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In 1959, expatriate American writer Paul Bowles published Their Heads Are Green, Their Hands are Blue, a collection of travel essays largely drawn from a three-year journey through Morocco to meet the country’s tribes and record their music. Fifty years later, directors Karim Debbagh and Jay Bulgur retrace his steps, capturing many of the same pieces of music – which are handed down from one generation to the next – on film. A mysterious soundscape of musical rituals, dealing with fertility, birth, circumcision, grief, coming of age, marriage, divorce, life, death and art, it is both a historical record and, thanks to the elevating nature of the music, food for the soul.

John Garrity, his estranged wife and their young son embark on a perilous journey to find sanctuary as a planet-killing comet hurtles toward Earth. Amid terrifying accounts of cities getting levelled, the Garritys experience the best and worst in humanity. As the countdown to the global apocalypse approaches zero, their incredible trek culminates in a desperate and last-minute flight to a possible safe haven.

Algeria, the 1930s. Younes is nine years old when he is put in his uncle's care in Oran. Rebaptized Jonas, he grows up among the Rio Salado youths, with whom he becomes friends. Emilie is one of the gang; everyone is in love with her. A great love story develops between Jonas and Emilie, which is soon unsettled by the conflicts troubling the country.

Summer 1998—Kabul under Taliban rule. Zunaira and Mohsen are young and in love. Despite the daily violence and misery, they hope for a better future. One day, a foolish gesture causes life to take an irrevocable turn.

An Arab surgeon living in Tel Aviv discovers a dark secret about his wife in the aftermath of a suicide bombing.