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In a world with no guns, a mysterious drifter, a bartender and a young samurai plot revenge against a ruthless leader and his army of thugs, headed by nine diverse and deadly assassins.

The Japanese art of bunraku puppetry dramatizes the existential crisis of a despondent denizen of a Kaiju-infested region of Japan; a rigorous theatrical tradition soaked in profound absurdism.

Born in Osaka some 300 years ago, Japanese puppet theater—Bunraku—is a stunning yet refined spectacle. This program presents the story of Bunraku through two of its greatest masters, puppeteer Tamao Yoshida and chanter Sumitayu Takemoto. Brought together for the last performance of the 20th century, these two “living national treasures” transform ancient tales of old Japan into vibrant human drama. Cameras go backstage to capture the immense preparations and grueling, rarely seen rehearsals for their exquisite rendition of the masterpiece Shinju Ten no Amijima.

Dolls takes puppeteering as its overriding motif, which relates thematically to the action provided by the live characters. Chief among those tales is the story of Matsumoto and Sawako, a young couple whose relationship is about to be broken apart by the former's parents, who have insisted their son take part in an arranged marriage to his boss' daughter.

Based on the play by Hélène Cixous, filmed in 2002, Tambours sur la Digue is a story written by Hélène Cixous based on an ancient Asian fable about who shall be saved during a flood and presented by live actors as puppets and puppeteers, evoking the theatrical traditions of Japanese Noh and bunraku.