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Ramón Alvia is a professional boxer who, although he has won several international championships, is old and is at the end of his career. He resists. In the gym, Ramon discovers among the young boxers Deborah, a beautiful girl.

It is the story of Eleanor, a good housewife who lives with her husband, Fernando, and their two children. Deeply loves her husband and does not question the reciprocity of love and fidelity. One day, circumstantially, discovers her husband is cheating. Leonor emotionally feels betrayed and realizes that his world, based on a lie, has collapsed like a house of cards. With more fear than conviction, leaving the house, leaving little signs with instructions for their march and trust their children to the care of her husband.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

Out of work, Diego has only one goal: to return to live in the Capital no matter the cost. After leaving his family in Delta del Tigre, he becomes an obsessive salesman inside a building's showroom: a perfect model that will lead him to experience absurd situations on the verge of madness.

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

A hostage situation gone bad. Jesús, an amateur thief, holds prisoner a group of clients. But nothing is what it seems. Behind the gates of the drugstore the story will unfold in two times. On one side, to the inevitable end: the police will shoot their way inn. And on the other side, to the past, unveiling how Jesús got caught in this situation, where the hostages are not the real victims, but something more sinister. Retracing step by step, reveling the truth, playing with the prejudices and beliefs of the audience on racial hate, social prejudices, and the intolerance. How far are we willing to go to survive?

The story and diary of a young adult that, in order to learn and understand her own identity, had to learn to march the streets and the value of what it means to legislate over our own bodies.

Juan, a young rural bandit, is in a relationship with a lady who is wanted by the aggressive town commissioner. He must solve his problems with the law, even if it costs him to lose love. Based on the story of Juan Bautista Vairoletto, 'The Argentinian Robin Hood'.

Pata Marsilla was at the former nightclub when the tragedy of Cromañón (2004) happened in Argentina. Although he was only seventeen years old, he remembers every step he took that night. His words come alive through a recreation of how a concert turns into horror.

A love story between two women who, in the early ‘90s, connect both their lives with a thread that soon turns into a feat of experimentation, joy and bonds of one of the most ferocious generations of Argentine female filmmakers.

Short documentary about the passion of Argentine Tango. The self-management of street artists who make a living from this dance and its music. The documentary calls young people to visit and frequent "milongas" and other tango places where this dance culturally identifies us as Argentines.

At a tabern in the argentine interior, xenophobia among gauchos is in charge of blurring the line between the law and the trap.

Lacho Cuevas is the old thief of the town, exiled years ago because of his crimes. However, due to a series of robberies against the town's merchants, Cuevas is hired by the Sheriff to help catch the mysterious thief "Black Rider".

No description available for this movie.

The night shift clerk at a sex hotel, suffering from narcolepsy, is faced with a night when things are unusually busy and housekeeping finds a gun in room 6.

Deep in the forest a group of five friends wander around like a lion herd. Lost in their word games, they play and seduce each other while going back and forth into adulthood territory, in a desperate search to avoid their already written story.

Buenos Aires, 1994. Memé Tizou is a famous vedette whose name shines brightly on the marquee of Corrientes Avenue, at least until the show’s producer, Armando, announces the decision to hire a younger woman. This decision leaves Memé confronted with a challenging question: what is she capable of doing to prove her place belongs on stage?

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.

Andrés waits at the wrong bus stop, there he meets Lucía who offers to help him search for the correct stop. Together, they take a journey not only through the beautiful and melancholic city of Córdoba at night, but also through their thoughts and ideas about the city, people, music, and life.