Search Results for "defenestration"

Combining film and domestic structures, this film reaches beyond the frame, testing out access and escape, aperture and portal.

The artist sets up his camera in front of a run-down shack. He will attempt to penetrate his subject with a series of agile and inquisitive camera movements. Although open to the four winds, the building is presented to us as an impenetrable castle: there are bars on the windows, locks and pulleys: a series of obstacles blocking our access. Lange launches his attack by panning horizontally, then vertically, across the walls; these are scarred with broken windows, which provide the principal motif for the film. This panning movement continues, with a series of variations based on the geometric patterns offered by the half-broken windows: a series of backlit triangles and rectangles, which at times suggest an anthropomorphic motif. The use of different shooting speeds and of in-camera double-exposure causes the film to fluctuate between documentation and abstraction. L'Ailleurs - Somewhere Else - is the interior which the film never penetrates.

The Defenestration of Prague, which took place on May 23, 1618, was the decisive historical moment that unleashed the Thirty Years War (1618-1648) between several Catholic and Protestant states and changed the course of European history forever. (Additionally released as a heavely edited historical documentary entitled The Defenestration of Prague, 85 min.)

At Adams College, the jocks rule the school from their house on high, the Alpha Beta fraternity. So when a group of socially-challenged misfits try to go Greek, they're instantly rejected by every house on campus. Deciding to start their own fraternity to protect their outcast brothers, the campus nerds soon find themselves in a battle royale as the Alpha Betas try to crush their new rivals.

A day in the life of a young Manhattanite who is in love with his mother, gives birth to $1890 from his hip, and kills indiscriminately.

No description available for this movie.

The ancient Thracian bard Orpheus laments ever for his lost love Eurydice. Having returned from the Underworld in his attempts to retrieve her, he can now no longer die, yet lacks presence. So the maenads tear him limb from limb... Two thousand years later: An immortal head, disembodied, aware now of the power of the physical form in which it is forever encased. Upon the Templar altar, wise yet carnal, the only way it can now enjoy the idea of a body is through vicarious experience of others enjoying theirs. Thus with the heightened senses remaining in the head, s/he desires to create a new physical vessel.