Search Results for "avant-garde"

1984, Franco-German border. A Berlin gallery owner transports the flagship sculpture from his collection for a major exhibition. Faced with the object, the French customs officer hesitates: is it really a work of art?

The dramatic story of three great Russian avant-garde painters from the beginning of the last century – Kazimir Malevich, Pavel Filonov and Vladimir Tatlin – and their supporter, Nikolai Punin, the first post-revolution Commissar of the Hermitage and Russian Museums. They dedicated their lives to belief in the revolution and its connection to avant-garde art, but the communist regime betrayed them. The history depicted on the painted canvases reflects the tumultuous period of the 1920s and 30s in the Soviet Union, in Leningrad and in artistic circles of the time. Only with perestroika have the avant-garde paintings, stored in museum archives, again seen the light of day.

This film is a supertemporal oeuvre. The support of the audience's participations is constitued by an image, which has varied several times during the course of many a projection. A projection by Maurice Lemaître, himself, in the soundtrack, clarifies the function of the session and finishes on a challenge thrown to the room.

An artist's self-portrait problematizing the choice between tradition and the avant-garde, between being free or being disciplined.

Short documentary with English narration that was prepared for the Inside Out: New Chinese Art exhibition at Asia Society in New York City, which ran from September 15, 1998 to January 3, 1999.

1600 years after its legendary foundation, Venice continues to be unique: the urban environment, made of stone, earth, and water, and for its legendary history. But, above all, Venice is unique for its identity as a city of oxymorons, holding together opposing DNA in a formidable contradiction: the allure of decadence, and the frenzy of the avant-garde. VENEZIA-INFINITA AVANGUARDIA is a labyrinth of stories, works of art, palaces, celebrities of social and cultural life, places, extravagances, and traditions. It's a sensory experience made of lights, water, and music. Beside connections and suggestions, testaments flow by of art historians, urbanists, sociologists, philosophers, curators, musicians, writers, journalists, artists, and our contemporaries.

Engines of the future. The true creators of the revolution. Revolutions of the spirit. The stars of the Russian avant-garde of the early 20th century managed to make a real world revolution. Their works, their ideas still influence the life of every modern person. The film will focus on the Russian avant-garde in art and literature. Vladimir Mayakovsky, Marc Chagall, Vasily Kandinsky, David Burliuk, Velimir Khlebnikov, Vladimir Tatlin and many others - they were called hooligans and rowdies from art, and they were looking for a new form for a new life. They changed everything - from painting and architecture to advertising and music. It was a challenge to the whole world, a rebellion and an attempt to create a man of the future. That is why modern young people should talk about the most revolutionary trend in art. They try on the roles of avant-gardists, evaluate situations and facts, looking into the past from the 21st century.

A film about the great 20th century sculptor whose work was inspired by the cubism of the 1920s, and her life story which contains all possible dramas for a creative person living in the previous century.

A unique film in which an elderly man creates miracles in his daily life by playing the leading role himself. The film depicts the process of creating a mysterious world that transcends reality through the act of filming and leads to a surrealistic conclusion.

Thematic anthology of : Le retour a la Maison (1923) by Man Ray; Emak-Bakia (1926) by Man Ray; L'Etoile de Mer (1928) by Man Ray; Les Mysteres Du Chateau de Dé (1929) by Man Ray; Rhythmus 21 (1921) by Hans Richter; Vormittagsspuk (1928) by Hans Richter; Anemic Cinema (1926) by Marcel Duchamp; Ballet Mecanique (1924) by Fernand Léger; Le Tempestaire (1947) by Jean Epstein; Romance Sentimentale (1930) by Grigori Aleksandrov and Sergei M. Eisenstein; La Coquille et le Clergyman (1928) by Germaine Dulac; Regen (Rain) (1929) by Joris Ivens and Mannus Franken

The film about Nam June Paik, the pioneer of video art, provides insight into his multifaceted artistic work and at the same time paints a biographical portrait of the Korean artist.

A documentary made in collaboration with students at Konan University, retracing the history of EXPO '70 and attempting to track down the actress who performed in Toshio Matsumoto's installation in the Textiles Pavilion, "Space Projection Ako." Featuring interviews with historians, scholars and artists including Yokoo Tadanori, Norio Imai, and more.

