Tommy Redmond Hicks

Paul Miller has struggled as an actor in Hollywood for years, and now he's had enough. But not just of show business-of life. In two days, he's going to kill himself. But in true Hollywood style, he's hired a film crew to chronicle his last moments and the events leading up to them; it's the role of a lifetime. Often ironic and darkly comical, this is the story of a man searching for meaning and hope. This is the story of two days in the life of Paul Miller. The only question is, will they be his last?

Director Charles Burnett (Killer of Sheep, My Brother's Wedding, To Sleep with Anger) presents a tale about a young boy's encounter with his family in Mississippi in the 1950s, and intergenerational tensions between the heavenly strains of gospel and the devilish moans of the blues.

Policeman Stevie Grimes never lost his trust in the police force but has been suspended a few months for accidentally shooting and killing a young boy. Because of lack of evidence in court and with some help from his former partner, Stevie soon finds himself working as a policeman again. When Stevie returns to the police force he is bound to a desk job. Stevie misses the action of the streets and asks his former partner who has been promoted to lieutenant, if there are any interesting assignments available, the lieutenant knows just a case that Stevie can work out perfectly. The lieutenant and Stevie do however share a dark secret... It wasn't Stevie that shot the young boy but somebody very important within the police force, Stevie took the fall out of loyalty.

A Jamaican widower recently released from a mental institution and a former housewife with an imagined lover in the form of 19th-century composer Giacomo Puccini become the unlikely tenants of an eccentric widow in Los Angeles.

J.J. is a rookie in the Sheriff's Department and the first black officer at that station. Racial tensions run high in the department as some of J.J.'s fellow officers resent his presence. His only real friend is the other new trooper, the first female officer to work there, who also suffers similar discrimination in the otherwise all-white male work environment. When J.J. becomes increasingly aware of police corruption during the murder trial of Teddy Woods, whom he helped to arrest, he faces difficult decisions and puts himself into grave personal danger in the service of justice.

A female assassin named "Quick" is hired to bring in a Mafia accountant, who is under police protection. Double crossed by the mafia, she takes her hostage to California to retrieve $3M that he took before running. The mafia and Quick's untrustworthy boyfriend are on the trail.

One night Jefferson Reed gets hit in the chest by a souped-up chunk of meteor. So he can fly, but he's scared of heights. He can master the information in any book ... for about thirty seconds. Now his friends and family want him to protect their community from the dreaded Golden Lords.

A homicide detective (Michael Madsen) falls for a resort owner (Laura Johnson) suspected of slaying a playboy developer.

A computer expert embezzles half a million dollars and races off to Reno to start anew. Unfortunately, en route, he picks up a pair of hitchers and ends up entangled with a crazed couple who commandeer his car and leave him alone in the desert to die. As soon as he can, he hits the road to get revenge and to find his money before they do.

In the early 1960s, a quintet of hopeful, young African-American men form an amateur vocal group called The Five Heartbeats. After an initially rocky start, the group improves, turns pro, and rises to become a top flight music sensation. Along the way, however, the guys learn many hard lessons about the reality of the music industry.