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Bradley Eros is at the forefront of the NYC underground and experimental cinema movement, blending the boundaries of experimental film, expanded cinema, and performance art. Whether it be by himself or through one of his many collaborative groups, Eros reutilizes the visual language we all know in a sensory engaging and thought provoking way. Experience Eros and the Optipus Group collaborate on a piece that celebrates the life and death of celluloid.

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

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Portrait of a Mexico City neighborhood where pages and pages are printed, and little by little, words appear. Máquinas de Palabras is a performance created in March 2023 in Mexico City, and is the result of a collaboration between Labo K (Rennes-based film laboratory) and LEC (Laboratorio de Cine Experimental) in Mexico City. A portrait of a Mexico City neighborhood where pages and pages are printed. And little by little, words appear... "From the deliberate use of found images to films that make uncompromising use of raw material, the camera and the plants will take our eyes... Pupils will certainly be illuminated by the projector... How can moving images stay in our heads?"

In the heart of Saint-Malo, there's a gigantic area, covering 1/3 of the city, off-limits to the public. It's a part of the commercial port that's mainly accessible via an architecturally unusual footbridge that limits access. An inaccessible place that will be the first to disappear beneath the waves in a few years' time. Only strange sounds reach us from afar: whirring, construction noise, sirens wailing... This parallel world is bustling day and night. But it's in the depths of the night that unfamiliar sounds and lights arouse the most fantasies.

Pyotr's jester Ivan Balakirev is caught up in complicated family relations of Russian emperor and palace intrigues of his court.

Experimenting with the relationship between still and moving images.

In some way, to all of those who took me along at doors and windows opennings wich I never jumped of.