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A swift moving assortment of moving images. Filmed from a color TV monitor that was computer controlled.

A girl working in a museum tries to convince a colleague that two visitors are flirting. And how does she know? Scientific studies say six signs show one person's attraction to another.

No description available for this movie.

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

Sarah, a teenage school girl, faces few challenges with her sexual identity. She cannot express her feelings to her mother. She decided to leave home with her partner, Franak, with no coming back.

No description available for this movie.

No description available for this movie.

An experimental short from Dutch filmmaker Frans Zwartjes.

When you wake up and do things every day but all of a sudden, you find yourself next to someone you don't know!

Perhaps more than with other examples of Lynda Benglis's "Collage" explores the effects of sound distortion and audio loss across generations of video tape. Tape hiss dominates a limited color palette where images of hands, oranges, and a profile of Benglis peeling an orange with her mouth revolve and seem to replicate as the sound grows less audible.

Mexican feature film

No description available for this movie.

A young cameraman receives a letter from an old girlfriend, announcing that she is to hold a photo exhibition in the United States. Having heard rumors that she has died, he follows his curiosity to New York City.

Pierre Koralnik's documentary about American sculptor Louise Nevelson

Parajanov lifts the curtain on numerous unfinished scenes and fragments of unshot films. These are memories of his childhood, death, friends, Tiflis, Kyiv, Yerevan. Seven stories from the life of Parajanov and the close circle that shared his entire life path with him...

An erotic delight for the senses.

"Navras Katha Collage" delves into the nine fundamental emotions (Navras) of life, each story intricately woven together to depict the highs and lows of the human experience. From joy and sorrow to anger and wonder, this film captures the essence of what it means to be human, all brought to life by a single actor through a tapestry of characters.

Four trans people from different generations come together in a collage workshop about their dreams. Using clippings and feelings, they talk about various topics, but one of them takes over the narrative.

As a girl grows up, her world starts to become more complicated. She notices lines appearing on people's faces that she hadn't noticed before. While trying to see the hidden lives in between her neighbors' facial features, her own face struggles to ignore an unwanted line from her childhood.

"collage25" is an audiovisual intervention, in the form of divertimento, based on the film in the public domain "Carnival of Souls" by Herk Harvey (1962) that is part of a large experimental audiovisual research project that tries to explore, from the point of view of artistic-expressive activities, formal, structural, narrative and aesthetic issues. For this we intervene and construct variations, spatial and temporal of mythical scenes of the cinema that have passed through public domain. We modify its previous meanings, amplifying or varying its narrative value and its audiovisual aspect, tries to transfer, with moving images, expressive and emotional concepts to the screen. Repetitions reinforce the formal, narrative and structural aspects. Altering any resemblance to reality.

An animated satire on the question of self-image for African American women living in a society where beautiful hair is viewed as hair that blows in the wind and lets you be free. Lively tunes and witty narration accompany a quick-paced inventory of relaxers, gels, and curlers. This short film has become essential for discussions of racism, African American cinema, and empowerment.

Ibraham the industrious student fall in love with his colleague Khayriyah and she also fall in love with him, but the rich student Hani admire her. Ibrahim is trying to hide his social level because he is afraid to lose Khayriyah, and telling everybody that he is from a wealthy family, will Khayriyah find the truth someday ?.

A ritual in the form of a film essay that explores, through collage, the sense of exile experienced during early childhood migration. It examines the primal configuration of detachment from one’s homeland, family environment, and body, and the reclamation of origins as a symbolic center.

Tom is a young guy from Zagreb, completely without money, trying to make films in Belgrade. He somehow manages to survive with a help of women. He doesn't believe in anybody, respects no one and is in constant conflict with the ruling system and order. After being left by a silly American girl, Tom binds with a woman whose husband is abroad. When she kicks him out, he moves in with her husband's sister, who later kills him in the attack of jealousy. All this is shown in the context of major historical events prior to 1968. with lots of archive footage of world leaders.

Dash Snow rejected a life of privilege to make his own way as an artist on the streets of downtown New York City in the late 1990s. Developing from a notorious graffiti tagger into an international art star, he documented his drug- and alcohol-fueled nights with the surrogate family he formed with friends and fellow artists Ryan McGinley and Dan Colen before his death by heroin overdose in 2009. Drawing from Snow’s unforgettable body of work and involving archival footage, Cheryl Dunn’s exceptional portrait captures his all-too-brief life of reckless excess and creativity.

