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The Epilogue of the "Aesthetics of Fascism" series.

In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.

Washed-up revolutionary Bob exists in a state of stoned paranoia, surviving off-grid with his spirited, self-reliant daughter, Willa. When his evil nemesis resurfaces after 16 years and she goes missing, the former radical scrambles to find her, father and daughter both battling the consequences of his past.

A compilation of four film edits.

A weak-willed Italian man becomes a fascist flunky who goes abroad to arrange the assassination of his old teacher, now a political dissident.

Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.

Working with children led Barskaya to create superb direct sound and an inspired style of shooting. Don’t look for conventional cinematic syntax here. The film is chaotic in the way that Soviet films still knew how to be, and Langlois couldn’t help but be seduced by its rebellious spirit, its anarchy and love of children, comparable to Vigo’s Zero de conduite. As well as being a film made with and for children, it offers a complex take on Western society. Pre-Nazi Germany is not named as such but is carefully reconstructed, possibly under advice from Karl Radek, and children offer a playful reflection of class struggle – doubly excluded, as proletarians and as minors. “They play in the same way that they live”, one intertitle says. The interaction between their comical games and the yet more ludicrous ones played by adults is developed on several levels.

This short animation collage uncovers the financial backing of the Chilean Junta bosses by the US. Screened at the 1976 Oberhausen Int. Film Festival.

On his way from Madrid to Paris, Diego, a chief of the Spanish Communist Party, is arrested at the border for an ID check but manages to flee. When he arrives in Paris, he searches for one of his comrades to prevent him from going to Madrid where he could be arrested.

Don Anselmo, a retired old man, decides to buy a motorized disabled stroller since all his pensioner friends own one. His family strongly refuses him to purchase the vehicle, so don Anselmo decides to take extreme measures to achieve his goal…

As one of Belgrade’s last DIY anti-nationalist spaces faces closure, its community gathers for a final night — a farewell that becomes a quiet act of resistance.

Propaganda short film depicting the rise of Nazism in Germany and how political propaganda is similarly used in the United States. The film was made to make the case for the desegregation of the United States armed forces.

At the end of the Spanish Civil War, the members of a group of vaudeville performers have been stripped of everything: all they have left is hunger and the instinct to survive. Day after day, agonizingly, lost and helpless between the victors and the vanquished, the musician Jorge, the ventriloquist Enrique, the couplet singer Rocío and the orphan Miguel search tirelessly for something to eat and a safe place to live.

Lisbon, 1938. Mr. Pereira is the editor of the culture section of an evening paper. Although fascism is on the rise in Europe, like in nearby civil war Spain or even inside Portugal itself in the form of Salazar's regime, Pereira only concerns himself with writing bios and translating French novels. Things change after he hires a young writer as his assistant, getting to know also his girlfriend – both opponents to the regime – and reluctantly helps them when they begin to get in trouble for subversive activities. Eventually, he's forced to take a stand...

This film is the first of a two-part historical and biographical portrait of the communist politician and anti-fascist Ernst Thälmann. In early November 1918, Ernst Thälmann is an unwilling soldier serving on the western front. As the revolutionary movement at home is threatened by the betrayal of the Social Democrats and fissures in the working class, Thälmann calls on his fellow soldiers to put down their weapons and unite with the workers in the communist struggle at home. Thälmann’s qualms about which side he is fighting on continue, but when the local police attempt to prevent a shipment of provisions and supplies from reaching the people in Petrograd, he intervenes and the ship is unloaded. With this moment of clarity, Thälmann continues to follow his political convictions and joins the workers at the Hamburg uprising in October 1923.

A French documentary on how groups of youth in Paris generated a backlash against the NeoNazi skinhead subculture, and by doing so earned themselves the nickname Chasseurs de Skins or 'Skinhead Hunters'.

The Spanish Civil War (1936-1939) caused a great impression on the lives of most of the American artists of that era, so many movies were made in Hollywood about it. The final defeat of the Spanish Republic left an open wound in the hearts of those who sympathized with its cause. The eventful life of screenwriter Alvah Bessie (1904-1985), one of the Hollywood Ten, serves to analyze this sadness, the tragedy of Spain and its consequences.

Investigators from the organization Hope Not Hate track down members of far-right factions who are planning demonstrations and intimidation campaigns.

No description available for this movie.

Activist, lover, visionary, renegade - For 75 years, Abe Osheroff fought on the front lines of social activism - from the battlefields of the Spanish Civil War to the killing fields of Nicaragua; from the witch hunts of McCarthy to the sharecroppers of Mississippi to streets all across the United States, Osheroff put his life on the line to keep justice alive. Through the unflinching lens of this documentary feature, this master storyteller takes us on an insightful journey inside the defining conflicts of 20th Century activism with irreverent humor and unwavering commitment to a lifetime of engagement. Osheroff's confessions strike a resounding chord in today's world with a singular voice that never stopped chanting "yes we can!"

The year 1944... The year of the victorious turning point in the WWII, but the Baltic theater of naval battles is still quiet. While performing a combat mission, torpedo boat commander Boris Shubin accidentally discovers a secret fairway of an unmarked German submarine. Unforeseen chance throws him on the "Flying Dutchman" and gives him the opportunity to open the veil of the strictest secrecy of the Third Reich, which surrounds her....