Search Results for "black face"

The man (Choi Fi-yeol) has no name. His codename is "008 (Gong Gong Pal)." A cold-hearted Korean hitman is summoned to Japan for a job. While hiding his identity and working at Donhyun's (played by Yoshiyuki Yamaguchi) yakiniku restaurant, he saves a woman and ends up meeting Kaneda of the Hayamikai. “Let’s be chingu (friends).” Kaneda, a regular at the restaurant, naturally works his way into 008’s life, forming a bond. However, Kaneda becomes a target of the invading Sakaki family and loses his life. For the first time, 008 has lost a chingu. A hitman who once had no emotions now begins to act on his own will.

Detective Kazami (Kazuyoshi Ozawa) is on the trail of his target, a mysterious woman. His investigation leads him to a secluded mansion where he witnesses more than just a drug deal—he stumbles upon a brutal murder. The killer? An Asian man who effortlessly eliminates multiple yakuza in a flash. As Kazami delves deeper, he uncovers whispers of this enigmatic figure in Okubo. Their paths cross unexpectedly, and tension rises as they come face to face. A single gunshot pierces the man's shoulder, throwing them into chaos. With Kazami's help, the two narrowly escape. Thus begins the peculiar cohabitation of "the man who saw too much" and "the man who was seen."

A documentary took more than 30 years to pursue a migrating bird, black-faced spoonbill.

A montage of faces from the Harlem community.

Peter Butterworth, an old-fashioned sweep, finds himself vying with Mr. Crossington, the "clean" sweep, in an attempt to clean the chimneys of Mr and Mrs Tompkins' house before the Mayor arrives for tea. The rivalry results in several downfalls of soot and both sweeps are chased from the house.

As the AIDS epidemic in New York escalated during the ‘80s, a young, out, black producer was fighting to get information about the crisis on screen. Thomas Allen Harris, raised by activists in the Bronx and East Africa, produced a series of public television programs focused on HIV/AIDS, bringing folks who were previously ignored by mainstream media to the core of public discussion. Despite the program’s success in breaking open the narrative of the crisis, the pushback Harris received from the channel’s executives and constraints of corporate media ultimately led the artist to suspend work in public television. 28 years later, Harris draws from these resurfaced tapes and an essay he’d written at the time: “About Face: The Evolution of a Black Producer". Commissioned by Visual AIDS in 2017 as part of ALTERNATE ENDINGS, RADICAL BEGINNINGS, a program of seven videos prioritizing Black narratives within the ongoing AIDS epidemic curated by Erin Christovale and Vivian Crockett.

After a police chase with an otherworldly being, a New York City cop is recruited as an agent in a top-secret organization established to monitor and police alien activity on Earth: the Men in Black. Agent K and new recruit Agent J find themselves in the middle of a deadly plot by an intergalactic terrorist who has arrived on Earth to assassinate two ambassadors from opposing galaxies.

Kay and Jay reunite to provide our best, last and only line of defense against a sinister seductress who levels the toughest challenge yet to the MIB's untarnished mission statement – protecting Earth from the scum of the universe. It's been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Now it's a race against the clock as Jay must convince Kay – who not only has absolutely no memory of his time spent with the MIB, but is also the only living person left with the expertise to save the galaxy – to reunite with the MIB before the earth submits to ultimate destruction.

Agents J and K are back...in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when K's life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that K never told him - secrets that will reveal themselves as he teams up with the young Agent K to save his partner, the agency, and the future of humankind.

During the silent film era, Mara Chukleva was perhaps the most famous actress of Bulgarian origin. Success came to her in Italy during the heyday of Italian silent cinema; later the actress worked in Germany, where she starred in the film Blackface directed by Franz Osten.

A famed trumpet player is suspected of murdering a blues singer. Using only two minor clues, he narrows the suspects to four people, but only after surviving poison placed on the mouthpiece of his trumpet!

The former leader of a commando rescue attempt into Vietnam tries to discover why his squad members are being murdered, one-by-one, after the war is over.

Upon moving into a bigoted neighborhood, the scientist father of a persecuted black family gives a superpower elixir to a tough bodyguard, who thus becomes a superpowered crimefighter.

Three tales of supernatural horror include a woman plagued by threatening phone calls, a family targeted by vampiric monsters, and a deceased medium who wreaks havoc upon the living.

In an alternate version of 1949 Japan in which World War II never happened, the Japanese capital of Teito is home to both an ultra rich upper class and the dirt poor masses. The city is thrown into a state of panic when a phantom thief called “The Kaijin (Fiend) with 20 Faces” (K-20 for short) begins to use his mysterious abilities to steal from the rich and give to the poor. One day a circus acrobat named Heikichi Endo (Takeshi Kaneshiro) is framed for K-20’s crimes and becomes determined to clear his name. He teams up with K-20’s next target, a wealthy duchess named Yoko Hashiba (Takako Matsu) and her detective fiancé (Toru Nakamura), to take K-20 down once and for all.

Unusually elaborate for a PRC film, Minstrel Man is a lively musical drama built around the talents of veteran vaudevillian Benny Fields. The star is cast as Dixie Boy Johnson, who rises from the ranks of minstrel shows to become a top Broadway attraction. On the opening night of his greatest stage triumph, Dixie Boy's wife dies in childbirth. Profoundly shaken, he walks out of the show, leaving the baby to be raised by his showbiz pals Mae and Lasses White (Gladys George, Roscoe Karns). The kid grows up to be an attractive young woman named Caroline (Judy Clark), who follows in her dad's footsteps by billing herself as-that's right-Dixie Girl Johnson. This leads to a tearful reunion between Caroline and the father she'd long assumed to be dead. If Minstrel Man seems at times to be a dress rehearsal for Columbia's The Jolson Story (1946), it shouldn't surprising: the PRC film was directed by Joseph H. Lewis, who went on to helm Jolson Story's musical highlights.

Donald Duck goes to a museum of modern inventions. After getting in without paying, he meets a robot butler who takes Donald's hat every time he sees him. Donald is very annoyed by this and magically fixes himself a new hat every time this happens and strolls on. Ignoring the sign not to touch it, Donald starts playing with a wrapping machine and ends up being wrapped himself. He also encounters and tries out a robot nursemaid and a fully automatic barber chair. They both don't do him much good.

Monty Banks becomes a car salesman and is shifted to Africa to sell one to King Obogeegee.

At its peak, The Black and White Minstrel Show was watched by a Saturday night audience of more than 20 million people. David Harewood goes on a mission to understand the roots of this strange, intensely problematic cultural form: where did the show come from, and what made it popular for so long? With the help of historians, actors and musicians, David uncovers how, at its core, blackface minstrelsy was simply an attempt to make racism into an art form - and can be traced back to a name and a date.

Mammy features Al Jolson as the star of a travelling minstrel show, appearing in cities and towns across the U.S. Jolson falls in love with an actress in the troupe (Lois Moran), but she loves another (Lowell Sherman). Sherman is shot onstage as part of a comedy bit, and it is assumed that Jolson is guilty of putting the bullet in the gun.

Harry and Inez are a dance team at the Wonder Bar. Inez loves Harry, but he is in love with Liane, the wife of a wealthy business man. Al Wonder and the conductor/singer Tommy are in love with Inez. When Inez finds out that Harry wants to leave Paris and is going to the USA with Liane, she kills him.

The troubadour of rap hedonism of the 2010s, who became one of the main voices of protest in the 2020s at the peak of his form.

A documentary about three generations of Ufa rap artists who turned their hometown into a phenomenon on the Russian music scene.