Set in Berlin and New York's Lower East Side, The Great Yiddish Love stars the self-exiled Marlene Dietrich and her Nazi-endorsed replacement, Zarah Leander. It is a melodrama of love, emigration, and betrayal reassembled from Hollywood, German Ufa and Yiddish films from the 1930s and 40s.

Animation. The theme is Weightlessness. Objects and characters are cut loose from habitual meanings, also from tensions and gravitational limitations. A lyric Eric Satie track accompanies the film. Such a portrait seems necessary from time to time to remind us that equilibrium and harmony are possible, and that we will not dissolve into a jelly if we allow ourselves to relax into them: A horseman rides through the landscape, through the town, but never arrives anywhere in particular. An acrobat swings on a rope above a canal in Venice, and is content just to swing there. Nothing threatens to disturb them. This film is a total contrast to the Kafka-like oddities of Eastern European animation. —Canyon Cinema

As seen and heard by... the Standing on the corner art ensemble, an "Exhibition" Index Film

Clips from assorted television programs, B-movies, commercials, music performances, newsreels, bloopers, satirical short films and promotional and government films of the 1950s and 1960s are intercut together to tell a single story of various creatures and societal ills attacking American cities.

Something takes us underground, where gods and monsters are active, amid the ruins of a world they move around with their innumerable hands. Inspired by Fritz Lang and Richard Wagner, Remains is a daydream.

George Abitbol, the classiest man in the world, dies tragically during a cruise. The director of an American newspaper, wondering about the meaning of these intriguing final words, asks his three best investigators, Dave, Peter and Steven, to solve the mystery. (Sixteen French actors dub scenes from various Warner Bros. films to create a parody of Citizen Kane, 1941.)

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

Performed live on September 15th, 1985 on the SONY JumboTRON at Tsukuba Expo, Tukuba, Japan

In 1968, art students Storm Thorgerson and Aubrey “Po” Powell made a trippy photo collage for their musician friends Syd, David and Roger. The resulting album and album cover, A Saucerful of Secrets, helped launch two careers: that of Pink Floyd, one of the 70s megabands, and of Hipgnosis, which, over the course of the next 25 years, designed a stream of iconic album covers.

In this episode of HIUWTS, Hana’s birthday goes wrong! Mom throws the perfect party, but Dad spoils all the fun… Watch as the TV crew invades the family’s home and the show distorts their reality!

A cinematic time capsule with over 1,400 hours of submitted material from all regions of Switzerland gives unknown insights about the life of Swiss people in the politically and socially turbulent summer of 2019.

The Goal Is To Live is an infinitely-looping assemblage constructed out of repurposed content from the popular show How It’s Made, which chronicles the factories that create everyday objects. The film takes Dina Kelberman’s practice of accumulation and recontextualization into a large-scale time-based work for the first time. Reorganizing short clips into a long Rube-Goldberg-like narrative, and featuring a hypnotic minimalist soundtrack by Rod Hamilton and Tiffany Seal, the film portrays a mesmerizing and surreal process in which materials are transformed in myriad ways.

A self described "documediamentary" about the reactions to the release of the then final Star Wars film, "Revenge of the Sith".

Lovely Pinky Malhotra is a heart-breaker in the college where she studies, and has a number of young men who would lay down their lives for her. Amongst them are Sunil and Vicky. She is attracted to Sunil, and both carry on a romantic relationship, hoping to get married after finishing college. Before that could happen, Pinky finds out that Sunil has been two-timing her as he is already dating another young collegian. Angered and hurt at this, she decides she will have nothing to do with him, and starts her romance with Vicky. Sunil, who does not know what has transpired, wants to talk to Pinky with a view of rekindling their romance, but Pinky refuses to speak with him. The question remains is Sunil really in love with another girl, and if so, why did he take the trouble to woo Pinky?

Through a technology that unlocks the genetic memories of his ancestor in 15th century Spain, Callum Lynch discovers he is a descendant of an ancient line of Assassins and amasses lethal skills to take on the oppressive Templar Order.

Beatrice Prior and Tobias Eaton venture into the world outside of the fence and are taken into protective custody by a mysterious agency known as the Bureau of Genetic Welfare.

The defiant leader Moses rises up against the Egyptian Pharaoh Ramses, setting 400,000 slaves on a monumental journey of escape from Egypt and its terrifying cycle of deadly plagues.