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Short film.

On the eve of leaving Puerto Rico, two childhood friends spend one last night together inside a cramped living room, circling around their unspoken fears and desires. Through laughter, arguments, and silence, they wrestle with the weight of migration, identity, and the ache of staying behind. Diaspora is a raw, intimate chamber piece about friendship on the verge of loss, and the impossible choice between leaving home or being left by it.

In a black suburb, a couple begins to notice that their neighbours are disappearing and white people are moving in. They soon discover something much more unpalatable.

Arriving in Winnipeg's North End in search of a better life, young Ukrainian immigrant Eva finds a city filled with rundown, outdated establishments and a disproportional number of other immigrants all too in search for a new life, all desperately holding onto their language and cultural, creating a neighborhood of miscommunication, apathy and growing alienation.

A story of a Head who lives alone in a wheelchair for long years in his apartment in downtown of Tunis. He falls into routine by subsisting on media, until he was surprised by an employment announcement. In the end, he abandons his isolation and leaves his wheelchair.

No description available for this movie.

Shortly before Indonesia's 2014 presidential election, an ethnic Chinese filmmaker and her family travelled to Malaysia, fearing unrest linked to the memories of May 1998. The journey unfolds into a story of generational survival, tracing how migration, uncertainty, and evolving questions of identity shaped her family's life across decades.

A young man is about to leave Bosnia for Luxembourg in search for a better life there, and says goodbye to the city he grew up in.

The filmmaker envisions what life would have been like if her parents never left their country of origin. The haunting imagery and disjointed narration (in Amharic, left un-translated) create a portrait of the place her mother and father called home.

How did migration transform the Caribbean identity through art and culture? This documentary explores the rich heritage behind the Dominican Republic's history and other Caribbean territories and, in doing so, takes us out of the Caribbean and into other latitudes where Caribbeans have taken and installed their traditions.

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During the Japanese occupation period, Koreans were forced to deport or drafted to work in other countries. Now 150 years passed, it appears around 7million of those people and their families are spread in 170 countries. There, a world-famous Korean-Japanese musician Yang Bang Ean follows the pathways of Korean diasporas as an inspiration, and performs his cross over music concert called ‘ARIRANG ROAD’.

Growing up in Trinidad, Richard Fung loved dal puri roti. In this epic culinary quest he sets out to discover where this spicy flat bread was born. His journey takes him from the central plains of Trinidad to the Bhojpur region of India, and finally to the snowy streets of Toronto, Canada.

Five friends explore their relationship with the Albanian language within the diaspora in Switzerland. They wander through places of remembrance where identity is forged, and give voice to Albanian culture in places where it is suppressed. Gjuha e diasporës straddles the line between documentary and experiment, serving as an investigation into what happens to the Albanian language as a result of oppression and migration.

Because his ability as a Chinese translator was not yet qualified, Anton was asked by his superiors to deepen his knowledge in Taiwan. Before leaving, Anton pledged his allegiance to Jelita, his wife.

On the 15th anniversary of the invasion of Iraq, ‘Mirrors of Diaspora’ explores themes of exile, creativity, identity and war told through the lives of seven Iraqi artists living outside the country of their birth for close to half a century. The artists featured in this documentary belong to a group known as ‘Iraqi Artists in Exile’. Filmed over three decades, this ambitious project explores their challenges, failures and successes, both as artists and in their private lives: from the time they graduated from art school in the 1970s, working as street artists in the piazzas of Rome and Florence, to becoming well-known. The central question the film poses is: what are the consequences of spending most of one’s life in exile? At a time of unprecedented global migration when barely a day passes without a tragic story played out in the international media, ‘Mirrors of Diaspora’ contributes to greater understanding of one of the defining issues of our time.

Testimonies of a people enlisted on the path of independence. Records taken at refugee camps in Tindouf (Sahara Desert in southern Algeria) and Bir Lehlu (region liberated by the Polisario Front)

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No Minorities is a story about a small, yet passionate and historically significant group of people that MUST be told. The Ballad of the Macedonian Diaspora is a compilation of real word-of-mouth stories of the trials and tribulations told by grandparents, parents, uncles, and aunts weaved into the fictional journey of our principal and secondary protagonists.

Through the inner monologue of a child of African immigrants, the film brings us originally and poetically to the heart of the identity journey of diaspora children.

A young free-spirited Irish woman from an affluent Protestant family spontaneously befriends a street-smart commoner cheated by her family’s hostile land takeovers. They escape to America, ready to take advantage of the 19th century Oklahoma land rush.

A look at the Brazilian black movement between 1977 and 1988, going by the relationship between Brazil and Africa.

A feature documentary presented and directed by former Royal Marines Commando Emile Ghessen. The documentary tells the story of the 2020 war between Armenia and Azerbaijan over the disputed region of Nagorno Karabakh. In the fall of 2020, Armenia and Azerbaijan fought a brutal bloody war. Azerbaijan won, decisively. The feature documentary 45 Days: The Fight for a Nation tells the story of this conflict, from the Armenian perspective, focusing on the human cost of war and its impact on the large Armenian diaspora.

