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A desperate rescue attempt leads to the continuation of the lives of two young girls. Their families will do everything they can to keep their own daughter alive... Their lives may have just begun but they the god of death seems to have come upon them. Two families meet at this fateful juncture, faced by the cruel reality and the urgency of time that have become heavy shackles binding their desperate parents.

Tells the story of a young woman escaping from reform school who tries to steal a foreign ambassador's watch but ends up falling in love with him.

A friend-arranged Valentines day dance turns into chaos after one of the friends has violent intentions.

Unemployed Julian spends his time caring for his daughter, but he has taken on debts he cannot hope to pay without telling his wife. To get out of it, he will improvise as an outlaw.

No description available for this movie.

Reality fractures after Mr. Carvell's roommate goes missing. Is he haunted by a time-bending, supernatural entity? Or, is his mentality playing tricks on him? Pursued by a relentless detective, Carvell must confront his guilt head-on as the line between memory and madness blurs.

Two adult sisters exist dysfunctionally, each limited by illnesses affecting both body and mind — one physically and the other psychologically.

Mado is followed in the street by an unknown man. He offers her to go the hotel. She accepts, they sleep together and then split. Mado does not want to see him again, because she is married with Jean, and has a teenager son, Stephane. But Yves gave her his phone number. One day, Mado calls him.... An unusual love story.

This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.

A few years after "I Don't Know If It's Everyone", Vincent Delerm continues his documentary and sensitive exploration of feelings in a second film, this time tackling the most vibrant of all: the feeling of love. Delerm operates alone and grabs his camera to explore women and men, anonymous, artists, acquaintances or friends, in the spring or winter of their lives, all dissimilar but all in unison when it comes to evoking with delicacy, emotion or humor their relationships with the vertigo of love.

A paranoid woman going about her day to day life begins to have odd and surreal experiences, as a haunting man stalks her.

First graders in a Tokyo public elementary school are presented with a challenge for the final semester: performing "Ode to Joy" at the ceremony for the new incoming first graders. Ayame, who often struggles to keep up with the group, is determined to play a major part — the big drum.

A boy and girl struggle to understand their place in 1980s Japan, retiring to copulate and probe each other for answers.

No description available for this movie.

Every year, thousands of Israeli men leave their families to spend Rosh Hashanah where Rabbi Nachman is buried. After Yair and his wife endured a personal tragedy, he decided that he needed to join this annual pilgrimage.

National Geographic delves into the science of tissue engineering and tracks how scientists are beginning to harness the body's natural powers to grow skin, muscle, body parts and vital organs, even hearts.

Documenting the light hitting my apartment on Sunday June 6 2021, with shots roughly edited from darkest to brightest

Science may be on the verge of producing a limitless supply of replacement parts by regenerating damaged or aging body parts grown from our own cells. Could it eliminate the death sentence for profound birth defects, the need for prosthetics and any shortage of transplant organs? National Geographic delves into the science of tissue engineering and tracks how scientists are beginning to harness the bodys natural powers to grow skin, muscle, body parts and vital organs, even hearts

A young man who enjoys a date with her who met at a party in the middle of the night is tossed by a mischief of fate. An eccentric love suspense.

Local rebellious teenager Clotaire falls for his schoolmate Jackie, but gang violence leads him to a darker destructive path. After years apart, the star-crossed lovers discover that every path they've taken leads them back together.

A down-and-out Brooklyn detective is hired to track down a singer on an odyssey that will take him through the desperate streets of Harlem, the smoke-filled jazz clubs of New Orleans, and the swamps of Louisiana and its seedy underworld of voodoo.

After a terrible breakup, Dante will have to face his grief through a mysterious letter, which tells the story of a broken heart among its letters.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

The surrealist film shows repetitive imagery involving a string fashioned in a bizarre, almost spiderweb-like pattern over the hands of several individuals, most notably an unnamed young woman and an elderly gentleman. The film also shows a shadowy darkness and people filmed at odd angles, an exposed human heart, and other occult symbols and ritualistic imagery which evokes an unsettling and dream-like aura. Considered an unfinished film.

Set in a slaughterhouse in Ferry, Kiro, a 10-year-old student, is cast as a leaf in a school play for his science project. As he begins to understand more about his role, he realizes that he no longer wants to play it.