
Ursula Andress (born March 19, 1936) is a Swiss actress and former model who often appeared in American, British, and Italian films. A popular sex symbol of the 1960s, she was often cast in risqué roles which earned the nickname "Ursula Undress". She is best remembered today for her role as Honey Ryder in the first Bond film Dr. No (1962).
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Everything started from the house of Celebrity Big Brother after statements by Adua Del Vesco and Massimiliano Morra. With the death of Teodosio Losito on January 8, 2019, an inquiry was opened by the Prosecutor’s Office of Rome for incitement to suicide, at the end of which the dismissal was requested.

In the 1950s, a small group of artists monopolized the attention of the cameras and the public. Frank Sinatra, Dean Martin, Sammy Davis Jr., Joey Bishop and Peter Lawford together form the "rat pack": they sing the most popular hits of the moment, star in the most profitable Hollywood films and are already making a splash on television . This documentary, produced by a recognized specialist in the history of Hollywood, recounts the exceptional destiny of this informal group which flirted with the greats of this world, notably through Sinatra, personal friend of American President Kennedy.

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Dazzling appearances by Ursula Andress, Teresa Graves, Gloria Loring, Bobbi Martin, Romy Schneider, Miss United Kingdom, Miss Worlds, The Golddiggers, and more! Astronaut Neil Armstrong answers questions about being the first man on the moon, and Bob and Cincinnati Reds catcher Johnny Bench trade zingers. Musical and dance performances from Suzanne Charny, Lola Falana, Connie Moore, Connie Stevens, and others. Legendary top dancers The Nicholas Brothers and jugglers The Pierro Brothers. Bob delivers messages from home to service members.

Jean-Paul Belmondo returns to the settings of a fantastic career, accompanied by his son Paul. Over a career spanning 50 years, Jean-Paul Belmondo’s movies drew over 130 million people into cinemas. This logbook takes us back to sets and countries, from where we can revisit the films in reference and find out about his fruitful collaborations with various directors. Paul Belmondo will lead the investigation, meeting the stars and his father’s friends (eye-witnesses all) and questioning his father about his journey, sharing it with us so we can discover the man and his story like never before.

The documentary's main focus is on the works and some controversial episodes from personal life of Gualtiero Jacopetti, one of the originators of mondo films, also called "shockumentaries".

A sex in cinema retrospective that uncovers long-forgotten gems buried for years as well as some of the most significant films in the history of sex on the screen. Controversial and groundbreaking films, you’ll discover the most memorable and erotic scenes of the decade as well as insightful and controversial bios on each actress. In many cases it was their first and only nude appearance on film, making this a must-have reference guide to nudity in cinema.

Elmyr de Hory was called "The Myth of our Century" when he was revealed as a master forger in 1968. Born in 1905, he made an estimated 1000 fake paintings, primarily in the style of the post-impressionists before he died - or disappeared - in 1976. In addition to faking paintings, Elmyr de Hory often faked his own identity, and traveled easily throughout Europe's high society.

After shooting to fame with Federico Fellini’s “La Dolce Vita” (1960), actor Marcello Mastroianni (1924-1996) starred in more than 160 films in his nearly half-a-century career. Directors Mario Canale and Annarosa Morri look into the melancholic charm of one of the most famous Italian actors through interviews with his two daughters, Barbara and Chiara; directors Fellini and Luchino Visconti; actresses Claudia Cardinale and Anouk Aimee; and in archival footage of Mastroianni himself. The subject matter ranges from Mastroianni’s passion for kidney-bean pasta and his addiction to the telephone to his famous laziness, humility and talent. Shown in black-and-white, Mastroianni — elegantly holding a cigarette in between his fingers — is undeniably the dandy.

A daft road movie about two aging thesps in search of Klopfenstein himself.
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