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Henri Rainier has everything a man could want. A glamorous wife, two beautiful daughters and a well-paid job with a large bank. Then, one day, his entire world collapses. In the wake of a high-profile financial scandal, he is summoned into his director's office and accused of negligence. Rainier has no choice but to resign, but he soon realises that he has been made a scapegoat. He begins his own investigation in an attempt to clear his name and discover who is responsible for the enormous hole in the bank's finances. It soon becomes apparent that he is up against a very powerful and dangerous opponent.

At the end of the Civil War, Belle Gatlin Barlowe, a widowed mother of three, faces uncertainty as she attempts to defend her family's land by any means necessary. When the corrupt local bank pushes Belle into becoming an outlaw, the stakes become personal, setting off a chain of events that force her to question whether it's better to be lawful or to survive.

From the manipulation of the London interbank interest rate to the Epstein affair, a look back at the scandals that have shaken the financial world over the last twenty years. How can we assess the extent of bankers' responsibility?

Depicting the biography of a corrupt banker poses a cinematic dilemma. How can the intentions of an individual systematic contexts and historical eventualities be brought into harmony? Thomas Furhapters nearly one hour film Michael Berger Eine Hysterie turns this problem outward by not covering up the moment of speculation. The subject of the film, Austrian investment banker Michael Berger, who became a dollar millionaire through a risky hedge fund, remains a chimera an absent individual who also cannot be captured through his crime.