned by Bob Harkness, one of her rejected suitors, about the fickleness of his girlfriend, socialite Myra Hastings. Together they concoct a scheme to teach her a lesson. Kent invites Myra home to meet his family, and she goes, expecting to find an atmosphere of elegance and refinement. Instead, she is greeted by Kent's eccentric father, who affronts her with crude jokes; Kent's mother is introduced reclining on a couch, surrounded by yapping dogs and Myra flees. Upon discovering that the evening was a ruse, Myra decides to retaliate. She hires a fake minister, pretends to marry Kent and then deserts him, leaving behind a message explaining that the ceremony was a farce. Kent pursues Myra and persuades her that a real marriage is in order.

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The Passionate Quest is a 1926 American drama film directed by J. Stuart Blackton and written by Marian Constance Blackton. It is based on the 1924 novel The Passionate Quest by E. Phillips Oppenheim. The film stars May McAvoy, Willard Louis, Louise Fazenda, Gardner James, Jane Winton, and Holmes Herbert.

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A woman who is presumed dead takes revenge on her unfaithful husband.

Márton Csorba chases the officer who has approached his wife. András Bakaj is on his way to fetch a doctor for his sick daughter, but the fleeing officer tries to take his horse. In the scuffle, a gun accidentally goes off, wounding the officer to death, who is robbed by a beggar. The bailiff arrests Csorba, who arrives on the scene. Bakaj does not have the strength to give himself up because of his sick daughter, so Csorba is sentenced to 15 years for murder.

Ezra Scroggs is a shiftless gambler who has let his hotel, the Lakeview, fall on hard times. Finally his daughter Nancy gets fed up seeing all the business go to his rival, Si Whittaker at the Majestic, and she decides to do something about it.

Philandering husband George Montfort purchases railroad tickets for a weekend tryst in the mountains with his latest paramour. When his wife Yvonne finds the tickets, George hastily explains that they were bought as an anniversary present for her. Yvonne doesn't believe George, but she decides to use her ticket anyway, while George remains behind in Paris on "business."

A newspaperwoman finds trouble aplenty when an Inca tribe believes her to be the reincarnation of their long-lost princess.

The fortune Eve Leslie has inherited has made her is indolent. When her sweetheart, Adam Moore, is called up to war she selfishly tries to prevent his going, but after being inspired by tales of the bravery of women through the ages she sees the error of her ways. Ultimately, she enlists as a Red Cross nurse and cures her sin of sloth.

Paul and Rhoda Remsen, having marital difficulties, separate; and each is awarded custody of their child Peggy for 6 months of the year. Rhoda and Peggy move to a farm town, while Paul remains in the big city to write a play for actress Inez Lamont, who is in love with him. Peggy knows that her mother still loves Paul, so she flees to the big city to explain the situation to her father.

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