Annie Sprinkle

An intimate inquiry into the life and work of Fakir Musafar, an influential figure in the queer body-modification community. The film explores his outsized impact and the formation of the “Modern Primitive” movement through decades of archives and interviews with those close to him. Creative treatment of the archives presents them as living texts—photos and video are layered, inverted, and interpolated to bring them new meaning and texture. Angelo Madsen’s sophomore feature is supplemented by seamlessly interwoven personal accounts to craft an portrayal that is loving yet not afraid of critique, embracing both the joy of self-discovery as well as the complex spirituality Musafar came to represent. Through his life and work, the film gives rise to profound questions of bodily autonomy and the body’s relationship to our sense of self.

From the creators of the first queer environmental documentary feature films comes a hot new offering. The third chapter is their most epic and daring yet — fusing art, activism, and intimate storytelling in a touching journey through crisis, change, and renewal. When a firestorm rips through their redwood forest home, two artist-activists — Beth Stephens & Annie Sprinkle —emerge with a powerful message of love, resilience, and ecological hope, guided by a relationship with their magical peacock.

Three filmmakers dive deep into the storied and complex legacy of Ms. magazine through the lens of some of its most iconic covers, featuring never-before-seen archival footage and engaging interviews with the powerful women who shaped the magazine at its inception over fifty years ago

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

The Unabridged Mrs. Vera’s Daybook tells a story of historic activism and community art through the works of two San Francisco artists and long-term AIDS survivors. During one of the darkest periods in US history, two men decide to bring joy and color to a broken community for which an entire movement has emerged. Supporters, fellow activists and members of the queer art community join the film to help paint this vivid portrait of perseverance, compassion and outrageous dime-store fashion.

Light your black candles and start the chant! Culled from 16mm prints found in Something Weird’s attic, SMUT WITHOUT SMUT: SATANIC HORROR NITE is an exclusive feature-length mixtape curated by the Lucifer-worshipping maniacs at the American Genre Film Archive (AGFA). Best viewed during the witching hour at a haunted drive-in, this mixtape features “Smut Without Smut” versions of six Satan-themed features, as well as trailers, commercials, and ephemera from the vaults. WATCH! Demon killers wearing makeup in the style of the band KISS! SEE! Sacrificial rites performed on kitchen tables! OBSERVE! Credits like “Co-starring Raquel Belch!” Dreamy, outrageous, and filled with naked people wearing velvet capes, SMUT WITHOUT SMUT: SATANIC HORROR NITE is a spicy treat for those souls who are brave enough to jump into the fire.

20 years after Gendernauts, Monika Treut seeks out the pioneers of the transgender movement back then to find out how their lives and their activism have evolved, how they have grown into their identities and how their energy continues to have an impact today.

A documentary journey, both investigative and autobiographical, into the world of female ejaculation, covering the fields of film, literature, performance, activism and sex education.

Since the dawn of cinema, sex workers have been portrayed (mostly negatively) by filmmakers. With equal parts historical overview, critique, and homage, this eye-opening film lets real-life dommes, escorts, porn stars and hustlers tell you which films they love and which they hate, which get it right and which miss the mark, and how perpetuating stereotypes in media affects real peoples' lives.

This movie is a queer history of the environment, taking root in the powerful paradigm change: to switch from ‘Earth as a mother’ to ‘Earth as a Lover’.