Román Chalbaud

A thesis on the history, the successes and failures of Venezuelan and Latin American cinema as a whole; demonstrating how little interaction there is between Ibero-American cinema

Documentary that has unpublished testimonies from Román Chalbaud, director of El pez que fuma, an emblematic Venezuelan film from the 1970s; as well as funny conversations with the actors, 40 years after the premiere of the film. Made from a solid video-newspaper investigation, the film has unpublished stills and behind-the-scenes scenes, as well as incredible technical anecdotes, explanations about the montage and the rehearsal of scenes.

Beginning with his childhood and covering the many facets that characterized his intellectual universe, this documentary details the different aspects of the most important venezuelan writer of the 60s, 70s and 80s: José Ignacio Cabrujas.

During a military uprising known as “El Porteñazo”, a priest is photographed while trying to help a soldier wounded in combat. The photo travels the world and is awarded the most important prizes in photojournalism, such as the Pulitzer Prize and the World Press. Throughout this documentary, photographers, editors and witnesses reveal various aspects surrounding that image: who is the priest, who was its author, the events that surrounded the photographic event, what was its political role and what said image represents in the history of Venezuelan journalism. Additionally, it allows the presentation of other photographs, some unpublished, that Rondón managed to capture in those difficult moments.

A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera

The political leader Alberto Carnevali, secretly returns to his country to plot against the dictatorship of Marcos Perez Jimenez. The Intense subversive struggle brings the torture of many of his comrades.

Benito Zamora, a conspirator against the Perezjimenista government, uses Leonor Montes, a young vedette friend of a colonel, to find information. National Security is pursuing Benito to dismantle the plot.