Search Results for "antibes"

When George (Sven-Bertil Taube), a half-blind widower, learns that his children (Malin Morgan, Dan Ekborg) have conceived an elaborate plan to get their hands on his assets before he dies, he must confront his life choices. After catching his young home help Maria (Rebecca Ferguson's screen debut) red-handed in the act of stealing, George blackmails her into assisting him in a counterattack, triggering off a chain reaction in the family. George's children discover that he has a secret mistress in France.

When a notorious German serial killer is captured after committing some of the most heinous acts against humanity ever imaginable, a farmer and police officer from a sleepy rural community on the outskirts of Berlin is drawn into the case as he searches for the answers to a murder that has shaken his tight-knit community.

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Nina Simone live at Jazz à Juan — the International Jazz Festival in Juan-les-Pins, Antibes, France on July 24th, 1965. Nina performed twice at Jazz à Juan in 1965: on July 24th and July 25th. This is the full recording of Nina's first concert that year. Nina appears with Lisle Atkinson (on bass), Rudy Stevenson (on guitar & flute) and Bobby Hamilton (on drums)

Four football fans go to a match in Portugal.

In June 1946, the sculptor and photographer Michel Sima met with Pablo Picasso in Antibes. At Picasso's request, day after day Sima photographed Picasso's works-in-progress in the workshop he found for him at Grimaldi Palace.

The UN General Assembly regards antibiotic-resistance as a "global and most urgent threat". The WHO alarms that we could fall back into a "post-antibiotic age". The film tells us how we got there: It is a story about how negligence, greed, and short-sightedness have rendered the lifesaving effects of antibiotics powerless. It is a science-thriller about disillusioned, fighting doctors, rebellious scientists, patients wrestling with life-threatening diseases and diplomats searching for a global solution. They all are Resistance Fighters.

No description available for this movie.

No description available for this movie.

After witnessing the sudden death of a student in a classroom, a cowardly young teacher will face a whole classroom of students who have not yet died suddenly, as well as his own indistinguishable past, in which he exhibits his "name view" in preaching and self-doubt, and a class will pass.

Eager to find a better life abroad, a Senegalese woman becomes a mere governess to a family in southern France, suffering from discrimination and marginalization.

Put in charge of his young son, Ali leaves Belgium for Antibes to live with his sister and her husband as a family. Ali's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

Do you ever try to imagine the last crime? Suspect that Robocop is the 99%? Or wish that the pigs would off themselves, so you don’t have to? Leave it to Hollywood and the Anti-Banality Union, in POLICE MORTALITY, the vengeful follow-up to last year’s 9/11 bonanza UNCLEAR HOLOCAUST. Police Mortality is a partisan mashup of over 120 Hollywood popcorn films about, you guessed it, COPS! The result? One feature-length, schizophrenic supercut about police violence and breaking the news, Michael Bay's penchant for property destruction and the filmic unconscious, among other things. After a veteran detective commits suicide, it is up to the homicide squad to turn it into a murder… Then the uniforms start piling up. Strikes, occupations, and riots ensue, and society begins to crumble… finally! Can the force prevent itself from imploding? Will it be more Rambo than Dirty Harry? Is this movie actually a documentary?

Unclear Holocaust is a feature-length autopsy of Hollywood's New York-destruction fantasy, gleaned from over fifty major studio event-movies and detourned into one relentless orgy of representational genocide. It is the unrivaled assembly of the greatest amount of capital and private property heretofore captured in one frame, that, with unfathomable narrative efficacy, suicides itself in an annihilatory flux of fire, water, and aeronautics.

State of Emergence is a zombie movie without zombies. Society asks: Who is the enemy? From where does he attack? How do we distinguish him from one of our own, and how do we immunize ourselves against him? But it's too late for these questions. The illness that society feels victimized by has metastasized to an irreversible degree. It can't be cured with surgery, heavy medication, or even wholesale amputation. "Stability at all costs! No life-support machine is too expensive!" But the virus is becoming stronger than its host, and its hostility is irrepressible. Something's happening. Prepare yourselves. Call the Police! Call the Army! Stock up and wait for this whole thing to blow over. But soon it's inescapable - it's everywhere. "You are stronger than us, but soon I think, they'll be stronger than you." Maybe it's time to see how the other half lives.

James Spooner travels the fiction route with White Lies, Black Sheep, but also interweaves the rudimentary elements of nonfiction (location and behavioral-fueled observation and insight) into this journey -- to such a degree that the outing might well be termed a "scripted documentary." Ayinde Howell stars as Ajamu "A.J." Talib, a young indie rock promoter at ease amid the New York club scene. Though officially Afro-American, he is neither continually conscious of his racial identity, nor -- it seems -- all that affected by it. Meanwhile, his Caucasian buddy Josh (Jeremy Bobb) appears to be grappling with his own racial identity by suppressing his "whiteness" and both acting and thinking black -- dating African-American women, aggressively and vociferously touting The Autobiography of Malcolm X, etc. Initially, though A.J. insists that his African-American heritage is neither here nor there for him, he begins to observe the myriad ways in which it impacts his social relationships.

Helen receives a cypher message about a jewel robbery and trails the yeggmen to their lair. Discovered, Helen is bound and gagged and thrown into a box car, but gets loose, and leaps to the ground from the speeding train. The crooks are captured, Helen's pluck wins Billy's heart, but, as usual, she refuses, with an eye on next week's adventure.

Discharged for drinking, Coleman attempts to get even by releasing the brakes on an empty boxcar, to which is coupled a flatcar, allowing them to run wild down the main line on which he knows the president's special is coming. Coleman does not know that his children, Helen and Paul, are playing on the flat car.

"Two prosecutors are investigating a series of homicides. The deaths are based on imitating a killer who was convicted several years ago. To catch the copycat, the prosecutors will have to interrogate the imprisoned man to help them understand his method. But the thing is, the convicted man and one of the prosecutors share a criminal record, and this will pose a challenge to the investigation."