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This footage was originally shot at Théâtre 140 in Brussels, Belgium on October 3rd, 1970 for Yorkshire Television. Bootleggers have long repeated a fictional claim that done in Paris, but that has long since been debunked. In any case, this is the earliest footage of a complete concert of Black Sabbath in existence. Here they perform many songs from their most recent album at the time, PARANOID, as well as several from their debut. Interestingly, many of the songs from PARANOID feature their original pre-album lyrics - or Ozzy had simply forgotten the new ones! The original show was split into two halves and includes some behind-the scenes clips of the band before the show. Set List: Intro -> Paranoid , Hand Of Doom [alternate, improvised lyrics] -> Rat Salad , Iron Man, Guitar Intro -> Black Sabbath, N.I.B., Behind The Wall Of Sleep -> Jazz Improvisation, Walpurgis [a.k.a. War Pigs - alternate, improvised lyrics], Fairies Wear Boots.

An examination of the life and legacy of Sly & The Family Stone – the groundbreaking band led by the charismatic Sly Stone – that captures the band's reign while shedding light on the burden that comes with success for Black artists in America.

At a St. Petersburg boarding school, a new life began for the ten-year-old Alyosha, who was accustomed parental attention. Missing his home, Alyosha created an imaginary magic world of underground dwellers, with a king and his subjects who very much resembled the people surrounding the boy. Alyosha experienced many interesting adventures in this mysterious fairy tale...

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A mysterious creature is terrorizing the community, but despite all the evidence pointing to the culprit being a werewolf, the authorities can only seem to focus on the black dude in their midst.

Join the founders of heavy metal in their original lineup as they perform four of their classic tunes on this exciting release from Pioneer Artists Entertainment. Presented in standard 1.33:1 full screen and English Dolby Digital Stereo, Black Sabbath rocks their way into your living room with "Black Sabbath," "Iron Man," "Paranoid," and a sonic cover of Elvis' "Blue Suede Shoes" that must be heard to be believed, taking full advantage of the crystal-clear sound and picture of DVD. This rare appearance filmed in Germany for The Beat Club caught the godfathers of metal in their prime, making this historic high point in the band's history a must-have for collectors and fans alike.

Documentary about the Black Lives Matter movement.

A young black man reacts to an older white man questioning why he wears a Black Lives Matter hoodie. The ensuing conversation touches on the evolution of black activism and the role of an ally in the fight for equality.

Black Lives Matter is a performance about police brutality faced predominately by African-American population due to deep rooted racism. The performance depicts a fictitious police officer writing uncountable times Black Lives Matter on a chalkboard wall as a form of non-violent penalty.

The film that the mining industry tried to shut down -- telling the story of the Marikana massacre and its political fallout in the most unequal country on the planet. In 2012, 34 striking mineworkers were murdered by South African State Police in what was the most deadly day of state repression since the country's new constitution in 1994. The news of the killings rocked the country, leading to a year with more protests and actions the country hadn't seen since the end of Apartheid. The film explores how the mineral wealth -rightfully belonging to the people of South Africa- has been sold to foreign capitalist interests for the enrichment of a few elite individuals – and how traditional communities have been divided in this process. The story is told through a number of key characters who drive the narrative. From a mineworker who survived the Marikana massacre, to artists, community activists, union leaders, and lawyers.

Perspectives from leaders in the psychedelic community on a turbulent and transformative season like no other, examining its impact on research, public health, activism, communities, and deep reflections on the nature of race and identity.

A Charity Livestream recorded on the 5th of December 2020. Two of the best upcoming bands in Britain at the time collaborate to make just over an hours worth of music split into two parts. The first containing musical jams, and one original song which featured on the 2022 album of the year 'Ants From Up There', and the second half, containing purely covers.

After a charity show in London and a six-date tour in 1999 that was captured for an album (Live at the Greek), the Black Crowes and Jimmy Page returned in 2000 for a nationwide tour that featured a conglomeration of Led Zeppelin favorites and songs new and old from the Crowes. This pro shot DVD from a night at Jones Beach captures Page and the band delivering a number of high-class Led Zeppelin classics, among them 'Celebration Day', 'The Lemon Song', 'Heartbreaker', and 'Whole Lotta Love', as well as numbers that nobody would have expected. Tracks like 'Ten Years Gone', 'Your Time Is Gonna Come' or 'What Is And What Should Never Be' were convincingly delivered thanks to Page and the two Crowes guitarists Rich Robinson and Audley Freed, who not only have the necessary technique but also the right feeling for this kind of material. Chris Robinson delivers an unbelievably powerful and dramatic vocal performance.

A short documentary-style film showcasing the amazing efforts and talents of Black LGBTQ+ hosting a march in Seattle 2020.

The Fight for Black Lives shows how racial stress and the US healthcare system disadvantages the health of Black Americans, starting before birth. The film weaves together stories of Black women who were pregnant during the pandemic and the Black Lives Matter uprising, interviews with Black health experts, and historical records to illustrate the struggles Black women face in safeguarding their lives and infants during childbirth.

