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Two enterprising Dutchmen are at work at their sausage mill. A constant stream of boys and men are coming into the sausage factory and depositing with the butchers, dogs, cats and various other animals, which are thrown into the sausage machine by one of the Dutchmen, while the other turns the handle, and grinds out yard after yard of finished sausage. A Chinaman finally appears with a dog and cat for sale. The Chinaman becomes curious about the inside workings of the machine, and stands leaning over the mechanism. The Dutchmen slip around behind John and tip him head foremost into the machine. They then proceed to grind him up, and out comes a long string of rats instead of sausages. This forms a very ludicrous finish to the picture, which is one of our most laughable comic subjects.

This film is broadly divided into three segments. The first shows clumps of meat drifting under the sea and eventually floating to the surface. The next, set in a black market on an American military base next to a seaside construction site, portrays a woman distributing meat to a throng of male laborers. The final segment takes place in a stalactite-laden cave from which a multitude of women emerge and move towards the sea en masse.

In 1978, in Huron Park, Ontario, the women of Fleck Manufacturing walked off of the job and into the history books. Fighting for better wages, safer working conditions, and union security, the strikers embarked on what would become a pivotal strike for both feminism and the labour movement. For five months the strikers faced backlash and police violence, but they also forged new alliances and built community. “They Called It The Butcher Shop: The Fleck Strike In Images” amplifies the voices of these women as they tell their story of struggle, solidarity, and sisterhood.

Louisiana Cajun traditions: eating, drinking and singing

The Kitades run a butcher shop in Kaizuka City outside Osaka, raising and slaughtering cattle to sell the meat in their store. The seventh generation of their family's business, they are descendants of the buraku people, a social minority held over from the caste system abolished in the 19th century that is still subject to discrimination. As the Kitades are forced to make the difficult decision to shut down their slaughterhouse, the question posed by the film is whether doing this will also result in the deconstruction of the prejudices imposed on them. Though primarily documenting the process of their work with meticulous detail, Aya Hanabusa also touches on the Kitades' participation in the buraku liberation movement. Hanabusa's heartfelt portrait expands from the story of an old-fashioned family business competing with corporate supermarkets, toward a subtle and sophisticated critique of social exclusion and the persistence of ancient prejudices.

In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.

A black comedy set in the 1960s in a small Netherlands community, populated by a cast of eccentrics, all of whom hold a range of sexual obsessions and frustrated desires.

Svend and Bjarne work for a butcher in a small Danish town. Fed up with their boss' arrogance, they decide to start their own butcher shop. After dismal beginnings, an unfortunate accident happens which coincides with a large order of meat. One hasty decision leads to another and soon the business thrives. In the meantime, Bjarne has to deal with his twin brother who has been in coma for years following a gruesome car accident.

13-year-old Wessel faces a dilemma: will he become a butcher, like his tough father and grandfather or does he prefer to work with living animals?

When Declan loses his dog and best friend, Ralphie, his life starts to unravel.

Twelve-year-old Mindy Ho inexpertly tries Taoist magic to fix her single mother's financial situation and seemingly hopeless romantic prospects.

A chronicle of three generations of Italian-American women struggling to get by in post-World War II New York’s Little Italy.

After more than 100 years in business, an Italian family-owned butcher shop that is a staple of South Philadelphia faces a crossroads and an uncertain future.

A mother and daughter are working together in the famliy butcher store savagely torn between love and hate.

A tough young man, who helps to kick poor people out of their houses, falls in love with a girl. She lives with her father in the building about to be demolished.

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A boy heads out of his home excitedly after an argument with his mother, on a simple errand: buy chicken for the first time in his life. The excitement is shattered when he watches it die—violently. The moment forces him to choose between disgust and desire.

Three tales of cannibalism: a woman places a classified ad seeking to be eaten alive; a young woman is invited to a Halloween party with the promise of a good scare; and a family of cannibals try to start their own butcher shop.