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A psychological thriller in the spirit of Black Swan, is set in the world of the upper echelon of New York City’s fashion scene.

Five street teens break into a house in a rich Dublin suburb for a night of partying. But games are twisted into something more emotional and ultimately out of control through a series of surprising revelations.

Ella ends up encountering a strange man that is infatuated with young black women, while on the job. The man happens to be the infamous Dollhouse Killer, who turns his victims into perfect dolls for his pleasure.

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Barbie feels as if she's always waiting.

The short film "dollhouse" was completed exclusively through editing preexisted images and sounds, which have been picked up mostly by narrative and documentary films and YouTube videos, such as music videos, recordings of plastic surgeries and reportages, while the audio file was constructed heavily from industrial sounds. Its central theme concerns the predetermined beauty standards which are imposed by the western society on women. A fundamental aesthetic and thematic purpose of the film is the provocation of intense, disturbing and shocking feelings through the graphic images, the inconvenient sounds and the audiovisual repetitions.

No description available for this movie.

After losing their child, a mother finds solace in a life-sized ancient doll she finds on the market. When a new daughter enters the family's life, strange things begin to happen and no matter how hard the family tries to get rid of it, the doll always finds its way back.

Gabby heads out on a road trip with her Grandma Gigi to the urban wonderland of Cat Francisco. But when Gabby's dollhouse, her most prized possession, ends up in the hands of an eccentric cat lady named Vera, Gabby sets off on an adventure through the real world to get the Gabby Cats back together and save the dollhouse before it's too late.

Not long after Yoko and Arthur move into their new house, they notice that many strange things happen here. Yoko begins seeing ghosts and suspects that the house is haunted. Yoko enlists the help of a police detective, who knows the house has a dark, secret past.

During the Liberation War of Bangladesh, a college teacher who shelters his friend's cousin fall in love with the girl.

Bill Martin has just finished construction on a picturesque new home for his family, but unknown to him, the previously barren property was once the site of the infamous Amityville murder house, which contains demonic entities with murderous sights on the family.

On a regular Sunday, an ordinary family goes on shopping to buy a Batman toy but their little son gives up on Batman and wants a Barbie House. His mother doesn’t let him to buy it. When they come back to home, the boy transform the Batman toy into what he wants with his father’s support.

In a small attic in the middle of the woods somewhere in Dalarna, Sussie lives in her very own doll house. Like Alice in Wonderland, who falls into a rabbit hole, Sussie disappears into a world full of extraterrestrial beings and stories.

We're immaterial beings. We'll always be inside of each other's heart. Day by day we mutate and get way stronger. Body, soul and blood smelling like pink.

A young man wakes up in what appears to be an abandoned building, and realises he may not be alone.

Henri Pyhäpuu, the star of a popular soap opera, wants to change the image of his role, but director Teuvo Tulimaa plans to make the character an even more ruthless killer. Henri flees from his hateful fans and wakes up on an island inhabited by a mute family, where a cult-like drama begins due to a bet from the previous evening. The film combines realism and surrealism, offering a multi-layered and intelligent experience through dark humor. It is aimed at a more mature audience that appreciates complex and provocative cinematic art.

Kyra Gardner's loving tribute to growing up in the world of the psycho killer doll, Chucky.

An unattractive 7th grader struggles to cope with suburban life as the middle child with inattentive parents and bullies at school.

Upon moving to a unfamiliar town, Ellie (Reese Kirkham) is overwhelmed by her new situation. Her family thinks its nerves but Ellie knows something isn't right. Plus, she is 90 percent sure the doll house in her bedroom just ate her brother. How many more family members have to disappear before someone believes her? The Dollhouse is a fun all-age horror film starring Reese Kirkham, Augustine Frizzell. Randy Milholland, Madeleine Ausburn and Jace Duncan."

Following the death of the Leigh family matriarch, Annie and her children uncover disturbing secrets about their heritage. Their daily lives are not only impacted, but they also become entangled in a chilling fate from which they cannot escape, driving them to the brink of madness.

14-year-old Arrietty and the rest of the Clock family live in peaceful anonymity as they make their own home from items "borrowed" from the house's human inhabitants. However, life changes for the Clocks when a human boy discovers Arrietty.

After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the truth about her pet and fight for her family's survival.

Raggedy Ann and Andy, along with other toys, reside in the nursery of a little girl named Marcella. During Marcella's seventh birthday, Babette, from France, is introduced as the new doll from a large package. Meanwhile, the lecherous Captain Contagious kidnaps Babette in his pirate ship and escapes from the nursery. Ann and Andy must explore and find Babette in the Deep Deep Woods to save her.

Jake Kimble, the sole survivor of the Chicago massacre, is killed while in solitary confinement. His doctor begins investigating the claims he made about a long-haired woman in white, as a mysterious Japanese woman arrives at his old apartment building to help them get rid of the curse.

A dangerous combination of radiation and insecticide causes the unfortunate Scott Carey to shrink, slowly but surely, until he is only a few inches tall. His home becomes a wilderness where he must survive everything from spiders living in the cellar to his beloved cat.

While staying at her Aunt Claire's country home, Amy Treloar discovers a dollhouse with a secret only the dolls know.

A septuagenarian woman from St. Louis, Missouri has been a miniaturist, businesswoman, museum president, Girl Scout leader, teacher, student, mother, daughter, and most of all, an indomitable human spirit. Life is what you make it.

Doll House is the story of an 11-year-old runaway who arrives at a care home with her only possession a dolls house. She refuses to speak and won’t ever let go of her doll. The other children tease her. People start to disappear and seem to appear as tiny dolls inside the doll house. An evil entity haunts the doll and doll house and is collecting the souls of the children for its ultimate cause, to be alive.

An interview with Ken, one of the coolest modern icons of the past 5 decades, in his injection molded mansion.

A Psycho stalks a talk radio personality and her mentally challenged sister.

Amanda's stoner slumber party is put to a halt when one of her guests is nowhere to be found.

A mother dealing with the death of her young son learns that her niece is in contact with his spirit.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

My Small Doll House features a woman’s fear, fantasy, and anxious psychology toward the world by contrasting a doll and a girl playing with it in a box. The small box is a safe place hidden in her deep conscious world, but she must open it and step out of the world.

Following their explosive showdown, Godzilla and Kong must reunite against a colossal undiscovered threat hidden within our world, challenging their very existence – and our own.