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"Following the 2020 police killing of George Floyd, people around the world rallied not only to show solidarity in the fight against police brutality in the US, but also to confront their own countries' unique issues with racism."

Cuban pianist Bebo Valdés and Spanish singer Diego el Cigala perform live at the Costa Nord cultural center in Valldemossa, Mallorca, Spain, on June 22, 2003.

The famous sign warns people to stay away from black cats, because they allegedly promise troubles. However, people think about how hard it is for black cats, when everyone is afraid and is trying to drive them away? This story will tell about a young kitten, and we can learn about his hopes and aspirations, as well as witness the troubles that are coming to our hero.

Before George Floyd, before Breonna Taylor, before America knew about Black Lives Matter, there was Michael Brown, Jr. On August 9th, 2014, in Ferguson, Missouri, a white police officer fatally shot an unarmed Brown. The community reacted in protest, anger, frustration, and fear. Six years later, a new story emerges - one filled with hope, love, and beauty.

A man trying to get home to his dog becomes stuck in a time loop that forces him to relive a deadly run-in with a cop.

A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.

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Kapwa, a Filipino term that means "togetherness" or "neighbor", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives.

A fragmented portrait of a moment, a person, and a place, seen through the subjective memories of a young Black girl, Imani, and a rookie police officer, David, who both have wildly different recollections of the same fateful moment in a corner store that will leave their lives altered forever.

Directed by Oscar-nominated and NAACP Image Award winner David Massey, this dynamic documentary explores why so many unarmed black people have been targeted and killed by police officers. The filmmakers talk to legal experts, activists and law enforcement officials who discuss the inequality within our criminal justice system and who confront the crucial question of how to prevent more violence in this country, including Black on Black deaths. As the Black Lives Matter movement - and citizens nationwide - question the accountability of our justice system in cases of police violence, When Justice Isn't Just is an essential addition to the ongoing discussion about reform and renewal.

A marriage is put to the test when an interracial couple are forced to quarantine together through the Covid pandemic and 'Black Lives Matter' movement.

On May 25th, 2020, Derek Chauvin, a Minneapolis police officer, murdered George Floyd, a black man, by driving his knee into George's neck for 8 minutes and 45 seconds until he died. This film chronicles New York City's overwhelming response.

A raw and unapologetic look into a police shooting, racism, and the connections they share.

The absolute queen of country music, Dolly Parton succeeded in rallying a fractured America to her peroxide-colored beehive and her self-assumed paradoxes. Portrait of an immense artist and an irresistibly mischievous icon.

Crossfire is Lauren Southern's third documentary film project focusing on the issues surrounding policing, brutality, race, law and order. A heated debate today which has led to a massive political divide between those supporting officers, those defending reform and even many rioting violently in the streets.

A man arrives at an unknown home with an unknown agenda.

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One neighborhood in New York City, March 2020: the coronavirus is spreading rapidly, the federal government is clueless, and life seems increasingly surreal. A month later, the city has become an epicenter of the pandemic as the death rate spirals upwards. Then the racial justice protests erupt... Strange Days Diary NYC is an intimate account of living through a disruptive, frightening, yet inspiring time.

In July 2020, Rob Bliss, a young, white filmmaker, posted a video of what happened when he held up a ‘Black Lives Matter’ sign in Harrison, Arkansas, 'the most racist town in America'. It went viral, attracting 12 million views. What Bliss did next was remarkable. Over 1500 miles, two months and 25 miles a day, he set out to walk through the American South, wearing a Black Lives Matter t-shirt, and a sign that invited people to ‘come walk with me’. His goal was simple: to take the conversation Floyd’s murder had sparked about racism in American society into the places where it was most needed, yet most silent.

Christian, Ben and Jean-Marie are fighting for political change of power and free elections in their country, the Democratic Republic of the Congo. But the incumbent President refuses to relinquish power. How can the course of events be changed? Must they join forces with the historical opposition leader and his powerful party? Is dialogue still possible or must they resign themselves to a popular uprising and the risk of a blood bath?

To escape her abusive husband, garbage collector Gal packs her two young children, Rihanna and Benin, onto the top of her cart and heads across São Paulo to her cousin’s house. As she struggles to avoid the dangers of the streets along the way, she convinces the children that they are on a big and exciting adventure. When they arrive at her cousin’s house, they are warmly welcomed and fed. However, what initially seems like a safe haven soon turns out to be a trap. Gal realises that not only her own safety is at risk, but also the future of her children.

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Filmed in response to the LAPD’s shooting of Eulia Love in 1979, Gidget Meets Hondo opens with stills taken by Bernard Nicolas of a demonstration against Love’s killing. Nicolas’ Gidget is a self-absorbed young white woman who remains clueless to the violence erupting around her, ultimately to her own peril. The film asks whether such police brutality would be tolerated if the victim were a middle-class white woman.