Search Results for "experimental film"

An experimental drama with the motif of "experimental film". What does it mean to be reproduced on film? Under the theme of fundamental questions, it will express the relationship between men and women with a mysterious visual beauty. The story gradually increases in illusion, and the audience is brought into the world of the hero's heart.

Documentary short, directed and edited by Arthur Lipsett in 1963 for the National Film Board of Canada

Film by the painter Carlos Calvet.

The collected shorts of Maya Deren the "Mother of the trance film" who worked completely outside the commercial film industry and made her own inner experience the center of her films.The collected shorts of Maya Deren the "Mother of the trance film" who worked completely outside the commercial film industry and made her own inner experience the center of her films.

A focus group are shown 'Experimental Film No. 1' and don't understand it, meanwhile The Director attempts to reflect on his work and previous relationship.

On a day in the field, a young woman questions her relationship when she catches a man taking photos of her.

Experimental film from the first semester of the Cinema course at Faculdade IESB, the purpose of the short film is to cause feelings of melancholy in the audience, with scenes and soundtracks that express a feeling to those who watch it.

William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.

No description available for this movie.

an aggressive thunderstom reeks havoc outside

Culled from 3 decades of experimental film and video footage, specially enhanced with visual effects, this DVD is all you need to create a psychedelic light show experience! Combine with your own music and play on your TV or use a video projector for maximum effect. Contains 10 distinct sections with uniquely trippy visuals to create the right mood for your party, musical performance, or just chillin' out!

Experimental filmmaker Pip Chodorov traces the course of experimental film in America, taking the very personal point of view of someone who grew up as part of the experimental film community.

A group of dissenting people plays cards

Eric Leiser is an award-winning artist, filmmaker, animator, puppeteer, writer and holographer working in New York and born in California. This program is available on kinoscope.org

Commencing in 1920 with Charles Sheeler and Paul Strand's creative collaboration on Manhatta, successive generations of experimental filmmakers and artists have worked in collaboration or alone to create a cinema capable of expressing dynamic unspoken concepts in totally abstract visual terms. Flicker Alley and the Blackhawk Films® Collection in cooperation with Filmmakers Showcase are proud to present this premiere collection of 37 films created by some of the most acclaimed names of American Avant-garde experimental filmmaking.

Innovative and influential musician Tom Verlaine, joined by celebrated producer and guitarist Jimmy Rip, reawaken the spirit of the avant grade film as they perform a series of newly composed musical scores. The ground breaking works of Man Ray, Watson & Weber, Fernand Leger and Hans Richter take on new life wrapped in scores that are by turns playful, haunting, serene and intense. Verlaine was the guiding force behind the band Television, which ushered in a new era of independent pop music in the 1970s. After releasing a series of award winning solo albums, Verlaine was hailed by The New York Times in 1996 as, "a visionary artist with his creativity and energy undimmed." As composer, producer, singer and sideman, Rip has collaborated with such music legends as Jerry Lee Lewis, Mick Jagger and Deborah Harry. He has recorded with Verlaine since 1981.

Dresher Center for the Humanities presents a lecture on experimental film by Fred Worden, Associate Professor of Visual Art.

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967.

No description available for this movie.

M is a work of art that explores the relationship between sexuality and death. These two appear to be at opposite poles, but in fact they merge in all of us, disguising the fear of death or the desire to die, the world of Eros. In M the character of Marilyn Monroe should be seen as a symbol of this interpenetration. The actress´s death is as famous as her sexuality and thus sets a perfect example of how the ancient bond between sex and death is being forever mystified and exploited by the popular culture. M attempts to explore this phenomenon in a much more personal level.

In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.

According to an English legend, Joan of Arc never died at the stake. Her eyes were seared with hot pokers and she was deflowered by an English stud. She was then sentenced to wander on the battlefields, like a vulture, on the look-out for life and searching for any virgins left alive.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.

