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Three generations of a French family open up about their sexual experiences and desires after young Romain is caught masturbating in his biology class.

The cat and the pussy-cat met on the roof, near the chimney. They liked each other and decided to get married. Guests and neighbors gathered for the wedding. The photographer made a wedding portrait in a frame. Gifts, congratulations, songs and dances. The generous and cheerful feast is over. Family everyday life came, and with it the first misunderstandings, quarrels and resentments.

Before leaving for the USSR, a West German journalist meets his father, who was in Russia in 1922, where he met, fell in love with and lost forever a Russian translator. Sixty years later, the son follows his father's route...

The Maelstrom makes extraordinary artful use of considerable cache of home movies shot in the Netherlands before and during World War II and dealing with the extended Peereboom family. Information is conveyed through subtitles and instead of voice-over, the soundtrack consists of period sound, usually from radio broadcasts, and brooding, disturbing jazz score by Tibor Szemzõ. What wee see is a Jewish family first living unknowingly in the shadow of the Holocaust and then trying to cope with it still unaware of what it will finally mean. A shot of the film's photographer Max Peereboom, and his family we've come to know, cheerfully sewing and doing general preparation for a trip to a "work camp" when their destination was in reality the nightmare of Auschwitz adds a devastating dimension to our understanding of the Final Solution that nothing else, no Hollywood movie, no documentary, has been able to provide.

A pioneer in the genre of autobiographical documentaries, this film made by the renowned Cuban director Sara Gómez explores her family roots to offer a family portrait through photos, popular music, and women’s tales. It is also a powerful document of an age and a way of living: that of middle- or upper-class black families in Cuba, meeting in exclusive bars just before the Cuban Revolution.

At the end of the 1990s, about 40-50 million industrial workers were laid off in China, and the family population involved was hundreds of millions. He Guoping was one of them. After he was laid off, his wife opened a rental house. He became the "housekeeper" who cooks and cooks every day. His son He Huan was also raised by a playful child. Twenty years of follow-up shooting of this ordinary family, this continued "presence", the film has a time tentacle of "seeing the growth of grass". Some people say that this is a "civilian epic".

This documentary, edited over a period of six years, spans 20 years in the lifetime of three families of workers who were made redundant by their company. This work is divided into four parts, each part focusing on one family, the Zhou family, the He family and the Tao family, as well as one part about my hometown. This four-part documentary is an attempt to take a closer look at the process of privatisation in China over the past 20 years.

As children in the loving Ekdahl family, Fanny and Alexander enjoy a happy life with their parents, who run a theater company. After their father dies unexpectedly, however, the siblings end up in a joyless home when their mother, Emilie, marries a stern bishop. The bleak situation gradually grows worse as the bishop becomes more controlling, but dedicated relatives make a valiant attempt to aid Emilie, Fanny and Alexander.

A rancher, his clairvoyant wife and their family face turbulent years in South America.

In this film about Ingmar Bergman's parents, Henrik Bergman is studying for the priesthood and trying to make ends meet when he encounters the lovely, affluent Anna. Despite their social differences, Henrik and Anna fall in love, wed and move to the country. They lead a quiet life as Henrik works as a priest, but it isn't long before the simple people and plain surroundings make Anna long for a more lavish lifestyle, which causes marital stress.

A tale about the Coriander family at the turn of the century.