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The protagonist spent a significant part of his life burdened by painful memories of his grandfather, who died during Stalin's repressions. And now the time has come when he could avenge his grandfather. This is one storyline, presented in the form of a flashback. The second unfolds in our time, which the author also sees as nothing good.

Through the conversation with Yugoslav film authors and excerpts from their films, this documentary film tells a story of a film phenomenon and censorship, and its focus is, in fact, a painful epoch of Yugoslav film called “a Black Wave”, which was the most important and artistically strongest period of Yugoslav film industry, created in the sixties and buried in the early seventies by means of ideological and political decisions. The film tells a great “thriller” story of the ideological madness which characterised the totalitarian psychology having left multiple consequences felt up to our very days. It stresses similarities between totalitarian regimes defending their taboos on the example of the persecution of the most important Yugoslav film authors. Those film authors have, however, made world careers and inspired many later authors. The film is the beginning of a debt pay-off to the most significant Yugoslav film authors.

Desktop images, letters, text messages, interviews and CCTV footage, this aesthetically eclectic, politically daring collection of films by Altyazı Fasikül: Free Cinema stresses the need for criticality in times of censorship and repression.

After being delayed for a few months because of a 18+ rating due to its extreme violence, the French horror thriller Martyrs was finally released a few months later in the local theaters, with a 16+ rating with warning. This video was shot in June 2008, during a manifestation organised to protest against the first rating decision.

Before the G, PG and R ratings system there was the Production Code, and before that there was, well, nothing. This eye-opening documentary examines the rampant sexuality of early Hollywood through movie clips and reminiscences by stars of the era. Gloria Swanson, Mary Pickford, Marlene Dietrich and others relate tales of the artistic freedom that led to the draconian Production Code, which governed content from 1934 to 1968. Diane Lane narrates.

A documentary analyzing the furore which so-called "video nasties" caused in Britain during the 1980s.

This thought-provoking documentary explores how the Chinese government limits freedom in Hong Kong and Taiwan. Through extraordinary cases from the arrest of Beijing-based artist HUA Yong and the disappearances of five booksellers in Hong Kong’s Causeway Bay to controversial scandals involving celebrities CHOU Tzu-yu and Leon DAI, director Kevin H.J. LEE and Lulu LU argue that even ordinary Taiwanese citizens may not be as politically and economically free from Beijing’s influence as they like to believe.

For decades, the United States stood as a global symbol of free speech. But what if that legacy is being quietly rewritten? Through expert testimony and firsthand accounts, the film raises unsettling questions about the future of truth and invites you to see what few have dared to expose.

Explores sexuality and censorship over a hundred years of motion pictures.

Based on a research process on the Entity of Film Rating, The Bleeding Screen: Brief History Of Argentinian Cinema Censorship explores Miguel Paulino Tato’s interventions in cinema and audiovisual media during his time as intervener in the 1960s and 1970s.

In Korean schools, homosexuality is considered a more serious offense than drinking, smoking or getting pregnant. While her mother and uncle discuss her transfer to another school, Chun-jae, in her third junior high, is on the rooftop, listening to the dogs barking. She can not understand why her school, which should provide education on human rights and protect its students from the world, is oppressing and censoring her love.

Never before seen footage from the award-winning movie Borat Subsequent Moviefilm.

Censorship issues with the film "A Streetcar Named Desire."

The history of the irreverent "The Smothers Brothers Comedy Hour" and the content battles it fought with its television network.

A look at the forces that shaped Pre-Code Hollywood and brought about the strict enforcement of the Hays Code in 1934.

Newswoman Fay Sommerfield takes a morally outraged look at excessive violence, bad language and sacrilege that pass for entertainment in the early 90s. She illustrates this with clips from (fake) current hit films and music videos.

Shows the relationship of the Constitution to the issue of prior restraint on freedom of expression. Presents the case of Burstyn v. Wilson challenging the constitutionality of New York State's film censorship system and Cantwell v. Connecticut involving questions of freedom of speech and religion. Discusses the questions pertaining to freedom of speech when multiplied via recordings or film, and how the claims of free expression can be weighed against claims for local, state, or federal protection.

A young college student researches sexual deviancy by placing ads in underground newspapers.

Director Pete Walker reflects upon his career making b-movies in the UK during the 1960's & 70's. Starting with sexploitation quickies and eventually evolving into what he calls "terror" thrillers in order to give audiences a more explicit alternative to the very popular Hammer films.

A look at the rapidly evolving issue of sex censorship in the USA, focusing on the period just as hardcore was just about to become accepted.

