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This slight skewering of the mindset of the Fascist era when Italy’s “White Telephone” films (conservative minded sophisticated comedy-dramas revolving around the bourgeoisie) were in vogue gives Agostina Belli her best role – an ambitious Venetian girl that goes from chambermaid to prostitute to singer to film-star to mistress of ‘Il Duce’! – for which she received a special David Di Donatello award, the Italian equivalent of the Oscar.
Just before World War 1, the fifteen-year-old poverty-stricken Anne from a small Slovak town is sent to Prague to be a maid in a wealthy family. She meets Resi, the daughter of a noble family, who was born and raised to be an adornment and a trophy – of the house, of her family, of Austria-Hungary. Anne and Resi, two girls born in the same year, but at the other ends of the social ladder, find a soulmate in each other. They become best friends, lovers and the only light in a male-dominated world.
Celestine has a new job as a chambermaid for the quirky M. Monteil, his wife and her father. When the father dies, Celestine decides to quit her job and leave, but when a young girl is raped and murdered, Celestine believes that the Monteils' groundskeeper, Joseph, is guilty, and stays on in order to prove it. She uses her sexuality and the promise of marriage to get Joseph to confess -- but things do not go as planned.
In the late 19th century, a chambermaid from Paris relocates to a remote household in Provence, engages in trysts and finds herself enraptured with a coach driver.
Horty, a French foundry worker, wins a contest and is sent to see the sailing of the Titanic. In England, Marie, saying she is a chambermaid on the Titanic and cannot get a room, asks to share his room. They do, chastely; when he awakens, she is gone, but he sees her at the sailing and gets a photo of her. When he returns home, he suspects that his wife Zoe has been sleeping with Simeon, the foundry owner. Horty goes to the bar, where his friends get him drunk and he starts telling an erotic fantasy of what happened with him and Marie, drawing a larger audience each night.
Lynn Zapatek, a chambermaid in a large hotel, has a deathly fear of human interaction yet she craves intimacy. A chance encounter prompts her to emerge from her cocoon.
Eve, a young chambermaid at a luxurious Mexico City hotel, confronts the monotony of long workdays with quiet examinations of forgotten belongings and budding friendships that nourish her newfound and determined dream for a better life.
Country bumpkin Maria Rosa becomes the new maid in a second-rate Roman hotel. A hole in the wall behind the mirror in her room turns her and a horny bellboy into voyeurs
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In this erotically-charged drama, a group of people are gathered at a secluded mansion to hear the reading of a rich man's will. The assembled guests are to stay the night and learn of their inheritance the next day, but as the night wears on, many of the guests find it impossible to curb their sexual appetites. What they don't know is that their bedroom activities are being observed, and that there's more to this gathering than they've been led to believe
Celestine, the chamber-maid, has a new job in the country, at the Lanlaires. She has decided to use her beauty to seduce a wealthy man, but Mr. Lanlaire is not a right choice: the house is firmly controlled by Madame Lanlaire, helped by the strange valet Joseph. Then she tries the neighbour, former officer Mauger. This seems to work. But soon the son of the Lanlaires comes back. He is young, attractive and does not share his mother's antirepublican opinions. So Celestine's beauty attracts Captain Mauger, young Georges Lanlaire, and Joseph. Three men, from three different social classes, with three different conceptions of life. Will Celestine be able to convince Georges of her sincerity?
A sexually frustrated woman, living with her sister and the latter's husband, is tormented by bizarre nightmares and violent erotic fantasies.
Julia is a hard-working girl with two jobs and a boyfriend, Istvan, who is a rock musician and always in trouble. When cocaine dealers threaten to kill him over a debt, she tries to help him come up with the money. This starts an unfortunate chain of events at her daytime job at the hotel, and brings her and the hotel manager, O'Ryan, closer together, or so it seems. Then, in his unrequited love for Julia, O'Ryan goes a step too far, way too far, and from there, things get very ugly!
At a coastal hot spring inn, a group of women navigate work, personal struggles, and unexpected scandals. When a guest threatens to expose one maid's past, she must decide whether to run or face it—with help from a kind local officer.
A husband and wife are locked inside a single hotel room with a stranger named Ploy. Subtle suspicions build up to jealousy as the young woman triggers devastating consequences for the couple.
Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.
An overstressed American businessman and a French chambermaid make a connection at an airport hotel in Paris.
Jennifer is the capricious daughter of hotel manager Dr. Karl Blankenburg. After all sorts of escapades by the prima donna in Berlin, her father gives his daughter one last chance: to discipline her, he orders her to work as a chambermaid under a false name in his hotel in the countryside. Of course, the spoiled "little one" is quickly overwhelmed by the unfamiliar work and is watched suspiciously at every turn by the housekeeper, Karin Kern.
“LUST FOR ECSTASY is my most ambitious attempt since my last film…. I wrote many of the pungent scenes on the D train, and when I arrived on the set I ripped them up and let my emotional whims make chopped meat out of the performances and the story…. Yes, LUST FOR ECSTASY is my subconscious, my own naked lusts that sweep across the screen in 8mm and color with full fidelity sound.” – George Kuchar