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A parody PSA discussing the inner workings of film photography and how to become a master photographer.

Jennifer West won a 35mm film print of Michelangelo Antonioni’s film Red Desert (1964) on Russian Ebay and dragged it along the Pink Beach off the coast of Sardinia, Italy, where some scenes of the film were shot. Fragments of coral and crushed shell create pink-hued sand that mark the surface of Antonioni’s first color film. Grains of sand and rocks coalesce upon and scratch the surface of the film, which was then transferred to HD frame by frame.

A man watching TV stumbles upon his new favorite channel: himself.

A broadcaster goes on the air for one last time.

Somewhere between the mountains and valleys a small autumn flower bloomed.

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

The sun rises over the tide pools of coastal Maine.

A wordless vacation on a catamaran between a Father and his Son, where the Captain sails the boat while they both relax.

A young mariachi faces his first performance alone but discovers his brother has always been by his side.

In a darkened booth high above the audience, a lone projectionist threads reels of 35mm film through a machine older than many who come to watch. The Man in the Upper Room is a one-day documentary that captures the sacred solitude of one of cinema’s last keepers. Shot in a single 24-hour period, the film is both a portrait and a meditation: on ritual, on the fragility of tradition, and on the quiet hands that keep the magic alive. As theaters shutter and celluloid vanishes, this intimate story asks a simple question: why does it still matter to gather in the dark and let light tell us who we are?

A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.

White’s camera offers several 360-degree pans of views of the fairground, then amazes by tilting up and down the Eiffel Tower, and concludes with a stunning tracking shot to the highest point above Paris. Exhibitors freely grouped films into nascent narratives such as those displayed here. - Bruce Posner

"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956

A previously lost political satire animation about Arturo Alessandri, the recently elect president of Chile at that time.

All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.

A lensless exploration of hair on 35mm film.

An executive recalls how he may have ended up going from his golf game to an autopsy room.

A young woman buys a secondhand film camera with leftover film inside. She and her boyfriend take it out to shoot photos at an abandoned building. When they develop the film, they notice mysterious traces appearing in their photos.

Fleeting moments of connection.

No description available for this movie.

In this animation that blends 35mm film illustration, digital art, cartoon, collage, computer graphics, and generated imagery, a dwarf comet crosses galaxies in search of its lost companion until it reaches the limits of its reality.