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Teenager Kiki runs away from home, angry at her mother Jane's profession as a back-street abortionist. For her daughter's sake, Jane retires and finds religion, repenting her sins. Months later, Kiki faints on the street and wakes up in hospital with Jane by her side. The last hope for Kiki is that Jane can return to her former profession...

African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.

Two naive high-school students must deal with the unexpected consequences after a night of passion.

Homer is an orphan who was never adopted, becoming the favorite of orphanage director Dr. Larch. Dr. Larch imparts his full medical knowledge on Homer, who becomes a skilled, albeit unlicensed, physician. But Homer yearns for a self-chosen life outside the orphanage. What will Homer learn about life and love in the cider house? What of the destiny that Dr. Larch has planned for him?

Exploring the rise of anti-abortion groups in Canada, the filmmaker also presents the feminist and pro-choice response that is being organized across the country.

A young girl is forced to continue working at her machine all day in a 1930s shoe factory after a visit to a backyard abortionist. Based on the short story 'How beautiful are thy feet' by Alan Marshall.

Dr. Stannard Wayne -- like all "good" men of the times -- is a God-fearing soul. He marries the former mistress of his friend, Dr. Arthur Richards, without knowing her past. Richards, an abortionist, resumes his affair with the woman and runs off with her. But before he leaves, he frames Wayne for one of the illegal operations he has done, and the innocent man is sent to prison for five years. When he gets out, Wayne has become angry and cynical.

This film shows contrasting views of women with problematic pregnancies and the outcomes resulting when they seek out a back-alley abortionist, a trained and licensed abortion provider in a clinic, or an obstetrician capable of performing a Caesarian Section. The full film appears to be lost, but shortened versions, including one with dialogue scenes added in Germany in 1935, can be found on the internet. Additionally, Eisenstein's role in making the picture remains unclear: did he direct some or all of it, just edit it, or merely leave it to Alexandrov and Tisse to make? Released in the USA 1930 in a 65 minute (5800 ft.) version with English intertitles and a music track under the title BIRTH.

A married woman with an unwanted pregnancy lives in a time in America where she can't get a legal abortion and works with a group of suburban women to find help.

Country girl Helena falls in love with an artist painting the local village scenery and one evening she lets herself be seduced by him. The artists leaves but soon invites Helena to Prague where they make love again. Helena then returns home to her sick father and refuses the constant attentions of the gamekeeper Rýza. After some time she realizes that she is pregnant. Since she knows that the artist will not marry her, she goes to visit her aunt who takes her to an abortionist. When the girl returns home after the abortion she discovers her father has died. The opportunist aunt sees her chance and moves in with Helena and persuades her to marry Rýza.

When Ashley, a poor college student, takes a nanny job in rural Indiana, she's kidnapped by a family forcing young women to bear children. Nomi, a survivor of assault seeking an abortion, unknowingly steps into the same family's trap.