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A young woman consumed by grief turns to desperate measures to make contact with her deceased husband.

After giving up her job as a librarian to care for her husband’s elderly family, Jess’ world falls apart when he leaves her for a younger woman.

A murder investigation is flipped inside out in Burak Çevik's second feature, a spellbinding and surprising work that questions whether we can ever truly understand criminal motives. We begin in the present as an unseen narrator recounts the assassination of his lover's disapproving mother, accompanied by hauntingly vacant images of urban alienation and garish city lights; we then flash back to witness the first encounter between the lovers-turned-accomplices, their mutual attraction and world-weariness emerging across a sleepless night and morning after. Çevik imbues the proceedings with a stylistic confidence and willingness to bend the conventions of cinematic form to arrive at a complex, gripping double meditation on love and death.

Kaan has always been looking for a meaning in his life. Gizem and Bengi were in love but the city didn't welcome much girls like them. Fuat had spent his life as a homeless in the streets of Istanbul. There has been a belief that an old spiritual ship once got stuck in Istanbul. A ship that would only be visible to the ones who would belong to it, who would need it in their lives. A ship that would take them to where they belong to. The ship was about to take off. The film is inspired by the short animation film called "How Did The Amentu Ship Move", made in 1970 by Tonguç Yaşar and Sezer Tansuğ.

The story takes place in 1948, in post WWII Europe. Amelia, a young girl, who struggles to communicate with her mother after the death of her father, is sent to the Portuguese provincial town of Elvas for a holiday with her uncles. There she meets Thomas, an Austrian refugee boy, who is being fostered by her Aunt and Uncle while they find his parents from whom he was separated during the war. After a rocky start, these children teach each other the true meaning of friendship and communication. This tale is based on a true story of the director’s grandmother who met a young refugee.

A person in charge of “Belonging” appears before people whose lives have ended and tells them, “Do you have any regrets in this world? If you have, you can become an object and return there.” A wife decides to become her husband’s favorite mug, a boy becomes his favorite blue jungle gym, a grandmother becomes the camera that she gave to her grandson, and a mother becomes rosin that is used in a baseball game so that she can watch her son pitch in the game. At the very end of their lives, they spend time with their loved ones as objects.

A parallel story of two generations of gay activism, 'Belonging' explores the impact and legacy of LGBTQI+ campaigner Rodney Croome through the lens of a road trip across the state by young Tasmanian Sam Watson. With archival footage and interviews with Sam and Rodney's families and friends, 'Belonging' examines Tasmania's journey from a place of exclusion to inclusion, from prejudice to acceptance, from hatred to embrace.

Facing the aftermath of deportation, a family tries to reunite while the youngest son and daughter endure the emotional journey to adjust in a place they've never known as home.

After their mother's death, two sisters visit her home and clash over how to move forward.

Zeki is a freerunner whose life is turned upside down when his father, the widower Mahir, decides to move from Rotterdam to Istanbul. While Mahir goes out to work, Zeki has to spend the summer holidays inside the posh gated community where they live. Escaping over the wall, Zeki befriends Kemal and other street kids, who are pickpockets. Trying to belong, he conceals how he lives in the gated community. As Kemal and Zeki get closer by the day, Kemal's best friend becomes jealous…

Inspired by the director's real-life experience adjusting to life in rural Montana, Belonging is a poetic, semi-autobiographical story of immigration, the struggle to fit in, and a particularly loud rooster.

In Paris a Count's enforced wife takes the blame when her ex-lover is killed by the diplomat she loves.

Germans settled in Vojvodina in the late 17th century. In time, customs and traditions were assimilated and former newcomers became natives and locals. However, WWII puts former neighbors to the test and reveals the best and worst in people. Defeated, collectively guilty, their trace will vanish. What is left is Vojvodina and places they inhabited, quiet witnesses and silent traces of existence.

