William Grefé

Explore the independent horror film scene that Florida has been vigorously pumping out since the invention of film. Jam-packed with Interviews, exploitation, never-before-seen footage and cinema madness. Watch and learn about films new and old in this exclusive documentary made for cult horror fans.

Jay Katz & Miss Death have been the king and queen of Sydneys underground cinema scene for over 30 years. This 2 hour compilation highlights their final quest to survive the 2020 pandemic by producing original content from The Mu Meson Archives

A decades old murder comes to light as an unknowing author uncovers a dark mystery while on a retreat. Haunted by a victim's ghost, she now must find the killers identity through her dreams before the killer finds her first.

After goofball Rich accidentally decapitates his best friend Benny while trimming a Christmas tree with a machete, he's forced to go on a quest to find God's bong and use it to bring his friend back to life. Az the Demon and Boogar.

Savage! Sadistic! Thrill hungry! When it came to independent filmmaking in the sunshine state, William Grefé was the wildest of the wild! During the 1960s and '70s, the Miami-based producer/director transformed the darkest corners of the Florida swamps into his own personal backlot. From rampaging crocodiles possessed by an ancient Seminole witch doctor (DEATH CURSE OF TARTU) to a slithering serpent named STANLEY, William Grefé would grind out low-budget exploitation films for drive-ins and hardtops around the world. Now, without the benefit of cages or other protective devices, the untold story of Florida's most daring moviemaker comes to the screen...IN PSYCHEDELIC COLOR!

Feature-length documentary about the early history of American International Pictures.

When young women head into the Everglades, they are killed, one by one, by the vengeful spirit of a Seminole warrior.

Two filmmakers, Steven Brack and William Grefé, have a disagreement over what constitutes a good horror film, leading one of them to take an extreme solution to their debate that is "Poe"-etic.

A making of documentary on the cult classic STANLEY.

Triton Indutries has created a genetically-engineered creature using DNA from human sources. During the course of the experiment, however, the host mother carrying the mutant escapes from the laboratory compound, giving birth shortly thereafter. The intellient "baby" beings hunting down and killing its male DNA donors, while at the same time trying to mate with its female donors. The head of the lab wants to destroy the monster before the press can get wind of the story, but the former head of security wants to expose the whole thing.