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The Helsinki of the 1990s, longed for by many, comes to life in Heikki Ahola's City Symphony. Celebrating its 30th anniversary, this classic montage film offers a unique glimpse into the pulsating life of the capital at all hours of the day. More than 30 young filmmakers worked on the documentary. Filmed between September 1993 and February 1995, City Symphony encounters the contrasting spirits of Helsinki – including unemployment and luxury, homeliness and internationalism. As the title suggests, music plays a central role in the film, with Tuomas Kantelinen responsible for the score. You won't find a more comprehensive journey through 1990s Helsinki than Kaupunkisinfonia. The world just before the breakthrough of the internet and the economic boom already looks very different.

Sarajevo: City Symphony is an audio visual performance and experimental documentary inspired by the City of Sarajevo and its people who lived and who live in this amazing historical place.

An impressionistic short film celebrating Stockholm’s rhythms of life, blending images of its streets, waterways, people, and architecture into a visual “symphony.” Winner of the Academy Award (Oscar) for Best Short Subject, One-Reel in 1949 — the first Swedish film ever to receive an Oscar.

Two friends travel around the city of Reno, Nevada, and go skating at a nearby parking garage.

A lone conductor finds music in the mundane.

The film takes us on a brief journey across the skies of Damascus, passing over the communities that have arrived in the Levant with all their cultural and civilizational characteristics, to immerse ourselves in their daily life, their homes, and their customs. We wonder: what remains of their original form, and what has been lost? And most importantly: What drives each of these relatively homogeneous groups to board the first bus bound for “Damascus”? What can Damascus offer that no other village or city within Syria can provide? And has Damascus fulfilled the dreams they brought with them? What is the common perspective shared by most of the arriving regions regarding Damascus and the original “village” model, and what does the idea of returning to it mean to each of these groups?

Be swept up on a magical journey on the New York City Subway, never knowing what you will see next. This musical 'tone poem' uses archival and present day scenes to create a movable feast of sights and sounds unique to this underground New York City icon. —Anonymous

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

A celebration of summertime in NYC.

The English seaside town of Brighton in all its festive, bohemian, campaigning glory has inspired a remarkable fusion of silent film and music by filmmaker Lizzie Thynne and composer Ed Hughes. Drawing on such precedents as Walter Ruttmann's 1927 silent classic Berlin: Symphony of a Great City, this new film depicts a day in the life of the city, darting back and forth through time to encompass archive of the forgotten histories and contemporary events that have defined this raffish town on the English seaside. A kaleidoscope of local identities from is accompanied by a sumptuous symphonic score performed by principal players from the Orchestra of Sound and Light.

Footage of municipal workers.

Inspired by the city symphonies of the 1920’s and 1930’s, this short film documents Reykjavik city during the summer. Free from the constraints of narrative filmmaking conventions, the film carefully observes the beauty of fleeting moments in our everyday lives.

Poetic and political portrait of the city Córdoba in Argentina.

he film is devoted to Shanghai, the cultural and industrial capital of East Asia. Shanghai's prosperity began in the first few decades of the twentieth century when the biggest world powers identified their interests in this part of the world.

Filmed over the course of a year on rare stormy nights in the LA basin, CITY SYMPHONY NO. 1 - LOS ANGELES combines stunning 6K slow motion imagery with a dense soundscape of rain, police scanners and secretly recorded Angeleno conversations to create a hypnotic new vision of one of the world's most famous cities.

Discovering and redefining techniques of past avant-garde urban documentarians, 37 teens with little or no prior filmmaking experience worked with 16mm cameras and black and white stock to create a stunning 24-hour cinematic journey with each hour of the day represented as one minute on film. The Sound We See: A Los Angeles City Symphony premiered in December, 2010 with a bespoke live score performed by a talented ensemble of local musicians.

Created by 24 fabulous filmmakers and two talented sound artists in conjunction with the 2018 edition of Punto De Vista International Documentary Film Festival in Pamplona, Spain.

The city of Rome described only through images, from alternative points of view. We will not find postcard landscapes, but a tribute to Berlin: Symphony of a City (Walter Ruttmann, 1927), in which light is the protagonist, together with music, in representing this immense body-metropolis.

Facilitated by Echo Park Film Center, Hanoi Doclab and the Goethe Institute, The Sound We See: A Hanoi City Symphony invited a group of young Vietnamese filmmakers to explore their city on film, shooting with Super 8 cameras and processing/editing the images by hand.

