Search Results for "animated art"

Plunge into exciting, strange and beautiful animated worlds with Radio 1 film critic Ali Plumb as he celebrates the new breed of animators whose short films include malicious toasters, cheeky Glaswegian pigeons, job-haunting ghosts and incredibly smelly fungi. Stylistically, the films include a beautiful pen and ink evocation of Manchester architecture, a super-real, digital recreation of the human body and all points between. Fanny Eaton: The Forgotten Pre-Raphaelite Model; Headless Population; It's Not the End of the World; It's Raining, It's Pouring; Job Haunting; Mirrors; Noise; Songs of the City; Spirit Corp.; The Gift; When the Tides Went Down; Glas & Gorm; Stinkhorn; The Last Train; Wheeze; What Is Love?

Explore exciting, strange and thought-provoking worlds with broadcaster, gamer and animation fan Elle Osili-Wood. Through abstract designs, 2D animation and stop motion techniques, Elle showcases the next generation of makers with this collection of new short films. Stories of wellbeing, grief, lockdown and climate change make us think about today’s society and find shared experiences in unexpected places. Feeding Grief to Animals; Bearly Functional; Birth of the Telephone; Blodeuwedd's Gift; Confessions of an English Ant-Eater; Everyone Has My Jacket; The Flood; Growing Plains; Mental Roots; Misophonia; Sensory Chaos; Silence and Her Roommate; Unbound; Urban Fox; wūûūwūûū; Rawr; Worlds Apart

Nearly century-old history, Brazilian animation brings rich and stimulating stories and characters that built the path until nowadays.

A film directed by Piotr Bosacki, as part of the The Mischievous Musings of Piotr Bosacki program from the Ottawa International Animation Festival 2019

The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

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