In her three-part series VALIE EXPORT takes a look at the themes of "staged space - staged time", "real movement - movable reality", and "structural film", a genre which no longer exists on public-service television. Using numerous examples from films prepared for the specific media, for example by Wojciek Bruszewski, Malcolm LeGrice, Sergey Eisenstein, Maya Deren, Kurt Kren, Yvonne Rainer, Anne Severson, Alfred Hitchcock, Linda Christanell, Gary Beydler and Marc Adrian, narrative and non-narrative forms of story-telling are examined and compared. Adrian appears in a live interview, and he attempts to explain the conditions of production, methods and Zeitgeist through his own work, including his first computer film, Random (1963). The advanced level of this film is also indicated by the high density of theoretical quotes from Christian Metz, Charles S. Peirce, Vsevolod I. Pudovkin and Ferdinand de Saussure.

In 1989, a group of avant-garde artists who had collaborated in private for years received permission to organize their own exhibition at the National Art Museum of China. However, one of the terms was to exclude performance artists from participating. The seven artists who were left out took action. At the opening ceremony, their lives changed as the sounds of gunfire rang out.

Short Experimental - Art - Film discovers the French Revolution and its values and expressing abstractly its dissemination via body, materials, and history. Thoughts, Secrets, and even Evils of Marie Antoinette and the Rebels are reflected.

Inspired by the music of Lindsay Katt, The Avant-Gardener follows the colorful life of an artist discovering her voice. As she learns from the mistakes of her parents, she struggles to find the balance between self-expression, commitment to her lovers, and the intense drive to further her creative passion. We follow her journey as she delves deep into her subconscious, an often terrifying place, to find the answers she seeks.

A girl returns to a town of punks and burn-outs, seeking help to cure her vegetative, elderly friend.

Edo Avant-Garde reveals the pivotal role Japanese artists of the Edo era (1603 – 1868) played in setting the stage for the “modern art” movement in the West. During the Edo era, while a pacified Japan isolated itself from the world, audacious Japanese artists innovated stylization, abstraction, minimalism, surrealism, geometric composition and the illusion of 3-D. Their elegant originality is most striking in images of the natural world depicted on folding screens and scrolls by Sotatsu, Korin, Okyo, Rosetsu, Shohaku and many others who left their art unsigned.

SILENT AVANT-GARDE offers an essential collection of 21 short art film experiments in HD to 5K scans made from 35mm and 16mm picture elements. Highlights include brand new digital restorations of classic experimental films, The Enchanted City (1922), Return to Reason (1923), Ballet Mechanique (1924, 1931), The Twenty-Four Dollar Island (1925), Eisenstein Mexican Footage (1930), Escape, Synchromy No. 4 (1938), The Eclipse (1936-1949), Look Park (1973), and Tenga fe (2022). Each film features a brilliant accompaniment of original silent film music specially prepared, composed, improvised and/ or performed by a master of experimental new music. SILENT AVANT-GARDE desires to focus on the creative possibilities of image, sound, and silence used in American-made experimental films of the 20th century.

Amidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape.

The documentary examines Frank Zappa and his music through archive footage, including unique video excerpts from Austrian television archives featuring interviews with Zappa and backstage scenes from the 1970s and 1980s. The entire film is divided into chapters discussing the most important themes in Zappa's life and work.

A documentary of an avant-garde theatre performance, presents an orgiastic rite of sex, degradation, and bloody sacrifice, performed by Zero-Jigen.

In support of experiences that are essentially common, but to which language does not easily adhere, the video passes through places that are both themselves, and stand-ins for others. The title is taken from Aleister Crowley’s 1918 translation of the "Tao Te Ching."

"In my film I suggest that there is no greater mystery than that of the protagonists. War and Love are simply equated for what they are; the aftermath is inevitable, and a normal human condition, for which like the ancients one can only have pity and understanding. In this lies the mystery. All else is irrelevant. That there are other sub-currents of equal power in The Mysteries goes without saying; and, those who are capable of the numerous visual visitations and annunciations which the film offers them will realize what is the Ultimate Mystery of my work."

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.

