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The idea for "BOOKCASE" came out of my desire to educate myself by creating a catalogue of film techniques. I was attempting to distill the elements of film to a pure state by stripping away any meaning from the images, to explore film as simply the masking and filtering of light. For subject matter I shot things which had, at one time or another, struck a chord within me. In doing so, I realized that I was also creating a catalogue of my own memories. I have always seen memories as discreet units of light, not unlike books on a shelf... "BOOKCASE" became not only an experiment in "pure" film, but a reflection on the concept of memory as well. In the convergence of these two ideas, light is the common basic element. (TS)

Paloma is a serious and highly articulate but deeply bored 11-year-old who has decided to kill herself on her 12th birthday. Fascinated by art and philosophy, she questions and documents her life and immediate circle, drawing trenchant and often hilarious observations on the world around her. But as her appointment with death approaches, Paloma finally meets some kindred spirits in her building's grumpy janitor and an enigmatic, elegant neighbor, both of whom inspire Paloma to question her rather pessimistic outlook on life.

Ten years after the death of millionaire Cyrus Norman, his will is to be read out to his six relatives, including Joyce Norman and Wally Campbell. Organized by Norman's lawyer, Crosby, the six meet at Norman's eerie New Orleans Gothic mansion. During the reading, the superstitious housekeeper declares that someone will be dead by midnight. Wally fears for Joyce when she is declared the sole inheritor, but all are alarmed when Crosby turns up dead.