István Znamenák

Rita, an ordinary, but lonely woman is kidnapped. Her captors are the Árpáds; they claim she is not called Rita but Szilvi, a runaway from their family. Rita eventually understands that the only way out is in - to escape she must impersonate Szilvi. The more she becomes the lost girl the more she finds out about the family - and understands that her life is on the line.

After the death of his brother, modern-day slave Gábor (50) along with another slave Veronika tries to find his deceased brother’s papers to properly bury him outside the farm. Their captors would want to keep this all quiet and hinder Gábor from doing so.

Surreal story about an old lady, who request a permit from the bureau to sneeze. Sneezing is prohibited.

2123. Faced with diminishing resources, the human race can only survive through a trade-off: at the age of 50, every citizen is gradually turned into a tree. When Stefan discovers that his beloved wife Nora has voluntarily signed up for donating her own body before her time, he sets out on an adventurous journey to save her at all costs.

It’s summer in Budapest, high school student Abel is struggling to focus on his final exams, whilst coming to the realisation that he is hopelessly in love with his best friend Janka. The studious Janka has her own unrequited love with married history teacher Jakab—who had a previous confrontation with Abel’s conservative father. The tensions of a polarised society come unexpectedly to the surface when Abel’s history graduation exam turns into a national scandal.

Set in 19th century Vienna, Ignac Semmelweis, a short-tempered but passionate doctor, delivers babies and carries out autopsies on a daily basis while looking for the cause of puerperal fever, the mysterious epidemic that decimates patients in the hospital.

A young court bailiff's first eviction case turns into a nightmare because of a desperate old lady who is willing to sacrifice everything to keep her home.

A single mother’s adventure by the seaside leads her to recognise her unnecessary martyrdom for her disabled teenage daughter.

Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.

In a world where childbirth is state-regulated, a couple applies for a license to have a child. They pass the first round of the process, but have no idea what awaits them in the second round.