Damián Dreizik

A renowned sommelier finds a way to communicate with her past self in an attempt to correct the mistakes that have shaped her life. However, each message sent triggers unexpected consequences, altering not only her present but also the fates of those around her. What begins as an opportunity to make amends for the past becomes a race against time to prevent everything from spiraling out of control.

After embracing her female identity, Rubén rejects her Bar Mitzvah. When tragedy strikes years later, she returns as Mumy Singer to celebrate it her way.

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

In 1982 the Malvinas war affected combatants from Argentina and the United Kingdom. The shock wave of the crisis shook thousands of souls in many countries. This documentary tells five stories of civilians whose lives changed forever by the conflict. An inquiry about being in the right place, at the right time, or the opposite

The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.

In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Epecuén was one of the most important touristic villages of Argentina. Thousands of people concurred, attracted by the healing properties of its thermal waters. On November 10th 1985, a huge volume of water broke the protecting embankment and the village was submerged under ten meters of salt water. Epecuén disappeared. Thirty years later, the waters receded and the ruins of Epecuén emerged exposing a bleak and deserted landscape. The residents never returned. The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuén. Ignoring the warnings, and after a brief tour, they get stranded in the abandoned village. Contrary to what they thought, they begin to realize that they are really not alone…

Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.