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The early history of Canadian film making before the establishment of the National Film Board of Canada.

For over 130 years till 1996, more than 100,000 of Canada's First Nations children were legally required to attend government-funded schools run by various Christian faiths. There were 80 of these 'residential schools' across the country. Most children were sent to faraway schools that separated them from their families and traditional land. These children endured brutality, physical hardship, mental degradation, and the complete erasure of their culture. The schools were part of a wider program of assimilation designed to integrate the native population into 'Canadian society.' These schools were established with the express purpose 'To kill the Indian in the child.' Told through their own voices, 'We Were Children' is the shocking true story of two such children: Glen Anaquod and Lyna Hart.

True story of Norman Bethune, a medical doctor who fought for justice in China during Mao's rise to power.

What does it actually mean to be Canadian? This humorous documentary, featuring interviews with a who's-who of famous Canadians, hopes to find the answer.

This film explores how Canada wavers between rejection and acceptance of closer ties with the United States, tracing the historical precedents of current issues between the two nations. Canada continues to question her identity despite the influence of a powerful neighbour.

The world knows the image of the good Canadian. But what if there was a dark secret behind a national identity? THE GOOD CANADIAN exposes the truth behind the idea of a True North strong and free. In this unflinching and eye-opening documentary, directors Leena Minifie and David Paperny move us through the corridors of systemic inequity, from the Indian Act to residential schools, to modern-day family separation. Fusing shocking footage with detailed interviews with experts, advocates, whistleblowers and politicians, THE GOOD CANADIAN challenges national myth-making, while offering Canadians the chance to forge a new identity from the truth.

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.

Renowned as the richest gold strike in North American mining history, the Klondike Gold Rush (1896-1899) set off a stampede of over 100,000 people on a colossal journey from Alaska to the gold fields of Canada's Yukon Territory. Filled with the frontier spirit, prospectors came and gave rise to what was one of the largest cities in Canada at that time - Dawson City. The boomtown, which became known as "the Paris of the North", earned the reputation as a place where lives could be revolutionized. Brought to life with excerpts from the celebrated book The Klondike Stampede - published in 1900 by Harper's Weekly correspondent Tappan Adney - and featuring interviews with award-winning author Charlotte Gray, and historians Terrence Cole and Michael Gates, The Klondike Gold Rush is an incredible story of determination, luck, fortune, and loss. In the end, it isn't all about the gold, but rather the journey to the Klondike itself.

The story of the Avro Arrow, the world's fastest fighter plane built in 1950's Canada, and how the project was dropped due to political pressure from the United States.

Presents the history of the conflict between the Canadian government and the Kwakiutl Indians of the Northwest Pacific over the ritual of the Potlatch. Archival photographs and films, wax roll sound recordings, police reports, the original potlatch files, and correspondence of agents form the basis of the reconstruction of period events, while the film centres on a Potlatch given today by the Cranmer family of Alert Bay.

Surviving Eugenics is a documentary about the history and ongoing significance of eugenics. Anchored by survivor narratives from the province of Alberta in Canada, which had eugenic sterilization actively in place until 1972, Surviving Eugenics provides a unique insiders' view of life in institutions for the 'feeble-minded', and raises broader questions about disability, human variation, and contemporary social policies.

This short film tells the story of Lord Elgin, a man’s whose faith in a nation’s right to self-determination was stronger than the threat of the mob or his own fear of failure. Successor to Lord Durham, he established the principles on which Canadian government stands today.

This short film recreates the story of David Thompson – a man who, over the course of his lifetime, mapped a-million-and-a-half square miles of uncharted territory. His achievement remains unsurpassed.

This short documentary profiles cartoonist, painter, humorist, publisher, iconographer, and teacher Jacob Maydanyk. Part of the first wave of Ukrainian immigrants who arrived in Canada between 1896-1914, Maydanyk was an imaginative artist who created the beloved comic strip character Shteef Tabachniuk, a hapless and endearing galoot who became a folk hero to Ukrainian immigrants. Laughter in My Soul is a tribute to the dignity and heroism of those early pioneers and to those whose spirit lives on, to those who had laughter in their souls.

Set in 1815, this is the dramatic story of a child of the fur trade, son of a Native mother and a Scottish-Canadian fur trader. John Mackenzie's father is a wintering partner of the Montréal-based North West Company, which was for decades the wealthiest merchant enterprise in North America. To mark his entry into adulthood, twelve-year-old John is travelling for the first time to Fort William, the Company's lavish winter headquarters by Lake Superior. In following his journey, the film reveals the complex network of people--Scottish, French and Native Canadian--that made up fur-trading society and gave a unique flavor to the opening up of Canada's northwest.

In 1921 the Kwakiut'l people of Alert Bay, British Columbia, held their last secret potlatch. In 1980 at Alert Bay, the U'mista Cultural Centre (U'mista means "something of great value that has come back") opened its doors to receive and house the cultural treasures which were seized decades earlier and only then returned to the people. The center also took up activities such as recording stories told by elders so that some part of the past would always be alive and teaching children about their heritage in order to make them feel connected to their ancestors. This film documents the cultural significance of these events for today's Kwakiut'l people. It is an eloquent testimony to the persistence and complexity of Kwakiut'l society and to the struggle for redefining cultural identity for them.

Documentary on the Canadian career of train robber Billy Miner, who became a folk hero in British Columbia. Locations near Kamloops and Mission are explored in present day.

This documentary tells the haunting story of the Klondike Gold Rush in legendary Dawson City. Peppered with Robert Service poems read by New Zealand-born Hollywood actor Russell Crowe, the film recounts how stampedes of fortune seekers came to the Yukon from far and wide in 1897. Less than half of the 100,000 adventurers ever finished the treacherous journey. Archival photographs re-create the saga of the Klondike, including stories from the deadly Chilkoot Pass and Dawson City itself, where fortunes were made and lost overnight. With a personal stake and a sense of wonder, filmmaker Rita Roy discovers a territory still vibrant with legends, and miners still panning for gold under the spell of the harsh yet stunning wilderness.

Phil Comeau shines a spotlight on the Ordre de Jacques-Cartier, a powerful secret society that operated from 1926 to 1965, infiltrating every sector of Canadian society and forging the fate of French-language communities. Through never-before-heard testimony from former members of the Order, along with historically accurate dramatic reconstructions, this film paints a gripping portrait of the social and political struggles of Canadian francophone-minority communities.

Filmed on location in Saskatchewan from the Qu'Appelle Valley to Hudson Bay, the documentary traces the filmmaker's quest for her Native foremothers in spite of the reluctance to speak about Native roots on the part of her relatives. The film articulates Métis women's experience with racism in both current and historical context, and examines the forces that pushed them into the shadows.