In 1996, brash L.A. detective John Spartan and maniac killer Simon Phoenix are both sentenced to decades in a cryogenic prison as punishment for a rescue mission gone wrong. When Phoenix escapes 36 years later to wreak havoc on the future, Spartan is awakened to capture his nemesis the old-fashioned way.

A New York University professor returns from a rescue mission to the Amazon rainforest with the footage shot by a lost team of documentarians who were making a film about the area's local cannibal tribes.

At the end of the 1960s, when the air is filled with rock-and-roll and student rebellions are changing the world, the older of two brothers joins a prestigious newsroom of the public radio broadcaster. Not long after, he finds himself in the middle of a dangerous conflict between journalists and the secret service.

A yellow cab is driving through the vibrant and colourful streets of Tehran. Very diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his mobile film studio captures the spirit of Iranian society through this comedic and dramatic drive…

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

In the 1970s, Director Kim is obsessed by the desire to re-shoot the ending of his completed film Cobweb, but chaos and turmoil grip the set with interference from the censorship authorities, and the complaints of actors and producers who can't understand the re-written ending. Will Kim be able to find a way through this chaos to fulfill his artistic ambitions and complete his masterpiece?

Based on true events of the late 60s in Italy, poet, playwright and myrmecologist Aldo Braibanti is prosecuted and sentenced to prison for the love he shares with his barely-of-age pupil and friend, Ettore. Amidst a chorus of voices of accusers, supporters and a largely hypocritical public, a single committed journalist takes on the task of piecing together the truth, between secrecy and desire, facing suspicion and censorship in the process.

The story of Italian cinema under Fascism, a sophisticated film industry built around the founding of the Cinecittà studios and the successful birth of a domestic star system, populated by very peculiar artists among whom stood out several beautiful, magnetic, special actresses; a dark story of war, drugs, sex, censorship and tragedy.

Set 18 months after movie "Library Wars." After the government's enactment of the Media Betterment Act, battles wage between the Betterment Squads and the Library Defense. The Library Defense resists censorship and advocates freedom of expression. The biggest battle awaits for the Library Defense.

Kirby Dick's provocative documentary investigates the secretive and inconsistent process by which the Motion Picture Association of America rates films, revealing the organization's underhanded efforts to control culture. Dick questions whether certain studios get preferential treatment and exposes the discrepancies in how the MPAA views sex and violence.

Residents of a big city, each of whom has their own sexual problems and desires, secret and, most often, shameful from the point of view of society, need to solve them. Each of the characters tries to solve their problems in their own way: someone sublimates them, someone turns to a psychotherapist for help, someone rushes into experiments... but sooner or later they all return to where they started, and they have to overcome themselves again and again to get at least a little, even a millimeter closer to their happiness.

The screening of a movie "Daybreak" at the "Liberty" Cinema is interrupted by an unusual event - actors come to life on the screen, start conversations among themselves, draw the audience into them. Crowds gather around the cinema, the relevant authorities and services wonder what to do in this complicated situation. Also arriving is the censor, a man reaching his fifties, a one-time literary critic and journalist. The line between fiction and reality begins to blur.

A writer in 1930s Moscow has his work banned and is expelled from the official union, leaving him without income. He then writes a novel about a mysterious dark visitor and gradually starts confusing his real life with the story.

Spain, 1975. Franco's death opens the door to the possibility of uncensored cinema. After two years of relaxed censorship, it is abolished in 1977, and the “S” rating is created to protect viewers from films that may “offend their sensibilities.”

"Impressões" rescues the history of the Brazilian press since 1808, when the "Correio Brasiliense" clandestinely reached Rio de Janeiro after being edited in London by Hipólito José da Costa, and spans until 1986. It's the first documentary to depict the history of the Brazilian journalistic press.

In pre-war Japan, a government censor tries to make the writer for a theater troupe alter his comedic script. As they work with and against each other, the script ends up developing in unexpected ways.

The Humorist is a film about a week in the life of Boris Arkadiev, a fictional Soviet stand-up comedian. Boris is tormented not only by external oppression and censorship but also by his own insecurities that poison all his relationships.

A documentary about the making of the controversial Life of Brian and the surrounding accusations of blasphemy.

Forty years later, Guillermo Montesinos, the actor who played José María el Cepa in The Cuenca Crime (1980), directed by Pilar Miró, returns to the various locations where the shooting of the mythical film, narrating the infamous Grimaldos case (1910), took place.

The story of a group of actresses who, in the Spain of the seventies, and in the midst of the democratic Transition, decided to appear nude in the films of that time of radical political change, defying the rigid and deeply rooted social rules.