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Film about the process of decolonization in Kazakhstan. Search for visual solutions and film language for the author's statement on this topic.

This documentary offers a deep, candid, and historical look at the Christian experience of America's largest and best-known tribes: the Dakota and Lakota. Its exploration into Native American history also takes a hard and detailed look at President Ulysses S. Grant's Peace Policy of 1873, which was, in effect, a "convert to Episcopalianism or starve" edict put forth by the American government in direct violation of its Constitution. The devastation it had on the values of the people affected were dramatic and extremely long-lasting. Grant's policy was finally ended over 100 years later by the Freedom of American Indian Religions Act in 1978. Interlaced with extraordinarily candid interviews, this documentary presents an insider's perspective of how the Dakota and Lakota were estranged from their religious beliefs and their long-standing traditions.

Many times during his presidency, Lyndon B. Johnson said that ultimate victory in the Vietnam War depended upon the U.S. military winning the "hearts and minds" of the Vietnamese people. Filmmaker Peter Davis uses Johnson's phrase in an ironic context in this anti-war documentary, filmed and released while the Vietnam War was still under way, juxtaposing interviews with military figures like U.S. Army Chief of Staff William C. Westmoreland with shocking scenes of violence and brutality.

"Mexico begins where the roads end ”. Mexican writer Carlos Fuentes tells us about the history of Mexico: its invasions, its revolutions, its sacred lands, its forgotten legends, its religious rituals and this frightening misery. François Reichenbach and his camera sink into the dust, on this sacred land, where "the land never ends."

Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.

Based on powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, this documentary is accompanied by classic text from The Wretched of the Earth by Frantz Fanon.

In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.

In 2009, the first coup d'etat in a generation in Central America overthrows the elected president of Honduras. A nation-wide movement, known simply as The Resistance, rises in opposition. Resistencia: The Fight for the Aguan Valley centers on the most daring wing of the movement, the farmers of the Aguan. Not satisfied with just marching and blocking highways, 2000 landless families take possession of the palm oil plantations of Miguel Facusse, the country's largest landowner and a key player in the coup. The camera follows three farmers over four years as they build their new communities on occupied land, in the face of the regime's violent response, while waiting for the elections The Resistance hopes will restore the national democratic project.

In Nevada’s remote Thacker Pass, a fight for our future is playing out between local Indigenous tribes and powerful state and corporate entities hellbent on mining the lithium beneath their land. Vancouver-based Lithium Americas is developing a massive lithium mine at Thacker Pass, but for more than two years several local tribes and environmental organizations have tried to block or delay the mine in the courts and through direct action.

Un-Documented argues against Alain Resnais and Chris Marker’s film Statues Also Die (1963). Focusing on plundered objects in European museums and listening to the call of asylum seekers to enter European countries, their former colonizing powers, the film defends the idea that their rights are inscribed in these objects that were kept well documented all these years.

The film deals with the judgment of the so-called "compromised", who integrated the colonial apparatus. At Josina Machel school, in an amphitheater with a full audience and balcony, there is a stage where Samora Machel and the members of the Frelimo political committee are located. He records Samora, an impeccable political actor, sometimes histrionic, in the role that he is attributed as the animator of the scene in the trial.

This spiritual successor to the 1942 original explores the vibrant yet tumultuous growth of Britishness over the past century. The film gives voices to a new reality of Britain, one that has been formed through the flourishing multiculturalism the country has seen since the original film was made. Academics and artists are interviewed to explore both past and present, and consider what a future Britain may look like.

"Bamboula": this word was chosen in the 1980s for a chocolate cookie well known to children at the time. In 1994, he sponsored an Ivorian village set up in the Port-Saint-Père zoological park south of Nantes, where children and adults lived in a zoo to offer their folklore as a show to visitors. This documentary film, narrated by Jean-Pascal Zadi, gives a voice to those who lived in this African safari and to those who fought for their dignity

Apartheid was dismantled in 1994, yet three decades later, South Africa still remains the most unequal country in the world. The roots of this inequality are revealed in this exploration into South African history, exposing why they persist today. A perspective-shifting documentary that features, in unprecedented access, the grandson of the “Architect of Apartheid”, who takes a searingly honest look into his ancestry, exposing not only the systemic strings that Apartheid still holds over South Africa, but the psychological strings as well.

She Draws a Circle reflects on the work of generations of women to interrupt cycles of violence and oppression, looking to the ways in which our spiritual connections to the land and one another help us to hold space for regenerative healing, bringing the hidden to light drawing on that light to encircle each successive generation.

PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

This documentary details the indigenous environmental movement in Honduras in 2016 specifically in the aftermath of prominent activist Berta Cáceres' assassination at the hands of a hired hitman. The documentary shows the effects of international and domestic dam development on the local landscape and the organized political resistance efforts.

In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Since August 2024, in Martinique, a popular protest movement against the high cost of living has been reemerging under the leadership of the RPPRAC (Rassemblement Pour La Protection Des Peuples Et Des Ressources Afro-Caribéens – Gathering for the Protection of Afro-Caribbean Peoples and Resources). On the island, food prices are on average 54% higher than in mainland France.* Through various cultural figures, the people of Martinique are expressing their anger and seeking concrete solutions. *Source: Kiprix, Price comparison between supermarkets in the French overseas territories and mainland France.

It is a semestral break, Leanna and Shaine are left in their ancestral house for vacation by their parents, wherein their superstitious grandmother, Lola Helena lives. As the kids try to rest themselves during noon, an unexpected visitor comes and tries to call the attention of Shaine, who eventually hears it and wakes up. Shaine sees another kid wearing a clean white shirt sneaking and pointing at something as she opens her eyes. Shaine approaches the kid. However, the mysterious kid quickly runs away to the forest as soon as Shaine gets close to him but Shaine decides to run after him. That is where Leanna notices that her little sister is nowhere to be found and decides to wake Carlos to help him find her sister but without the knowledge of their Lola Helena.

Ivan, a writer living in Manila, walks through the city in search of his past.