Filmmaking icon Agnès Varda, the award-winning director regarded by many as the grandmother of the French new wave, turns the camera on herself with this unique autobiographical documentary. Composed of film excerpts and elaborate dramatic re-creations, Varda's self-portrait recounts the highs and lows of her professional career, the many friendships that affected her life and her longtime marriage to cinematic giant Jacques Demy.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

A comic study of 20th-century history, reconstructing the life of writer, creator and professional prisoner Tulse Luper. Born in 1911 Newport and last heard of in 1989, Luper’s life is pieced together from the evidence found in 92 suitcases scattered across the globe. In the first of three parts, we follow Luper through three distinct episodes: as a child during the First World War; as an explorer in Mormon Utah; and as a writer in Belgium during the rise of fascism.

From afar, the suburban lifestyle may appear as a sort of utopia; but be sure to gaze beyond the veil, for dire horrors and troubled intimacies will arise in the most unpleasant of forms.

Henry, a newly resurrected cyborg who must save his wife/creator from the clutches of a psychotic tyrant with telekinetic powers, AKAN, and his army of mercenaries. Fighting alongside Henry is Jimmy, who is Henry's only hope to make it through the day. Hardcore Henry takes place over the course of one day, in Moscow, Russia.

Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.

Set over three generations and beginning with a sexually frustrated orderly during WWII who relieves his tensions in the most outlandish, gross ways. The result of his liaison is a glutton who grows up to be a champion speed eater. He produces a child who becomes obsessed with taxidermy.

A aspiring novelist operates a tiny neighborhood bookstore. His wife is a talented painter. Their marriage is disintegrating, and they are about to sign their divorce papers. Meanwhile, the legendary Casanova and his lover Lavinia are characters trapped inside of a 17th-century children's book. The tragedy of the impending divorce triggers the release of Casanova and Lavinia from the confines of the children's pop-up book.

An anthology film consisting of four segments based on literary works by Edogawa Ranpo.

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.

P. Adams Sitney, Professor of Visual Art at Princeton University, wrote a short essay for Artforum International "Medium Shots: the films of Morgan Fisher" in which he describes the film "()." "Fisher's most recent film, (), succeeds astonishingly where Frampton's parallel effort, Hapax Legomena: Remote Control (1972) failed; it uses aleatory methods to release the narrative unconscious of a set of randomly selected films. () is made up entirely of "inserts" from feature films organized according to Oulipian principles. Inserts were usually shot by assistants when star actors, large crews, or expensive sets were not needed. These include details of weapons, wounds, letters, signs, tombstones, machinery, games of chance, timepieces, money, and even intimate caresses.

This short experimental film tells the story of a man who comes to Hollywood to become a star, only to fail and be dehumanized. He is identified by the number 9413 written on his forehead.

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

Protective Coloration shows Fisher seated at a mottled table. He wears short-sleeved hospital garb, surgical green ‘scrubs’. Nose-clips block his nostrils while a mouth-guard that looks like fake lips covers his mouth. Over the course of 11 minutes he masks his face and covers his hands with bright gear in colours that accumulate to resemble those of the standard reference chart: he puts on orange eye-caps, then a yellow bathing cap; covering his nose and mouth and the gear already there, he dons a black gas mask; a silky black sleeping mask voids his already covered eyes, a cyan blue bathing cap caps the yellow; yellow rubber gloves snap on his hands and forearms; puts on cyan eye goggles, then struggles with yet another bathing cap, hazmat orange, over the other two. A silvery transparent shower cap tops the caps, itself topped by a plastic green helmet. Finally heavy-duty magenta gloves hide most of the yellow rubber. Preserved by the Academy Film Archive in 2008.

"Three Women, is an ambitious work designed to be shown on multiple screens in a movie theater. Moving a step forward from the use of multiple screens as an expansion of cinema as exemplified by Abel Gance’s Napoléon (1927), it presents what is literally a conceptual expansion of cinema in the form of a filmic work experienced in a theater in which the 15-channel, surround-sound audio constructed by Araki Masamitsu and Ito’s visuals organically intertwine."