Directed and filmed by Frank Hurley for Cinesound, this short industrial documentary captures the realities of 1930s mining in Broken Hill. This film opens with dramatised historical re-enactments of Captain Charles Sturt’s 1844 expedition and Charles Rasp’s 1883 silver lode discovery. Utilising extensive cable networks and specialised camera filters to overcome extreme dark and heat, Hurley takes his camera 2,000 ft below the surface. The footage captures miners drilling rock, pit ponies hauling ore cars, and an explosive rock blasting arrangement. Above ground, it documents men operating heavy machinery to extract zinc, lead, and silver deposits, and the refining of the raw minerals.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

Pikk Street is one of the most important thoroughfares of Tallinn’s Old Town. The picture playfully combines hidden camera footage with more observational images, employing shots from unusual angles; these are accompanied by specific sounds and interesting musical themes. The result is a true cinematic adventure.

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Six lives intersect in a city symphony of chance encounters.

Portrait of a waterpark.

Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.

A personal city symphony where an eco-anxious soul explores the intersections of natural and artificial. The filmmaker’s internal conflicts are reflected through the contradictions of early spring. This experimental short documentary invites the viewer to take the time and truly pay attention to one’s surroundings.

LONDON SYMPHONY is a brand new silent film - a city symphony - which offers a poetic journey through the city of London. It is an artistic snapshot of the city as it stands today, and a celebration of its culture and diversity.

Unfolding in a series of eight vignettes, Sound Spring explores the history ofYellow Springs, Ohio over hundreds of years, as narrated by its residents incomical scenes: one interviewee rollerblades and reads the village's water meters, another stands on his head in a breakdancing freeze. The villagers describe American history-their ancestors' settlements after slavery, a friendship with Coretta Scott King, and Ohio's Trail of Tears- among other more personal details of village life. The wording of their recollections is imperfect, unsure-in fact they are all re-stagings of their previous audio interviews. Through performing their own previously recorded media, villagers uncover layers of time and storytelling.

"The Hart of London" is an endlessly layered tour de force. It explores life and death, the sense of place and personal displacement, and the intricate aesthetics of representation. It is a personal and spiritual film, marked inevitably by Chambers’s knowledge that he had leukemia. The late American avant-garde filmmaker Stan Brakhage said of Hart, "If I named the five greatest films [ever made], this has got to be one of them." Even this high praise falls short of hyperbole. The Hart of London is at the centre of Chambers’s extraordinary achievement.

A portrait of a modern city. Documented and artistically interpreted life in Riga unfolds over a single summer day. Dynamic shifts between three main characters – a food courier, a tram driver, and a young girl – reveal the inhabitants’ daily trajectories and interactions with the city. A mosaic of intermittent scenes highlights nuances often lost in everyday routines, capturing the rhythm of the city and its rich urban life beyond the limits of the story.

Belfast, it's a city that is changing, changing because the people are leaving? But one came back, a 10,000 year old woman who claims that she is the city itself.

Gubara was proud of the first color film in African cinema, which attempts to give an African response to the city symphony genre by capturing disparate images of daily life in Khartoum and setting it to music, particularly romantic Arabic songs.

Yo - a hard working salary girl loses her mouth.

An experimental meditation on Times Square's marquees and iconic advertising that captures the concurrently seedy and dazzling aspects of New York's Great White Way.

"The theme of the film HIDDEN CITIES is personal urban perceptions, which we call 'the city'. The city, as a living organism, reflecting social processes and interactions, economic relations, political conditions and private matters. In the city, human memories, desires and tragedies find expression in the form of designations and marks engraved in house walls and paving slabs. But what the city really is under this thick layer of signs, what it contains or conceals, is what we are researching in the HIDDEN CITIES project. The source material for the film are 9 sequential photo works created by Gusztáv Hámos between 1975 and 2010. Each of these 'city perceptions' depicts essential situations of urban experiences containing human and inhuman acts in a compact form. The cities in which the photo sequences have been made are Berlin, Budapest and New York – places with a traumatised past: Wars, dictatorships, terrorist catastrophes."

Peter Hutton's New York trilogy. An act of urban archaeology, a chronicle of indelible impressions of the city.

A city symphony of '70s New York as it exists in the movies that mythologized it.

In Lithuania, soprano Asmik Grigorian and tenor Dmytro Popov join forces with the Kaunas Symphony Orchestra for a high-profile opera concert at the city's St. Peter and St. Paul Cathedral. The programme features excerpts from works by Verdi, Bellini and César Franck.