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" A synthesis film about the electrical means of command and control, which prove the modern orientation of the Romanian industry: neurons within integrated circuits drive industrial machinery, excavators, robots, turbines, entire assembly lines. "

The amazing story of electronic music: its epic journey from its origins in Europe, at the hands of the great artists of the post-war classical avant-garde, to the great post-industrial cities of the USA, where this genre of genres took over music stores, shady clubs and, eventually, the big stages.

Professor Gromov constructs a robot called Electronic, which looks exactly like Sergey Syroezhkibn, a 6-grader from one of Odessa (USSR) schools. The robot also acts a lot like a human, and its dream is to become a real man. Electronic escapes from the professor's lab and accidentally meets Sergey, his prototype. Meanwhile, a gang lead by Stump is trying to kidnap Electronic to make him steal pictures from museums. For this purpose they send their hitman Urrie.

Melody loves when visitors stop by so she can show off all of her favorite electronics.

The visuals of the Heavy Electronics festival held in Ubstadt/Weiher, Germany, in 1993. Featuring Genocide Organ, Brighter Death Now, The Grey Wolves, Con-Dom, Advokat Ihrer Hoheit, and Deutsch Nepal.

Erkki Kurenniemi was arguably one of the first artists to propose or fantasise about a complete cultural surrender to cyber existence, and his entire career, covering such diverse fields as artificial intelligence, music, engineering, film, dance or rhetorics, testifies to this desire to escape the limits of the human body and transgress into a different dimension, bordering on techno-fetishism. In his 1964 short Electronics in the World of Tomorrow, Kurenniemi presents a slideshow of the most aseptic signs of technological imagination: diagrams, chips, machines, cold surfaces. But footage of human warmth also comes up - mostly in black and white, as if to give humans the status of a memory. Originally silent, the film was in this version endowed with a electronic music piece by Kurenneimi himself: a cold, aggressive soundtrack that could be said to present technology as a potentially menacing affair, although this is a reading that the director would certainly refute.

Agata is badly ill and nobody knows how to cure her. No doctor can help. Friends of Agata learn, that she is ill, because all children have Grannies but Agata does not. They go to the shop "Electronic Granny" and beg the dealer to sell them one Electronic Granny. The dealer warns them, that her electronic circuits are very sensitive - and this Granny will only work if loved. Agata get healthy and plays with her new Granny and other friends. Granny can invite new games and even fly with all children to the Moon. But later due to the jealousy and bad heabits children forget that they must love Granny, they begin to treat her just as a robot that "must do what they ask". As a result Granny dies. To resurect her Agata and friends must get off their ambitions, rudeness, jealousy and again become loving, cheerful and kind.

Cameraman Yonesaku Kobayashi (1905-2005) is a pioneer of scientific films of Japan. He and producer Sozo Okada made many scientific educational films, and in 60's - 70's, many avant-garde composers composed music for these films.

Doug - a couch-based, self taught 'electrical engineer' - passes on some of his painfully won knowledge regarding the mystery of electricity. This is the filmmaker's Royal College of Art first-year film.

A short movie by Adi Gelbart.

Japanese noise band C.C.C.C. performing live at Bears Osaka on August 10, 1991.

Ghana is one of several African countries where electronic goods are sent once they have been discarded by developed nations. Agbogbloshie is an enormous dumping ground near Accra where digital appliances are dismantled for scrap.

This short documentary reveals the hazards of the electronics industry in China profiling workers poisoned by chemicals and their struggle for compensation. Thousands of young people in China enter export factories to make the West's favorite electronic gadgets, only to find they have contracted occupational diseases or worse, leukemia, by the age of 25.

Collection of WCPC Live Performances.

Recorded live at the Consumer Electronics #5 festival. CON-DOM - A Live Manifestation Of "The Color Of Man's Skin": 1 Ebony And Ivory 2 Michael 3 Nation Of Islam 4 Well Hung 5 Bath Of Bleach 6 Control-Resistance 7 Ebony And Ivory (Reprise) /// The 100404 GREY WOLVES Display: 8 Not Your Country 9 Blood Lover Blood Hater 10 Hate Crime 11 Beyond Hypocrisy 12 Religion 13 Victory Through Violence

The Story of Electronics employs the Story of Stuff style to explore the high-tech revolution's collateral damage—25 million tons of e-waste and counting, poisoned workers and a public left holding the bill.

Electronica Reykjavik traces the history of the electronic music scene in Iceland's capital from the early 90's until today. The Film deeply reflects a music genre that the general public knows little about but nearly everyone has participated in, one way or the other. The electronic music scene is on the edge, free from commercial values.

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

The third part of the BP Underground series is about Budapest's underground electronic music scene. Just like the other episodes it also evokes the emergence and growth of the genre with its unique visual world and a lot of archive footage. Among other things, it seeks to discover how Budapest as a center shaped the subculture.

