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Raton Pass is a curious western based on the rules of Community Property. Dennis Morgan and Patricia Neal portray a recently married husband and wife, each of whom owns half of a huge cattle ranch. Neal is a tad more ambitious than her husband, and with the help of a little legal chicanery she tries to obtain Morgan's half of the spread. He balks, so she hires a few gunslingers to press the issue. In a 1951 western, the greedy party usually came to a sorry end; Raton Pass adheres strictly to tradition.

Kathy leaves the newspaper business to marry homicide detective Bill, but is frustrated by his lack of ambition and the banality of life in the suburbs. Her drive to advance Bill's career soon takes her down a dangerous path.

Needing to fill the position of general manager of his company, and believing that an executive's wife is crucial to her husband's success, auto industry mogul Gifford brings three couples to New York to size up: Jerry and Carol: he hard-driven and self-reliant, she willing to use her beauty to further her husband's career; Sid and Elizabeth, he ulcer-ridden and torn between achieving success and restoring their troubled marriage, she positive that his job will kill him, but gamely agreeing to play the good wife for the duration; and down-to-earth Bill, whose good-natured Katie fears that his promotion would spell the end of their idyllic familiy existence.

In the lower-middle-class Adams family, father and son are happy to work in a drugstore, but mother and daughter Alice try every possible social-climbing stratagem despite snubs and embarrassment. When Alice finally meets her dream man Arthur, mother nags father into a risky business venture and plans to impress Alice's beau with an "upscale" family dinner. Will the excruciating results drive Arthur away?