This video short is a candid conversation with the first generation adult Bengalis who grew up in the United States. They talk about their struggle, duality, aspirations, and longing for a home that does not make them feel unwanted.

A documentary exploring Australian architect Glenn Murcutt's design principles through two of his realised projects: the Boyd Education Centre and the Simpson-Lee House. Focusing on the interaction between the buildings and its natural environment, the film seeks to capture its site specific atmosphere while being immersed in the story of its designer.

It's April 1975 and the Khmer Rouge are marching on Phnom Penh. Just three days before the city falls, a small orphaned girl, Li-Da Men, is flown out of the country. Eventually, she ends up as the adopted daughter of the British cook and business woman, Prue Leith and her husband Rayne Kruger. Li-Da has a comfortable and privileged upbringing whilst the country of her birth is returned to Year Zero by the murderous Khmer Rouge, whose Killing Fields claim nearly two million Cambodians. Now, twenty six years later, Li-Da returns to Cambodia in search of the truth: the truth about her past, the truth about her country's past and the truth about what is going on in that country today.

Toronto's diverse culture and heritage are explored through a couple's belongings, juxtaposed with the neighborhood in which they live.

It’s the 1st of September, a sunny and joyful day in Pripyat. Children are going to school, and the builders, engineers, and supervisors of yesterday are sharing their thoughts about the future of the city and the newly built power station. Mr. Kizima, head of construction at Chornobyl, speaks about the city planning process, and Mr. Voloshko, head of the city executive committee, speaks about the creation of recreational areas for workers. The main architect, Mr. Oleshko, talks about the construction of the local swimming pool, and the head doctor, Mr. Leonenko, gives an ironic overview of the problems of high birth rates in the Atomohrad.

Belonging Syndrome is a short documentary that follows Duang, a second-generation Italian-Thai girl. Duang, during a period of stay in a monastery. Through her inner diary, the film explores a suspended phase of life: the one in which identity it is not yet defined and belonging becomes an open question. The monastery becomes the physical and symbolic place where Duang observes herself. Immersed in a daily life marked by rituals, silences and repeated gestures, the protagonist goes through an experience of deep listening, in which time slows down and perception is refined. Belonging Syndrome talks about hybrid identities, cultural legacies that coexist without completely merging, the difficulty and possibility of inhabiting multiple worlds without having to choose just one. It is an intimate and contemplative story about the search for balance in a fragile and open phase of existence.

6-year-old Nushaida starts a journey to find her parents, whom she lost while fleeing Myanmar, among refugee camps for Rohingyas in Bangladesh.

In the land of Oz, ostracized and misunderstood green-skinned Elphaba is forced to share a room with the popular aristocrat Glinda at Shiz University, and the two's unlikely friendship is tested as they begin to fulfill their respective destinies as Glinda the Good and the Wicked Witch of the West.

An American actor in Tokyo struggles to find purpose until he lands an unusual gig: working for a Japanese 'rental family' agency, playing stand-in roles for strangers. As he immerses himself in his clients' worlds, he begins to form genuine bonds that blur the lines between performance and reality.

Lost Property follows three characters returning to the Bureau of Lost Property—a labyrinthine sorting facility where each searches for a missing doppelganger. The Bureau’s flamboyant personnel enforce elaborate administrative rituals, guiding the protagonists toward destabilising confrontations with their other halves. Only one half of each pair can exit, locking them in an endless rotation between original and double.

In a contemplative coming of age portrait, PINBALL follows Yosef, a spirited athlete, in Louisville, Kentucky as he dives into the memories of his journey from Iraq to America and what it means to chase his dreams in the shadow of a war that displaced his family from their Iraqi homeland.

A coming-of-age ensemble dramedy set against the backdrop of Barack Obama’s historic 2009 presidential inauguration. Set over the course of one transformative day on a predominantly white high school campus, Inauguration Day explores identity, assimilation, political disillusionment, and emotional isolation through the eyes of Black teens with a comedic twist. While the nation celebrates progress, these students confront the quiet reality of what it means to feel unseen within systems that praise their potential but often overlook their presence.

