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The film takes place entirely in one room and is based on a series of six repetitive shots. These shots establish a schema, a set of expectations which are then undermined. The film favours image rather than sound, in contrast to most narrative film, and the sound, where it occurs, serves only to confound or displace any meaning that is established. There are people, activities, a location and a hint of story. The film, however, cannot be mentally reassembled into anything like what it hints at in its depiction of bits of mundane domestic activity. On the contrary, it intends to confound any such attempt at a coherent reconstruction, preferring instead to leave the viewer with a lingering sense of doubt. – N.H.

Anagram is about a split personality who struggles to save himself from the drug addiction and eradicates the source where he buys and supplies from

In the depths of the image and imagination hide bodies suspended between perception and projection, a shadow-space for collective dreaming. Meticulously constructed on 16mm film and structured around Balinese dance and Gamelan ritual, Anagram pays homage to the work of pioneering dancer and filmmaker Maya Deren, who carried dance into the heart of cinema.

Legendary British actor Michael Caine, who began his brilliant career on stage during the 1950s, talks about his private life, his work in film and the books he has written.

The starting point for this film is an eighteenth-century musical dice game attributed to Wolfgang Amadeus Mozart. A sequence of short, precomposed musical options are randomly selected through rolling dice and following a table of rules; these sequences are then patched together to create a new composition. Here we see one possible result of this chance procedure.

Light breaks the darkness in playful rapture.

Based on McLaren's Begone Dull Care (1949), Dix anagrammes autour de Norman McLaren uses an “anagram machine” to modify words in French and English. This fun bilingual experimentation with words combines a variety of animation techniques and features music by Peter Culshaw.

Aron has a date with a bold girl who invites him to a second original date. While being there, Aron starts giving free rein to his imagination...

A couple without children, a couple with three children and a gay couple with a son from a previous marriage, four stories intertwine.

The film I made from Gary Henoch and Harlow Robinson’s footage, An Anagram is not a documentary at all, but rather a poetic essay on the impact of the sudden collapse of a belief system on a culture. It has a 17 part quasi-musical structure inspired by Dmitri Shostakovich's Preludes and Fugues that at times ignores the literal meaning of certain interviews for the fragrant affect of the language and body language; that is, certain interactions are left un-translated so that the viewer is given full and unfettered access to the musical spirit that animates the arguments and quarrels caught so delicately in the sound and images. - Daniel Barnett

Mr. Hoppy is a shy old man who lives alone in an apartment building. For many years, he has been secretly in love with Mrs. Silver, a woman who lives below him. Mr. Hoppy frequently leans over his balcony and exchanges polite conversation with Mrs. Silver, but he is too shy to disclose how he feels. Mr. Hoppy longs to express his feelings to Mrs. Silver, but he can never bring his lips to form the words. Mrs. Silver has a small pet tortoise, Alfie, whom she loves very much. One morning, Mrs. Silver mentions to Mr. Hoppy that even though she has had Alfie for many years, her pet has only grown a tiny bit and has gained only three ounces in weight. She confesses that she wishes she knew of some way to make her little Alfie grown into a larger, more dignified tortoise. Mr. Hoppy suddenly thinks of a way to give Mrs. Silver her wish and win her affection.