Annie Sprinkle

A BODY TO LIVE IN offers an uncompromising look at the rise of BDSM performance art, body modification and the ‘modern primitives’ cultural movement through the agonies and ecstasies of transgressive artist Fakir Musafar and the communities that surrounded him. Blending rare archival footage with the voices of queer and artistic trailblazers, the film shows how pain, ritual, and transformation became tools of identity, survival, and self-expression. Weaving from early experiments and secret gatherings to the emergence of a global subculture shaped by the AIDS crisis and spiritual reinvention, Director Angelo Madsen (NORTH BY CURRENT) reveals not just the story of one artist, but a collective history of bodies in revolt - asking what it truly means to live freely in one’s own skin.

From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.

Three filmmakers dive deep into the storied and complex legacy of Ms. magazine through the lens of some of its most iconic covers, featuring never-before-seen archival footage and engaging interviews with the powerful women who shaped the magazine at its inception over fifty years ago

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

The Unabridged Mrs. Vera’s Daybook tells a story of historic activism and community art through the works of two San Francisco artists and long-term AIDS survivors. During one of the darkest periods in US history, two men decide to bring joy and color to a broken community for which an entire movement has emerged. Supporters, fellow activists and members of the queer art community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.

Light your black candles and start the chant! Culled from 16mm prints found in Something Weird’s attic, SMUT WITHOUT SMUT: SATANIC HORROR NITE is an exclusive feature-length mixtape curated by the Lucifer-worshipping maniacs at the American Genre Film Archive (AGFA). Best viewed during the witching hour at a haunted drive-in, this mixtape features “Smut Without Smut” versions of six Satan-themed features, as well as trailers, commercials, and ephemera from the vaults. WATCH! Demon killers wearing makeup in the style of the band KISS! SEE! Sacrificial rites performed on kitchen tables! OBSERVE! Credits like “Co-starring Raquel Belch!” Dreamy, outrageous, and filled with naked people wearing velvet capes, SMUT WITHOUT SMUT: SATANIC HORROR NITE is a spicy treat for those souls who are brave enough to jump into the fire.

20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.

A documentary journey, both investigative and autobiographical, into the world of female ejaculation, covering the fields of film, literature, performance, activism and sex education.

Since the dawn of cinema, sex workers have been portrayed (mostly negatively) by filmmakers. With equal parts historical overview, critique, and homage, this eye-opening film lets real-life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark, and how perpetuating stereotypes in media affects real peoples' lives.

This movie is a queer history of the environment, taking root in the powerful paradigm change: to switch from ‘Earth as a mother’ to ‘Earth as a Lover’.