Search Results for "experimental cinema"

Experimental Tabletop Cinema

In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. Programming diverse films at the Coronet Theatre in Los Angeles, and making the films in his personal archive available for commercial distribution, he helped preserve and promote avant-garde cinema. This collection assembles some of the most influential and eclectic short films in the Rohauer Collection, including works by Man Ray, Hans Richter, Marcel Duchamp, Watson & Webber, Fernand Léger, Joris Ivens, Dimitri Kirsanoff, Jean Epstein, and Orson Welles.

Founded in the second half of the 1990s, the experimental film association L'Etna witnessed the transition from film to digital cinema. Its premises, located in the heart of Paris, were unable to withstand gentrification.

In the latter half of the 20th Century, Raymond Rohauer was one of the nation's foremost proponents of experimental cinema. This collection continues Kino's tribute to the Rohauer Collection, including the early works of Stan Brakhage and influential films by Willard Maas, Gregory Markopoulos, Marie Menken, Dimitri Kirsanoff, Jean Mitry, Sidney Peterson and others. The pièce de résistance is Jean Isidore Isou's passionate manifesto of film aesthetics Traitéde Bave et D'eternité (Venom and Eternity), which sparked a riot when it premiered at the Cannes Film Festival in 1951.

From the little theaters of the 1920s to the ad hoc film societies of the 50s, avant-garde cinema knew no established form and held no predictable position. The boundaries of its history are still hotly debated, but its rough sensibilities informed and permeated the city symphonies of Alberto Cavalcanti, the visual music of Mary Ellen Bute and John Whitney, the classroom films of Sidney Peterson, the confessional film poems of Willard Maas and John E. Schmitz, the Lettrist cinema of Marc’O, and even marginal exploitation films and home movies. Drawn from the rich collections of Raymond Rohauer and the George Eastman House, Kino’s third volume of experimental films continues to illuminate the degree to which cinema’s evolution has been influenced by those filmmakers who occupy its periphery.

A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura, and shown at the American Cinematheque from January 19 to 25, 1967.

While filming a portrait of Dutch filmmaker Jaap Pieters, he evoked memories of a Lebanese friend who had disappeared, and his desire to trace his footsteps / to track him down. This project matched our own desire to learn about the state of Lebanese cinema today. We offered Jaap Pieters to travel together to Lebanon to seek out filmmakers doing research on the moving image. We met Mahmoud Hojeij, Nadim Tabet, Ghassan Salhab, Nesrine Khodr and Lamia Joreige.

A photographer looks at pictures of the last day of a boy's life.

A couple and their children move into a seemingly normal suburban home. When strange events occur, they begin to believe there is something else in the house with them. The presence is about to disrupt their lives in unimaginable ways.

Wrestling with writer’s block for her first film, Bouchra, a queer Moroccan jackal living in NYC, starts having difficult yet overdue phone calls with her mother in Casablanca that begin influencing the project. Balancing the precarity of working as an artist, the rift in her cultural identity and an array of romantic interests, Bouchra’s emotional reckoning becomes her path to expression.

In a world where humanity has abandoned dreams in exchange for eternal life, those who continue to dream disrupt the flow of time. A woman gifted with the ability to distinguish truth from illusion is tasked with awakening them. Among them is a mysterious, monstrous man carrying a film projector on his back. Taking pity on him, she enters his dream world, determined to uncover the truth that lies hidden within.

Chronicles the powerful friendship between two young Black teenagers navigating the harrowing trials of reform school together in Florida.

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

Surveillance helicopters and the police chase astral travellers. Astral Pegasus is part of the anthology ‘I Went to a Party Alone’ in which YouTube vlogs of random daily life are recast as scenes imbued with mythic allusions. When the hard cuts and juxtapositions reveal a landscape of oppressive social control, the vloggers’ mundane normal soon gives way to the surreal. Surveillance helicopters chase astral travellers; child hunters look through scope-cam rifles to aim for the heart; 'unboxing' and 'apartment tour' vlogs conjure containment and borders; a 'drive with me' transforms into sousveillance. Seemingly innocuous recordings about shopping, driving or dating are fraught with foreboding as the vloggers who yearn for freedom, love and self-expression find themselves unable to escape society’s haunting bondage.

Through a hypnotic ritual, a group of frogs delve into their past traumas, forcing them to confront their deepest fears.

American cartoons are the starting point for Martin Arnold's new work. Sequences of short films form the basis of a process of fragmentation, deconstruction, dismantling and repetition. Arnold uses fun, family entertainment to create films with open-ended possibilities for association. His pieces, such as Hydra (2013), Charon (2013), Nix (2013) and Self Control (2011), feature characters whose anatomy is no longer recognizable as such, but rather resemble puppets, remotely controlled from the outside. Trembling hands, dancing tongues, blinking eyes and snoring mouths move like ghosts against an abyss-like deep black background, in which bodily elements constantly disappear, only to reappear once more.

When a fishing boat, the Rose of Nevada, lost with all hands 30 years ago, mysteriously reappears in the old harbour of a forgotten Cornish village, for those who remember, it’s surely a sign. The boat must go out to sea again and maybe then the luck of the devastated village will turn. Young father Nick and enigmatic newcomer Liam join captain Murgey, and they head to sea. But when they return, satisfied with their haul, something is amiss – they’ve slipped back in time, and the villagers greet them as if they are the original crew.

A human figure synergizes with the light and questions its existence and society's expectations of it.

Within a dense and mysterious forest two figures emerge, ADAM, urgently searching for something, and ELLE, desperately pursuing him. He will not answer her urgent questions and rushes ahead leaving her alone and isolated. The power of forest forces these individuals to confront their fears and find some kind of unity through coming together with a childish game.

Two children wake up in the middle of the night to find their father is missing, and all the windows and doors in their home have vanished.

Set in a nightmarish Bardo, a place between death and rebirth, a tormented writer faces down demons of his own making. Forced to confront the darkest moment in his life, he mines fractured and repressed memories for a way out. A woman is at the center of all the writer’s afterlife encounters. She is the subject of his life’s greatest regret, and she materializes everywhere in this Otherworld. The writer cannot detach any thoughts of his life from her.

The repression of desire is portrayed in a being inhabited by a duality present in everyday life, a young butcher who explores his femininity surrounded by blood, death and violence.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

Emily is the cause of two tragedies early in her life; her dad suggests she go to a Camp for troubled youth to ease her guilt. When Emily arrives, she is taken in by the other counsellors; they accept her as she is and wrap her in a veil of peace & forgiveness. Emily stands at the forefront of a new kind of life, but there’s a voice out there in the woods she can’t ignore, telling Emily to go home.

In Hong Kong, a young woman haunted by visions of her future self meets a stranger who changes the course of her night -- and possibly her life.

Bud Clay races motorcycles in the 250cc Formula II class of road racing. After a race in New Hampshire, he has five days to get to his next race in California. During his road trip, he is haunted by memories of the last time he saw Daisy, his true love.

A collection of moments as a man attempts to recover from a heartbreak, but finds himself in mental turmoil.