Recorded live at the König Pilsner Arena Oberhausen, 2007

Over 133 years in the making, from humble beginnings manufacturing 'Hanufuda' cards came one of the world's most recognized videogame companies, from the birth of Mario and Luigi to Donkey Kong and Zelda... to beating its competition and presenting itself as a platform for quality games and strong values. This is the story of Nintendo.

Furuchi and Hama are two unsuccessful repair agents and electronic engineers. One day Furichi finds a so-called Kotatsu heater. Soon after this Furichi dies in a traffic accident. But with the help of a stun gun succeed Hama Furichi bring back to life, but also Kotatsu heater comes alive then.

Exploring America’s consumption of computers and the hazardous waste we create in pursuit of the latest technology, Terra Blight traces the life cycle of computers from creation to disposal and juxtaposes the disparate worlds that have computers as their center. From a 13-year-old Ghanaian who smashes obsolete monitors to salvage copper to a 3,000-person video game party in Texas, Terra Blight examines the unseen realities of one of the most ubiquitous toxic wastes on our planet.

Narrated by Oscar-winning actor Jeremy Irons, The Genius of George Boole assembles academics and industry leaders from across the globe to explore the life and importance of one of the world’s greatest unsung heroes.

In a basement, Mr. Resistor, who's made out of wires and spare parts, goes in search of some new arms.

A vacationing family encounters an alien threat in this pulse-pounding thriller based on the real-life Brown Mountain Lights phenomenon in North Carolina.

Something lurks off the coast of Block Island, silently influencing the behavior of fisherman, Tom Lynch. After suffering a series of violent outbursts, he unknowingly puts his family in grave danger.

Set in the near future, this is a tale about Han, a boy born with a handphone inside his head. Han is now eighteen years old and he is in love with Mei, a girl born with two small speakers inside her head and a small TV inside her right palm. Han and Mei must struggle with the fact that they will always be three feet apart.

Animated training film depicting the fundamentals of electricity and how electrical signals can be used to keep an airplane on correct course and altitude through an autopilot.

When a young girl's fascination with her new tablet threatens to discard her beloved toys, a group of plastic figures must unite against the malevolent, digital entity that is stealing their owner's attention, leading to a desperate, violent battle for survival and relevance.

An in-depth look at the industry of noise making featuring Billy Gibbons, Jon Spencer, J. Mascis more! Fuzz... the sound that changed the world. The fuzz box: that tiny little box between the electric guitar and the amp that revolutionized rock music.

Part of a series of 4 films, Kinshasa (2018), Shenzhen (2019), New York (2019) and Dakar (2018), the project explores the relationship between digital technology, cybernetics, colonialism and the re-enchanted notion of a Non-Aligned Humanist Utopia. The four films of Core Dump are rhizomatic assemblages of found footage, performance documentation and recorded interviews that form narrative portraits of the uncertainty in the nervous system of the digital earth. The films are fragmented arrangements of images and sounds, with each chapter forming links across geographic and temporal discontinuities.

The re-signalling of 1000 track miles from the River Weaver to the Clyde brings the whole line from London to Glasgow under one system of push-button control and colour light signals, and completes the main line electrification. The film follows the intricate production of equipment, and its installation over, under and between trains. The whole project adds up to a piece of modern technology unsurpassed anywhere in the world.

Part of a series of 4 films, Kinshasa (2018), Shenzhen (2019), New York (2019) and Dakar (2018), the project explores the relationship between digital technology, cybernetics, colonialism and the re-enchanted notion of a Non-Aligned Humanist Utopia. The four films of Core Dump are rhizomatic assemblages of found footage, performance documentation and recorded interviews that form narrative portraits of the uncertainty in the nervous system of the digital earth. The films are fragmented arrangements of images and sounds, with each chapter forming links across geographic and temporal discontinuities.

This tape was created when Woody visited his native Moravia with a Portapak camera. In the course of signal modulation an alteration in the field of raster lines is taking place, in which the lines are being vertically deformed and gain the contours of objects (with the use of a Rutt/Etra synthesizer).

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Four friends deemed 'losers' face immense pressure from parents and society upon entering adulthood. Their emotional tale sees them embark on a journey of self-discovery and acceptance, where love ultimately triumphs over judgment.

Mocked for his vitiligo, Jyothish has spent years hiding from the world-until love and a daring dream to act pull him into the light. But when rejection and cruelty test him, he discovers that real victory isn't fame or approval, but the courage to stand up, unbroken, and redefine what makes him extraordinary.

Searching for Nidhi in Madurai's streets, Aryan faces mounting danger and tension at every turn. Time runs short as he navigates growing chaos to stay alive.

Jay-Z B-Sides Concert Sponsored by Tidal Performed at New York's Terminal 5 a setlist stocked with never-before-performed-live fan favorites and forgotten deep cuts, the rapper also used the gig as a pulpit to attack Spotify and pay tribute to B.B. King.

Second installment of the documentary like series from the A$AP Rocky founded creative agency AWGE