Sarah, 12, lives on a boat with her parents, who research whale sharks. Her only friend is a whale shark named Jack, who Sarah rescued when he was a pup. But following a tragic accident, mum and Sarah move to the coastal town of Exmouth. Desperate to return to her old life, Sarah pegs all her hopes on Jack, certain that when his migration brings him back to Exmouth, mum will take her out on the boat again. But Jack fails to return, so Sarah embarks on a risky mission to find him.

Set against the vibrant spectacle of the jaripeo, a symbol of Mexican cowboy tradition and machismo, this story unveils a hidden world of queer desire and quiet rebellion. As glances and gestures disrupt the rigid norms of masculinity, the rodeo becomes a stage for our protagonists to navigate identity, community, and the search for belonging in an oppressively traditional space.

After his father's passing, a teenager sets out for New York in search of his estranged mother and soon finds love and connection in unexpected places.

A cinematic journey that follows a young woman in search of authenticity and true connection. Set against the dramatic backdrop of the Swiss Alps - where the African and European tectonic plates once collided - she moves between memory and momentum, finding her own rhythm in the pursuit of her true self.

Enabled by a mysterious futuristic machine, Max, a young woman, dives inside the mind of her dying girlfriend, trying to find the essential memory that could save her life, all the while being hunted by a man they presumed to be dead.

The story behind the Uganda-based YouTube dance sensations who have endured devastating personal loss from famine and war, and use the power of dance and song to overcome hardship.

Agnes and Selma, best friends, shared everything. When Selma leaves their Copenhagen flat, a void settles in. Left on her own, Agnes drifts. The harder she tries to hold on, the more the bonds begin to fray.

When a wild hen night spirals out of control, a Deaf bride-to-be’s bond with beloved hearing friends over the course of her life is about to shatter. Can she endure her friendship or face a truth she’s long tried to silence?

After nearly a decade apart, two former lovers from Hong Kong unexpectedly meet again in the UK, where they have each built a different life. Their reunion brings back memories they have tried to move on from, as they slowly reconnect and begin to see how much has changed. Now living far from home, they are forced to face the distance between who they were and who they have become. Set within the everyday reality of immigrant life, The Distance We Drift is a quiet and intimate story about love, memory, and the way time reshapes people in ways they don’t always realise.

A mockumentary following a Brown man who no longer identifies as a person of colour.

Edan (19) and Dula (18) navigate love, identity, and self-acceptance on a journey about coming into oneself and out to the world. Confronting fear, shame, and societal expectations, the boys rediscover a sense of belonging in their own paradise, in this celebration of queer love, vulnerability, and the power of embracing who you are.

When a young man’s silent pain erupts into violence, his older brother is forced to confront the past and his own role in it.

In an Amsterdam gym for queer people, three individuals confront doubts about their belonging. David, often read as straight due to his style and body type, feels undesired and questions if he “counts.” Qianyu, nonbinary, struggles with invisibility as queer nightlife favors cis gay men, and past health issues make joining the gym daunting. Barbara, 67 and bisexual, wonders if she still belongs after past rejection by parts of the lesbian community. Through candid conversations and colourful, sometimes absurd fictional scenes, their insecurities and longing for acceptance are explored. Ultimately, the gym becomes a space of vulnerability, solidarity, and self‑realization, helping them see that they are indeed “queer enough.

On her first day of school, Sofia – a Brazilian teenager who has recently arrived in London – is bullied by a group of British students. Homesick and alienated from the world around her, she meets Lauren, a British-Nigerian teenager who shows her Sun Rah, a world entirely of her own making in a nearby park, where they make their home together.

Addison is a flamboyant, arrogant and hypersexual woman that can't pull women. When she is faced with an attractive stranger, her player façade begins to slip. She desperately tries to hold on to her queer identity.