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In Asia, in the Middle East, and even in Europe, in the privacy of families that can act with impunity, over fifteen million housekeepers are victims of slavery: exploited at will, abused, and sometimes raped, these invisible women are the sacrificed workers of the global economy. States, institutions, middlemen... no one is interested in change, despite a smoldering spirit of revolt.

Coming to this country with dreams of a better life, frontline caregivers, nannies and house cleaners risk it all to support their families while fighting for workplace protections during the COVID-19 pandemic. Through grit, activism and unbending solidarity, these mostly female and largely undocumented workers show how change can happen—even when the odds are stacked against them.

Begin learning this history with this short film — Demanding Justice: A History of Domestic Workers. Here we trace the history of multiracial domestic worker organizing in the United States, from workers’ everyday acts of rebellion to their collective and large-scale forms of organizing. Spanning the 1600s to today, this film provides an overview of the history in the timeline. We recommend that you start here, and then explore the stories that interest you more fully in the timeline.

All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.

In 1970s Mexico City, two domestic workers help a mother of four while her husband is away for an extended period of time.

Through first person narration, Tari reveals personal stories related to her decision to work in Taiwan, her strained family relationships, the risks involved in working abroad and the traps she has fallen into.

Come Back, Africa chronicles the life of Zachariah, a black South African living under the rule of the harsh apartheid government in 1959.

Daydream Therapy is set to Nina Simone’s haunting rendition of “Pirate Jenny” and concludes with Archie Shepp’s “Things Have Got to Change.” Filmed in Burton Chace Park in Marina del Rey by activist-turned-filmmaker Bernard Nicolas as his first project at UCLA, this short film poetically envisions the fantasy life of a hotel worker whose daydreams provide an escape from workplace indignities. —Allyson Nadia Field

A teenage girl is held captive in the home of a wealthy family. She is befriended by the family's young gardener, himself an illegal from Mexico. Their friendship carries both of them through their hopeless, sequestered lives and ultimately inspires them to break free.

In the insulated bubble of white Apartheid South Africa, Marnus, a sheltered 11-year old boy accuses the grandson of his family’s domestic worker of steeling his fishing rod. A brutal chain of events is set in motion, shattering the illusion of his family’s wholesome facade.

A devoted maid for an upper class family has a special place in the heart of Daniel, the family’s six-year-old boy. But when tragedy strikes, she is reminded of her true place in the family.

Lillian Travers, a New York heiress, pops down to Florida to surprise her fiancé, Fred Cassadene, the house doctor at a prominent Saint Augustine hotel. The surprise, however, is Lillian's when she finds Fred in a series of compromising situations with a certain wealthy widow staying there. When she can take no more, Lillian discovers a box forgotten at an old curiosity shop in which lies a hundred-year-old secret: a vial of four rare and exotic African seeds that promises to transform whoever swallows one from a woman to a man or vice versa.

This third opus will take us into the homes of some of the Adamant and Averroes & Rosa Parks’ protagonists, during the visits led by their caregivers.

‘Sink’ tells the story of Rachel, a Mozambican domestic worker based in Johannesburg, who is forced to make a devastating choice after her daughter drowns whilst under the care of her employer; return to poverty stricken Mozambique or continue working for the family responsible for the death of her child so she can support her extended family back home. The story is a haunting exploration of motherhood, loss and the walls that separate people.

YAYA is a story about a filmmaker who explores the complex relationship between his family and the domestic worker who spent decades away from her family in the Philippines to raise his. This documentary is a tribute to all the domestic workers in Hong Kong, who has served as the backbone of Hong Kong's economy by unleashing a substantial female workforce into the economy and taken care of so many lives with love and care. You are all heroes in the hearts of the Hong Kong people. - Justin Cheung, the director

Documentary about women without papers, living in Germany and working as maids.