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Sounds Like Art invites musicians to play in the midst of works of art in a European museum. In this edition, British pop group Bastille present their new album & at the Turner Contemporary Museum in Margate on the English coast. Lead singer Dan Smith says he is particularly interested in the art of Anya Gallaccio and Antony Gormley.

In Krasnoyarsk, contemporary art was born within the Cultural and Historical Center named after V.I. Lenin, built in 1987. Here, bold and innovative ideas were presented, and different cultural worldviews were formed. However, all these ideas are united by one thing – the harsh and beautiful Siberia.

This film gives a matter-of-fact record of the creation and lives of 5 artists: Wang Chuan, Zhou Chunya, Ye Yongqing. Zhang Xiaogang, and Mao Xuhui. They belong to the generation that grew up under the People's Republic that took part in all the big and small political movements and social transformations in China in the last 30 years. Now, in the course of China's transformation to modernization, they are facing a rather complicated reality and cultural problem. Time flies like an arrow -- natural selection is going on mercilessly. For the past decade, they have always been consistent in the observation of a lofty spirit, and independent personal integrity, and never have they given up their love and exploration for a single day.

The filmmaker interviewed a selection of victims (Teresa Margolles, Ximena Cuevas, Miguel Calderón, Tayana Pimentel and Kurt Hollander) about the way in which they would want to die or be murdered. Each victim then performed his/her own death on video.

The second half of this two-part work of anthropological research, during which he met Anastasia Lapsui in the Soviet Union in the late 1980s. Seven years in the making, this film became the turning point in Lehmuskallio’s artistic path. “I started from Inuit poetry. I believe that paintings are also poetry. (…) They were kept behind glass: I could not touch them, I could not feel the warmth left by their creators. Inside myself, I could hear their voices. It was like an assignment from them: I had to show them to the world through myself, through my brain and soul.” (Lehmuskallio)

After working in solitude at the studio, the artist leaves, uncomfortable with the idea of having to put on a face for the art world, where they expect you to say something articulate in order to grab the curator's attention. - Video Data Bank

THE CONTEMPORARY ART REPORT is an hour-long exploration of the defining shifts in art from 2015-2025. The report features 20 distinct chapters, each one consisting of a complete analysis paired with an exhibition, main character, or event that illustrates the change.

Discover the underground artists of a new generation.

Contemporary African-American artists tell how their art and lives have been affected by African influences and their own experiences living as Black Americans in today's world. Writer/Professor, Maya Angelou expresses the black experience in words and poetry.

On September 15th 2008, the day of the the collapse of Lehmans, the worst financial news since 1929, Damien Hirst sold over £60 million of his art, in an auction at Sotheby’s that would total £111 million over two days. It was the peak of the contemporary art bubble, the greatest rise in the financial value of art in the history of the world. One art critic and film-maker was banned by Sotheby’s and Hirst from attending this historic auction: Ben Lewis.

Dr. Lana Whiskeyjack an artist of Edmonton, and Erik Lee a silversmith of Maskwacis, share Indigenous stories and themes in their art. They explore influences and Cree worldview while on their artistic journey.

This film follows students, staff and parents through the first four years of the High School for Contemporary Arts, an experimental "small school" housed within one of the most dangerous schools in the Bronx.

Documentation of the artist being hypnotized, wandering around in an immaginary art museum and describing what he sees there. Keller took lessons from a professional hypnotist to prepare for the piece Visiting a Contemporary Art Museum under Hypnosis (2006), let himself be hypnotized, and he also hypnotized others. The two-part video depicts a hypnosis session in which Keller repairs to the corridor of an imaginary museum hypnotized and describes the works which he sees there.

A down-and-out gangster hires a down-on-his-luck agent to make his girlfriend a recording star within six weeks.

An account of the many tribulations that Chinese artist Ai Weiwei, known for his subversive art and political activism, endured between 2008 and 2011, from his rise to world fame via the Internet to his highly publicized arrest due to his frequent and daring confrontations with the Chinese authorities.

Lifting the lid on the fascinating last decade of Andy Warhol's life and the legacy he left for future artists, through never-before-seen footage and interviews with insiders.

Exiled, yet internationally celebrated Zimbabwean artist Kudzanai Chiurai's demons come to life as he tries to flee South Africa following increasingly fractious experiences on the Johannesburg art scene. His greatest demon “Black Guilt” is one he can never shake off, this burden of having to speak for his people. But Is this responsibility really a burden at all, or is it actually a superpower? Either way, will Kudzi ever be President of His Own State of Being?