The Heroes of the Massacre River is a powerful documentary that chronicles the stories of the pioneers behind the construction of the historic Canal of Ouanaminthe, a project that united Haitians across the nation and the diaspora. This film celebrates the groundbreaking efforts of key figures, centering on Dr. Bertrhude Albert, Dr. Naismy-Mary Fleurant, architect Wideline Pierre, economist Etzer Emile as well as dedicated canal workers Milourie Sylfrard, Theodore Johnson and Joseph Pressoir — all guided by the investigative journey of Max Angie Clervil. It also serves as a commentary on the complexity of colonialism and borders, tracing the role that the Massacre River continues to play in the history of Ayiti.

Inma (24) is determined to win a marathon in the Sahara Desert. But her motives run deeper than the physical challenge. A few months ago, she came across adoption papers that revealed the birthplace of her biological mother: Laayoune, Western Sahara. Having never heard of the country, she decides to train for an international marathon that takes place in the Sahrawi refugee camps in Northern Africa. It is the perfect opportunity for her to learn about a history she never faced growing up in Spain.

After making a harrowing escape from war-torn South Sudan, a young refugee couple struggle to adjust to their new life in a small English town that has an unspeakable evil lurking beneath the surface.

Fatma becomes entangled with Berlin’s bike-theft mafia. Her meteoric rise to becoming the gang’s chief lock-picker brings initial success but quickly devolves into a perilous trap controlled by the gang’s ruthless leader. Fatma’s only escape lies in a mysterious portal she discovers in an abandoned countryside house, which sends her back in time to the pivotal moment before her first theft. Caught in an unrelenting time loop, Fatma refines her strategies, inspired by the Art of War, to dismantle the gang and reclaim her freedom.

No description available for this movie.

No description available for this movie.

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

Filmed in the coal country of West Virginia, "Matewan" celebrates labor organizing in the context of a 1920s work stoppage. Union organizer, Joe Kenehan, a scab named "Few Clothes" Johnson and a sympathetic mayor and police chief heroically fight the power represented by a coal company and Matewan's vested interests so that justice and workers' rights need not take a back seat to squalid working conditions, exploitation and the bottom line.

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

In 1955, a year after the birth of the National Liberation Front (FLN), Mahmoud was expelled from Algeria by the colonial authorities who feared his revolutionary speeches. At the age of 27, he arrived in the Algerian slum of Nanterre. Roughly questioned by FLN activists, in disagreement with the Algerian Nationalist Movement (MNA) who wanted to recognize theirs, he was then accepted as the local hairdresser and shoemaker. Subsequently, he became a driver during anti-MNA expeditions. Accepting increasingly dangerous missions, he is imprisoned by the French police and once again undergoes interrogations and special treatment by the police which will definitively undermine his sanity. One day, he no longer recognized his companions, and when joy broke out among the FLN militants, at the announcement of the signing of the Evian Accords, Mahmoud remained alone, frozen in an attitude of refusal, walled in his madness. Algeria has just won its independence.

Schuylkill County, Pennsylvania, 1876. A secret society of Irish coal miners, bond by a sacred oath, put pressure on the greedy and ruthless company they work for by sabotaging mining facilities in the hope of improving their working conditions and the lives of their families.

Between Pictures: The Lens of Tamio Wakayama tells the epic journey of the late Japanese Canadian photographer Tamio Wakayama who decides to join the Student Nonviolent Coordinating Committee (SNCC) in the deep south during the 1960’s American civil rights movement. Learning the art of dark room photography along the way, this transformative moment in time allows him to confront his own identity and return ‘home’ to the west coast of Canada to begin a body of photographic work that continues to celebrate, re-present and document the spirit of Japanese Canadians who resided in the former Paueru Gai/Powell Street neighborhoods.

Tahar is a 20-year-old Sahrawi man who lives in the Basque Country. However, his family continues to live in the Tindouf refugee camp. One day, he receives a call from there: his father is dying.

A celebration of home and belonging in South London. This is a film that tows the line between documentary and narrative, and celebrates neighborhood and the rhythms of everyday life in South London. Friends for over a decade, their closeness runs through the piece; rooted in lived relationships, it resists spectacle in favor of quiet intimacy.

The story focus on Caridad and Georgina, who had learned the art of Cantonese Opera in Havana as a young age and performed as divas for over a decade before their lives were changed by Fidel Castro's revolution.

In 1915, a man survives the Armenian genocide in the Ottoman Empire, but loses his family, speech and faith. One night, he learns that his twin daughters may be alive, and goes on a quest to find them.

Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.

Escapist proudly presents Our World, featuring Sean Malto, Mikey Santillan, Shaun McKay, Joseph Lopez, Josh Crane, Josh White, Bryant Doerfler, Keelin Austin, Scotty Laird, Rod Harper, Ernie Torres, Dillon Aguilar, Garrett Olinger, Mike Webb, Ryan Pearce, Max Chilen and Jesse Doan. Edited by Ryan Lovell. Filmed by Tyler Krupski, Dylan Burke and Ryan Lovell in Kansas City, LA, Japan and Puerto Rico.

Isabella experienced something in the autopsy room when dissecting a female body that came without identity. It changed all the views of her life.

A writer who believes all relationships have expiration dates finally meets someone who could potentially reverse his negative logic.

Dozens of students died gruesomely during the last school exams. It started with one of the students being possessed and harming the others. The devil's power threatens their lives.