A pulsing, kaleidoscope of images set to an energetic soundtrack. This is a world in motion, dominated by mechanical and repetitive images, with a few moments of solitude in a garden.

A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.

A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.

In an urban Indian city, A struggling actor battles for his career, but his friend who loses money in a scam deal commits an action that puts both of their lives in danger. The three last days before the incident follows the struggling actor, an ambitious filmmaker, a wannabe hustler, an opportunist, a lover and two cinephile thugs, through an inter-twining vignette of their lives.

A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.

Global Groove was a collaborative piece by Nam June Paik and John Godfrey. Paik, amongst other artists who shared the same vision in the 1960s, saw the potential in the television beyond it being a one-sided medium to present programs and commercials. Instead, he saw it more as a place to facilitate a free flow of information exchange. He wanted to strip away the limitations from copyright system and network restrictions and bring in a new TV culture where information could be accessed inexpensively and conveniently. The full length of the piece ran 28 minutes and was first broadcasted in January 30, 1974 on WNET.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

Director of this movie gave an advertisement in many Yugoslav papers calling everybody who wants to act in movie regardless of age, look or profession to reply. From 7000 arrived letters, about 30 heroes were picked up for the movie and its story was made based on what they wished to play.

A bunch of spectators trapped in a cinema theatre.

A young writer struggling to create a good story meets a cute waitress and imagination and fantasy blossom.

This hand-painted step-printed film begins in a field of white light slightly bespeckled with ephemeral glazes of flecks of silver which gradually give way to pale suggestions of pastel colors. These take shape occasionally and flicker the forthcoming bits of solid colored and multiply formed abstract images, a few brief sequences-of-such intersperced with the cloud-suggestive silvered passages as at beginning, which eventually end the film.

An experimental, psychedelic odyssey through Japanese subculture experienced via the eyes of a disillusioned young man, who must contend with intense familial dysfunction, psychosexual alienation, and existentialist malaise.

In 1919 an art school opened in Germany that would change the world forever. It was called the Bauhaus. A century later, its radical thinking still shapes our lives today. Bauhaus 100 is the story of Walter Gropius, architect and founder of the Bauhaus, and the teachers and students he gathered to form this influential school. Traumatised by his experiences during the Great War, and determined that technology should never again be used for destruction, Gropius decided to reinvent the way art and design were taught. At the Bauhaus, all the disciplines would come together to create the buildings of the future, and define a new way of living in the modern world.

The creative processes of avant-garde composer Philip Glass and progressive director/designer Robert Wilson are examined in this film. It documents their collaboration on this tradition breaking opera.

An immersion into the surreal and dreamlike world of painter, photographer and filmmaker Man Ray (1890-1976), one of the most prolific American visual artists, through four of his short films, brought to life by the atmospheric music of SQÜRL.

Irene, grieving the loss of her parents and yearning for their affection, begins a journey filled with life lessons. Along the way, she meets Andi, who teaches her the importance of self-reliance as the ultimate source of support in life.

After discovering a once-in-a-lifetime player with a rocky past abroad, a down on his luck basketball scout takes it upon himself to bring the phenom to the States without his team's approval. Against the odds, they have one final shot to prove they have what it takes to make it in the NBA.

With the core members Shin Sasakubo and Daisuke Aoki, as well as a revolving set of members depending on the contents of the work, the CHICHIBU AVANT-GARDE art collective engages in expressive activities such as music, film, art, photography, writing, and theater. Filmed in 8 mm film there is a distinctive color and texture, and a seemingly nostalgic impression from the land pattern of Chichibu that is the stage, but it has an unknown sense of apprehension. A variety of emotions and scenes come to light, such as a sense of frustration, relief or fear, some kind of madness, or warmth.

With the core members Shin Sasakubo and Daisuke Aoki, as well as a revolving set of members depending on the contents of the work, the CHICHIBU AVANT-GARDE art collective engages in expressive activities such as music, film, art, photography, writing, and theater. Filmed in 8 mm film there is a distinctive color and texture, and a seemingly nostalgic impression from the land pattern of Chichibu that is the stage, but it has an unknown sense of apprehension. A variety of emotions and scenes come to light, such as a sense of frustration, relief or fear, some kind of madness, or warmth.