A film exploration of the work and aesthetic concepts of Yayoi Kusama, painter, sculptor, and environmentalist, conceived in terms of an intense emotional experience with metaphysical overtones, an extension of my ultimate interest in a total fusion of the arts in a spirit of mutual collaboration. —Jud Yalkut

This documentary follows 200 days in the life of contemporary artist Hiroshi Sugimoto— a leading presence in the world of modern art. He is the winner of many prestigious awards and his photographs are sold for millions of yen at overseas auctions. The film shows the sites of the Architecture series shot in southern France, the huge installation art work at 17th Biennale of Sydney, his new work Mathematics at Provence, his art studio while working on Lightning Fields, and more. It thoroughly pursues the question Sugimoto's works pose - "living in modern times, what are these works trying to tell us?" A thrilling look into the world of Hiroshi Sugimoto.

In 1988, art student Damien Hirst and a group of like-minded associates mounted an exhibition in a building in the East End of London. Entitled Freeze, it was a huge critical and commercial success, propelling Hirst and the group into the spotlight of the avant-garde. More than five years later, Hirst exhibits to international acclaim and is regularly derided in the tabloid press. This portrait of Hirst, which resumes the Omnibus season, is presented as a drug-induced nightmare after Hirst has been put to sleep by a sinister dentist, played by Donald Pleasence. In between interviews with fellow Freeze artists including Angus Fairhurst , Sarah Lucas and Tracey Emin , Hirst is seen preparing Mother and Child Divided, his work for last year's Venice Blennale. The piece consists of a cow and a calf, each sawn in half, pickled in formaldehyde and exhibited in four tanks.

North Star: Mark di Suvero is a 1977 documentary film about Mark di Suvero that was produced by François de Menil and Barbara Rose. Born in 1933, di Suvero has become one of the most recognized sculptors of the late 20th and early 21st centuries. From about 1975 to 1977, fairly early in di Suvero's long career, filmmaker de Menil and art historian Rose produced this film, which was characterized at the time as "a tribute to the extraordinary work and life of the innovative American sculptor of monumental but delicate constructions." The film shows di Suvero making and installing several of his very large sculptures, and incorporates informal interviews of di Suvero, his mother, and others involved in his career and life at that time. From 1971 to 1975 di Suvero, an American, lived in a self-imposed exile in France in protest of US involvement in war in Vietnam and Southeast Asia, and the filming spans the end of his exile and his return to New York.

A follow up to award winning documentary 'Herb & Dorothy', the film captures the ordinary couple's extraordinary gift of art to the nation as they close the door on their life as collectors. When Herb and Dorothy Vogel, a retired postal clerk and librarian, began collecting works of contemporary art in the 1960s, they never imagined it would outgrow their one bedroom Manhattan apartment and spread throughout America. 50 years later, the collection is nearly 5,000 pieces and worth millions. Refusing to sell, the couple launches an unprecedented gift project giving artworks to one museum in all 50 states. The film journeys around the country with the Vogels, meeting artists who are famous or unknown, often controversial, striking today's society with questions about art and its survival.

Follows Chilean artist Alfredo Jaar as he finds his artistic voice and develops the socially critical perspective of his work.

The owner of a dangerous music venue discusses and showcases his work in a news report from a culturally dystopian future.

Ilya Kabakov is considered one of the most important contemporary artists worldwide. Born and raised in the Ukraine in the period between Stalin and Gorbatschow he left the country in the 80s. In his Installations and his numerous paintings Kabakov creates a world of its own, which leaves the heaviness of socialist and post-socialist life far behind. The film links Ilya Kabakovs artistic spaces with insights into Russian everyday life, which itself sometimes appears like an installation by the artist.

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What happens when a group of international artists travel to North Korea to create art like the regime have never seen before? While the world is on the verge of nuclear war, a group of Western contemporary artists are invited into the eye of the storm. The aim is to collaborate with North Korean artists in a creative exchange project displaying new and challenging art in a country where abstract art is forbidden.

Thomas Hirschhorn, one of the few Swiss artists of world renown, often touches on social wounds with his provocative works. In 2013, Hirschhorn built a monument for Italian philosopher and communist Antonio Gramsci in a public housing project in the Bronx. The contentious artist collaborated with neighborhood residents whose everyday life is impacted by poverty, unemployment and crime. Conflicts and misunderstandings are bound to arise as Hirschhorn’s absolute devotion to art is confronted with the resident’s lack of prospects and fatalistic outlooks. The «Gramsci Monument» becomes a summer-long experiment where diverse worlds collide: blacks and whites, the art elite and street kids, party people and poets, politicians and philosophers. A nuanced film about art, politics and passion.

CREMASTER 3 (2002) is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect ...

CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.

Facing imminent eviction, an idealistic young photographer and her hapless roommate attempt to sell her work to galleries for the first time, embarking on a bumpy journey through the collapsing art market of Istanbul.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

Organza, a broke artist living in deep space, must travel across the galaxy to seek revenge on her ex in order to cure her mysterious illness. As she meets strange creatures such as museum curators and cyborg pop stars, she learns that perhaps vulnerability is more important than revenge, after all.