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Tension mounts between a director and his lead actress on the set of a sexually explicit low-budget film. As the actress and her co-star develop real feelings for each other, the director's jealousy erupts and he begins sabotaging his own production.

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.

The people of Antiquity had little problem with nudity and would not find graphic depictions of sexual acts as morally suspect or obscene. But Christianity changed perspectives, bringing in notions of shame and the negation of the body. This documentary looks at the erotic in art over the last two thousand years.

Filmmaker and educator Cao Shu captures the history of art in an experimental short film that lasts for less than one minute. Throughout the film, the central character goes through the small motions of everyday movements like checking the time and having a drink, with each frame rendered in a different art historical style. The film starts in ancient Egypt and progresses through Chinese ink paintings and Japanese block prints to Modigliani and Basquiat-style portraits. Cao renders a vast array of art styles in a manner that is evocative without being overworked.

Filmmaker Alicia Dhanifu, who appears in director Jamaa Fanaka’s Emma Mae, constructs a rigorous and beautifully rendered history of belly dancing — its roots and history, forms and meanings. The filmmaker performs this art as well, alone and with other dancers. —Shannon Kelley

Veiled in mystery, the secret society of the Japanese geisha has fascinated Westerners for centuries. This revealing program charts the history and art of the geisha, from the society's all-male origins to the beautiful kimono-clad women trained from childhood to carry on the age-old tradition. Exploring the contemporary practice of the craft as well as its surrounding controversy, this program offers an enlightening look into the geisha culture.

Produced by the Palais de Tokyo in Paris, Smith's short video parodies the sort of cultural and educational programming interlude that one might see on European or American public television. Famous Quotes From Art History presents the bon mots of Henri Matisse as drolly recited, in French, by Smith, who then executes Matisse's suggestions with hilarious literalism.

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Many twentieth century European artists, such as Paul Gauguin or Pablo Picasso, were influenced by art brought to Europe from African and Asian colonies. How to frame these Modernist works today when the idea of the primitive in art is problematic?

Sun Tzu's book Art of War, written 2,400 years ago, is the ultimate how-to for winning. Take a look at epic battles throughout history that prove an understanding of his strategy is the most dangerous weapon of all.

An exploration of the pendulum between religion and sex throughout modern human history.

The Holographic Universe Theory of Art History (THUTOAH), investigates the holographic principle and the theory that our universe could be understood as a vast and complex hologram, and hypothesises that, beyond acknowledged art historical contexts and imperatives, artists may have also been unconsciously attempting to describe the holographic nature of the universe. Projecting over 25,000 chronological images from art history (from cave painting to global contemporary art, including outsider and psychedelic art), THUTOAH echoes conceptually the actions of CERN's particle accelerator, the Large Hadron Collider (LHC), accelerating at 25 images per second in a looped sequence. Alongside this colossal library of images is a soundtrack of interviews with scientists at CERN about the holographic principle and my Holographic Universe Theory of Art History.

Fireworks enchant our senses – for a short but wonderful moment. Old family businesses have saved the tradition of fireworks to the present day. The film shows how this art form has developed over the centuries: Starting in China over a thousand years ago, we journey through the opulent Baroque era in Italy, Germany and France, experience Japanese hanabi artists in action and are also on hand to experience Guy Fawkes’ Night in the UK. We see how fireworks were democratised, becoming something that everyone could enjoy and have access to - before arriving in the present where the art of fireworks is again what it was in its heyday, a celebration of money, power and beauty.

A look at the Sun, the star that revolves at the center of the Solar System, and its representation in art throughout history.

When Susan Rennie retired from academia, she returned to her first love – photography. With humor and wit, Rennie’s photographic interventions offer a feminist critique of the conventional canon of art history, and an unabashed embrace of her elder, queer identity. The results are juicy, eye-opening, and often hilarious.

Nine philosophy films directed by John Occam Yu, covering nine themes: epistemology, ethics, economics, metaphysics, social science, natural science, aesthetics, capitalism... Inspired by Socrates, they explore various problems through the form of dialogue.

Through the passage of time, there was one format that could rival the sound quality of any other, the analog reel-to-reel tape recorder, and this is her story.

Following the development of non-secular art in the seventeenth century, the world of art in the eighteenth century assumed a more decorative role with a greater emphasis on pastoral themes. This episode features the work of Watteau, Boucher, Hogarth, Gainsborough and Reynolds.

As the strict classical disciplines of the eighteenth century began to fade, two very different movements came to prominence: from Constable and Turner influenced by nature, through to the stirring works of Goya and Gericault. This episode explores the genius of works such as The Third of May and The Haywain.

Between Dreams and History profiles American-born artist Shimon Attie as he attempts to create an ambitious work of public art in the United States after six years of artistic and public success in Europe.

While on a trip to Paris with his fiancée's family, a nostalgic screenwriter finds himself mysteriously going back to the 1920s every day at midnight.

For three and a half centuries, from the same day that Diego Velázquez (1599-1660) applied his last brushstroke to the canvas, the enigma of “Las meninas, o La familia de Felipe IV” (1656) has not been deciphered. The secret story of a painting unveiled as if it was the resolution of a perfect crime.

Katherine Watson is a recent UCLA graduate hired to teach art history at the prestigious all-female Wellesley College, in 1953. Determined to confront the outdated mores of society and the institution that embraces them, Katherine inspires her traditional students, including Betty and Joan, to challenge the lives they are expected to lead.

In November 15, 2017, the painting Salvator Mundi, attributed to Italian artist Leonardo da Vinci (1452-1519), was sold for an unprecedented $450 million. An examination of the dirty secrets of the art world and the surprising story of how a work of art is capable of upsetting both personal and geopolitical interests.

When four distant cousins inherit a 19th-century home in Normandy, they decide to visit and examine their family history. No one has lived there since the 1940s, and the cousins are intrigued by all of the items they find there, little things that help them to understand their ancestor, Adèle Vermillard. Jumping back and forth in time, they meet the mysterious Adèle, whose bohemian lifestyle, and her relationships with the leading artists of the time, changes their lives.

The representation of genitalia in the fine arts was censored for centuries: sexual organs were discreetly hidden among fig leaves, pearls or sheets; and it is still a taboo today. From Antiquity to the present day, the history of puritanism applied to art and the tricks used by artists to circumvent censorship.

The Renaissance master Botticelli spent over a decade painting and drawing hell as the poet Dante described it. The film takes us on a journey through hell with fascinating and exciting insights into Botticelli's art and its hidden story.

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A daughter is constantly overshadowed by her famous father, but she is determined to make her own mark in the world.

Documentary in which art critic Waldemar Januszczak argues that beauty is still to be found in modern art, despite several recent books claiming the contrary.

An account of the life and work of the multidisciplinary Spanish artist Mariano Fortuny Madrazo (1871-1949), textile and fashion designer, set designer, photographer, painter and engraver, known as the Leonardo Da Vinci of the 20th century.

French writer Jean-Claude Carrière (1931-2021) traces the life and work of Spanish painter Francisco de Goya (1746-1828).

In 1940, the German artist Charlotte Salomon (1917-43) undertook an extraordinary artistic adventure, during which she combined painting, text and music: in only eighteen months, she painted more than a thousand paintings. In 1943, she was arrested by the Nazis and sent to the Auschwitz extermination camp.

The inner world of the great painter Max Ernst is the subject of this film. One of the principal founders of Surrealism, Max Ernst explores the nature of materials and the emotional significance of shapes to combine with his collages and netherworld canvases. The director and Ernst together use the film creatively as a medium to explain the artist's own development.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

In 1937, the Nazi regime launched its war on modernity, branding artists like Picasso, Chagall, Van Gogh, and Matisse as “degenerate”. Their works were banned, destroyed, or mocked in grotesque exhibitions, while Aryan ideals were glorified in state-sponsored shows. Framed by a major new exhibition at the Musée Picasso in Paris, the documentary revisits this ideological assault through rare footage, suppressed artworks, and the voices of curators and survivors. It broadens its scope to music, literature, and architecture, exposing how the Reich targeted all forms of dissenting expression. A timely meditation on repression, resistance, and the enduring fight for creative freedom.

This made-for-TV documentary introduces the layperson to concepts and technologies that were emerging in computer interface design in the late 1980s and early 1990s: hypertext, multimedia, virtual assistants, interactive video, 3D animation, and virtual reality.

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A portrait of the visionary Dutch artist M. C. Escher (1898-1972), according to his own words, taken from his diary, his correspondence and the texts of his lectures.